Patrick Raymond is a Creative Executive at Mandalay Pictures where he gets to work on his passion every day: cultivating amazing stories and working with great writers. Prior to joining Mandalay, Patrick studied business and film production at the University of Southern California. He worked in the financial services industry for four years before transitioning to entertainment, where he worked as a production assistant in television for four years.After that he transitioned to working at Gersh in the production department but he also gained exposure to the literary world, working with writers and story. He then moved over to LD Entertainment for three years, where he was a Creative Executive, working with writers and helping build scripts and acquire ideas for new projects. Here he had the opportunity to work for Tate Taylor on a James Brown biopic entitled, Get On Up, and learned about assembling large studio films. He has since transitioned to the Creative Executive position at Mandalay Pictures. Patrick was born in Alaska and raised in Seattle prior to moving to LA. Full Bio »
Learn directly from leading creative executive at Mandalay Pictures, Patrick Raymond!
Every screenwriter has a goal they set out to accomplish. The mark of a great screenplay usually depends on whether or not this goal was achieved. Aside from being a visually arresting film, 'Ex Machina' stands apart as one of the great recent screenplays and finds its success in bringing forth engaging ideas, strong characterization and lofty goals.
What is it about this intriguing and unsettling piece that resonates with audiences across the globe? What makes this ambitious screenplay cinematic as opposed to something we can watch on television or other formats? We are going to dig deep into the pages to identify the mechanisms and components that are utilized by Writer/Director Alex Garland the really bring the pages to life. I'm excited to take this journey with you and look forward to our discussion.
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Learn directly from Patrick Raymond, a development executive at Mandalay Pictures which sold biopic Birth Of a Nation at the 2016 Sundance Film Festival for a record-breaking $17.5 million! Stage 32's "Deconstructing the Script" series has emerged as one of the most helpful ways to learn and improve your own screenwriting skills. By breaking down some of the top scripts in the marketplace, this exclusive series shows you choices screenwriters make in plot, dialogue, pacing, tone, world and description that will help inform your own writing. Even better - Stage 32 brings in working creative and development executives to break down each script - from their own perspective - so you can better understand how executives see writing and develop projects. In this Stage 32 Next Level Webinar, Deconstructing The Script: Oscar-Nominated Straight Outta Compton, we have brought in Patrick Raymond, Creative Executive at Mandalay Pictures, as your host to break down the script for this Oscar-nominated biopic. Recently Patrick's production company sold biopic Birth of a Nation at the 2016 Sundance Film Festival for a record breaking $17.5 million! Even though Straight Outta Compton is a biopic, the structure, themes and world-building is applicable to any narrative feature screenwriting. In this 90-minute online webinar Patrick will work through the script, identifying the key elements, characters, and plot points that make this more than just a biopic but also a statement, keeping the tone and voice consistent throughout as it relates to the subject matter. He will identify specific scenes that support the themes and identify not just specific plot points, but also highlight relevancy for the modern audience/culture. You will be able to see margin notes and specific script examples from Straight Outta Compton to learn how and why choices were made. As a development executive in Hollywood, Patrick has a plethora of experience reading and developing various musical biopics. Straight Outta Compton is one of Patrick's favorite scripts from 2015 and "...from a story and script level, stands as one of the best." Find out why by registering for this Stage 32 Next Level Webinar.
When people think of Manchester By the Sea, they think of an independent film drama that finds comfort in its misery. There is a stoic color palate that highlights the depressing grey of New England and its melancholy protagonist. The script (and film) are also filled with a certain quirkiness and comedy typical of the American working class city by the sea. Through its incredible pain, there are rays of sunshine and humanity that are delicately written and incredibly effective. We've brought in the Development Executive for Mandalay Pictures, Patrick Raymond, to deconstruct this Oscar-winning script. What we will discuss and uncover is the process and elements required that enabled a film as seemingly small and intimate, like Manchester, to become a commercial and critical success. We also will address the elements of writing that attract A-level talent and help create characters that support great performances. Patrick looks forward to the discussion. All attendees will receive the Manchester by the Sea script and we highly recommend you read it in advance of the webinar.
One of the most useful things a writer can do is to team up with a mentor to help them on their journey. Too many writers try to navigate through the script writing process without guidance. Wouldn't you want a mentor that develops and sells material for a living to help you take the mystery work out of your journey? The most successful writers in the industry have their own mentors to make sure they are going in the right direction - do the same for yourself. Stage 32 Happy Writers is thrilled to bring back our 8 Week Working Writer's Lab. This is one of our most hands on, prestigious and talked about labs and we only offer it a few times a year. To find the perfect teacher we go through our rolodex of 400 executives and hand pick an executive that is one of the most raved about from our writers. Your teacher for this lab will be Patrick Raymond, creative executive at Mandalay Pictures! Patrick has assisted a number of our writers on strengthening their scripts and he is excited to help you bring your concept to life. With interactive lectures and weekly homework assignments directly geared towards bringing your concept to life, PLUS ongoing contact with Patrick in between classes, your experience writing has never been easier. Under The Guidance of Patrick Raymond you will: Pick a unique and commercially viable concept. Craft engaging, unique characters that pop off the page. A solid structural skeleton that successfully carries your concept. Cinematic set pieces that will give your story that much-wanted theatrical feel. A fully realized outline highlighting every major plot point in your script. The Objective of the Lab is: To take the mystery work out of picking a concept that can sell. To match you with an executive that will assist you with making sure all your script's elements is as strong as possible. Give you an experience on how development executives develop projects that are now on their company's slate. Class ScheduleWEEK #1 – The Story of Me; Your Questions; Your Stories General class overview. Patrick's history and experiences. What Patrick loves writing about and why. What he looks for in a good story/screenplay. Any initial queries raised in the pre-class questionnaire. NOTE: Given the online format, Patrick will use this week’s “office hours” to more personally respond to/discuss the ideas you are contemplating working on during the Lab. WEEK #2 – Character Creating strong, unique memorable characters. How to have them best serve your story, the genre, themes, etc. Dialogue and voice. Patrick will cover some examples, including personal experience. WEEK #3 – Act I; Premise into Story How to make the leap from basic premise/concept and characters into a full-blooded story. Where to start. What to include in Act 1. Where does Act 1 end and Act 2 begin? Creating a world and setting a tone. Patrick will discuss examples of strong (attention-grabbing and/or smartly-chosen) and weak (meandering, overstuffed, unfocused, etc.) beginnings. WEEK #4 – The Story So Far (Consultation) No on-line class this week. Instead, you will submit premise, Character Bio(s), and Act I outline for review; Patrick will discuss the materials individually in 30 minute phone calls and advise any changes/concerns. WEEK #5 – Act II; Structure and Plotting Plotting and development of your story across Act 2. Examples of structure (midpoints, end of Act 2, Internal/external conflict, etc. WEEK #6 – Theme; What’s it All About? How to ensure that your script isn’t just an escalation of events, but is a rich narrative experience that is hopefully actually about something. Topics to include Theme, Topicality, Relatability, Universality. WEEK #7 – Act III; Sticking the Landing Why 'when and how' to achieve a strong finish is arguably one of the most difficult parts of writing a screenplay. Examples of scripts/films that have accomplished this, as well as those that have not (and why). WEEK #8 – The Completed Outline (Consultation) No on-line class this week. Instead, you will turn in your completed outline for review; Patrick will then discuss with you over a 30-minute consultation. About Your Instructor, Patrick RaymondPatrick Raymond is a Creative Executive at Mandalay Pictures, Peter Gruber’s decades-old production company responsible for films such Sleepy Hollow, The Score, The Jacket, Into the Blue, When the Game Stands Tall and Horns. At Mandalay, Patrick gets to work on his passion every day: cultivating amazing stories and working with great writers.Prior to joining Mandalay, Patrick studied business and film production at the University of Southern California. He worked in the financial services industry for four years before transitioning to entertainment, where he worked as a production assistant in television for four years.After that he transitioned to working at Gersh in the production department but he also gained exposure to the literary world, working with writers and story. He then moved over to LD Entertainment for three years, where he was a Creative Executive, working with writers and helping build scripts and acquire ideas for new projects. Here he had the opportunity to work for Tate Taylor on a James Brown biopic entitled, Get On Up, and learned about assembling large studio films. He has since transitioned to the Creative Executive position at Mandalay Pictures. Patrick was born in Alaska and raised in Seattle prior to moving to LA.
"Ashley was fantastic. I liked his realistic and honest view on the job. We learned about the upsides and the downsides. And that is the part I’m Ashley most thankful for." -Thomas D. Wonderful and insightful class. Great look inside the industry from a manager's perspective, with reference materials too. Blunt and honest but very encouraging. -Darren T. Includes Exclusive Handouts Including Scripts, Query Letter Templates, Contact Lists and More! The truth is there’s a lot more that goes into being a full-time writer than just writing, and every successful writer working today has learned how to balance the craft with the business. And while each writer’s path to success is unique, it almost always involves building your toolkit, finding the right representation, getting noticed, and networking. These elements do not come easy and are not always self-explanatory. If you’re a writer that’s serious about building a career in this field, it’s crucial to learn how writers have achieved their goals in the past and how you can use the tools at your disposal to pave your own path to success. Ashley Berns is a long-time literary manager who worked at respected management company Circle of Confusion for 15 years before opening his own company, Leigh Hill Management. Over his career Ashley has represented writers and directors including Tony Jaswinski (THE SHALLOWS), Gary Whitta (ROGUE ONE: A STAR WARS STORY), two time Academy Award nominee Lucy Walker (WASTE LAND), Nicholl Fellowship winners Alisha Brophy & Scott Miles (INSIDE JOB/Netflix), and BAFTA winner Tinge Krishnan (INDUSTRY/HBO). Ashley also serves as executive producer for the Showtime series WORK IN PROGRESS. Over the course of four sessions, Ashley will dive deep into the steps you should be taking to build your writing career and the strategies, tips, and advice you can use to find your place in the industry. He will work directly with you in a class setting, focusing on four major aspects of a writer’s career—building your toolkit, finding representation, getting your work and yourself noticed, and networking. In addition, Ashley will provide material for future use including: Successful screenplays, particularly those that started as a query Management and agency lists Successful examples of queries TV pod deals, feature producer deals, film festival lists etc. If you are a screenwriter with the hopes of writing full time but aren't sure where to start, start here! WHAT TO EXPECT This class is designed for beginner and intermediate students looking to learn the ins and outs of screenwriting as a career This is an in-depth, practical, and detailed class with significantly more content than a standard 90-minute webinar. This class will consist of four sessions, each roughly two hours in duration. In addition to the presentation-style lessons where Ashley will be walking you through various elements of building a career in screenwriting, you will have the opportunity to ask him questions during each session. Plus, to stay motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the process. To see the full class schedule, see below under "What You Will Learn".
Write your own comedy pilot in just 6 weeks under the guidance of long-time literary manager Spencer Robinson 2 Spots Remain We've found ourselves in a time when EVERYONE is looking for comedic content. Network and streamer execs are picking up more comedy series than ever before, which means if you have an idea for a comedy series, now is the time to act. But first you, have to actually write the pilot. In this advanced, in-depth and interactive lab, you will be able to work one-on-one with literary manager Spencer Robinson to actually put pen to paper and write the comedy TV pilot that until now has only been bouncing around in your head. Whether you want to write a single-cam or multi-cam pilot or want to write for late night TV, Spencer is here to help you. He will guide you through creating engaging characters, building your world, perfecting your structure, constructing an outline and, finally, writing the three acts of your pilot. If you already have a concept, or even a completed pilot, Spencer will use the same tools to help you hone and sharpen your material. Throughout the course of this exclusive online lab, you will have direct access to Spencer as a mentor by email and via video conferencing as you write your pilot. Praise for Spencer's previous Stage 32 Writing Labs: "Spencer will get those who are ready on their way to a kickass first draft that you can send for coverage, which is what I did. 2 Considers and I'm in rewrites now to move that needle. This was my first ever TV pilot!" - Erika N. (now signed to Fineprint Literary Management after crafting her pilot with Spencer)
Payment plans available - contact firstname.lastname@example.org for details Only 4 Spots Remaining Complete your script through focused rewrites working one-on-one on Zoom with the former in-house story consultant for Blumhouse and IM Global Have you written a first draft of a horror script and now need to do proper and focused rewrites on it to make it viable for sale or production? Would working with a world-class professional horror script consultant and screenwriter make your good script into a great script that can change the trajectory of your career? Well this is your chance to attack your rewrites and finish off your killer horror screenplay. Over eight sessions in this exclusive Stage 32 lab, you'll work with horror master, Karina Wilson, to rewrite your script. This includes two one-on-one virtual meetings between you and Karina so that you're guaranteed direct feedback on your script's strengths and weaknesses and how to make it the very best that it can be. Karina has worked for over a decade with horror houses Blumhouse and IM Global, and on titles such as SKYLINE, 13 SINS, VIRAL, VAMPIRE ACADEMY, HORNS, and LORDS OF SALEM, among others. You'll learn how to execute the story notes you receive, how to understand the "note behind the note," and polish your script so that it's ready to submit to potential reps, competitions, producers and buyers. By the end of this lab, you will have reworked your initial screenplay draft and have a writing sample that you can send to managers, agents, and producers. Spots will be available first to those who have previously taken Karina's Level 2 Draft Writing Lab, with limited spots open to everyone else. Don't hesitate to snag your spot and perfect your horror feature working hand-in-glove with an industry horror expert today! Testimonials from Karina's previous Stage 32 Education: "She delivered on the topic and gave an informative lecture. I took many notes on how to immediately improve the horror script I'm writing now. That was my goal!" - Martha C. "I thought it was very informative and the speaker was well versed!" - Loretta C.