Chris Tangey is one of the most isolated cinematographers in the world. Based in the small town of Alice Springs, the de facto capital of the Australian outback, his nearest city in any direction is 1000 miles distant. He taught himself camera 30 years ago at a small regional TV station and only in the last 3 years has he expanded his skills into aerial images, currently with global success. He recently filmed all of the Australia vision for the Nathaniel Rateliff music video "Time Stands", shot on all 6 continents. Other aerial shoots include the 2 part finale of the U.S. 2020 season of THE BACHELOR for Warner Brothers, "Nomad: In the footsteps of Bruce Chatwin" under director and film legend Werner Herzog, a global TV commercial for Tourism Australia "Hemsworth", BBC's SEVEN WORLDS-ONE PLANET, and various other documentaries and TV commercials. So far in 2020 Chris has won 4 aerial imagery awards in New York, Amsterdam and Italy. He also has 2 Gold and 4 silver awards from the Australian Cinematographers Society (the ACS). Chris has quickly become a leader in the field of aerial imagery and is ready to share what he knows exclusively with the Stage 32 community. Full Bio »
Aerial images go back to when hot air balloons first went up in the 1700s, but the use of aerial images has exploded in the 21st century with the now ubiquitous Unmanned Aerial Vehicles, better known as drones. In very little time, drone photography has become widely—perhaps too widely—used in countless films, television shows, commercials, and other media projects. And along with this wide adoption of drones has come a demand for those who can successfully and artfully operate them. This presents a potentially lucrative and rewarding opportunity for cinematographers looking to expand their reach and build their skill set. Yet with the clear overuse of drone photography in media today, each to varying effects, it’s evident that not all drone shots are created equal, and standing out requires a deeper level of skills.
Adding drone cinematography to your film, tv or new media project can breathe new life into shots that may, in the past, have cost your budget heavily to rent the necessary equipment to get. In the same way, finding success with drones requires more than knowing simply how to pilot one; a cinematographer needs to have the eye and well-developed instincts and they need to understand how to work with clients and artists to get those perfect shots. It's important to know that the term ‘drone operator’ is often used for those that use these vehicles to capture video or images, but just as cinematographers are never simply referred to as ‘tripod operators’, neither should anyone simply be seen as a ‘drone operator’. A drone is just a new way to place the camera in incredibly exciting places, a tool in a tool belt. Better understanding the steps that can take you to this point can prove exciting and promising for a cinematographer’s career.
Chris Tangey is one of the most sought after drone cinematographers in the world. His impressive career as a cinematographer has him working for Netflix, Warner Bros. Columbia Tristar, BBC, National Geographic, Discovery, Lonely Plant and more. He recently won "Best Aerial Cinematography" in the European Cinematography Awards, and both "Best Drone" and "Best Scenography" In the New York International Film Awards. He was also awarded a Jury Commendation in the World Drone Awards in Siena Italy. He has 2 Gold and 4 silver awards from the Australian Cinematographers Society. Chris has quickly become a leader in the field of aerial imagery and is ready to share what he knows exclusively with the Stage 32 community.
Chris will give you the knowledge and tools to get you started to becoming a successful aerial cinematographer. He’ll begin by giving a brief introduction on drone photography, offering a history and understanding of what exactly drones, as well as how they have affected the current state of helicopter-based cinematography. He’ll explain the benefits and exciting potential of drone cinematography and how that has come into play in media today. He’ll lay out how drones and drone photographers work within small and large productions and their crews. Next Chris will give a rundown of how drones work, what the main types of drones are, what the main drone manufacturers are, and what the notable parts of a drone are. He’ll explain what features are offered for different drones and what features are needed for different types of projects. He’ll also give tips on where to buy your own drone as well as how to obtain a licence to legally operate them. Chris will then outline the safety and legal aspects of operating drones. He will teach you the governmental rules and regulations in most countries, including vertical separation rules and how both controlled and uncontrolled aerodromes are treated. He’ll give you tips on how to navigate these rules while still working with your clients and how to understand what your licence gives you the right to do. He’ll also provide strategies to work within the confines and limits to still get the shots you need as well as strategies to keep yourself and your crew safe. Chris will go over how to break into the industry as an aerial cinematographer. He’ll explain the current marketplace and help outline what level of the marketplace you should be targeting. He’ll give you tips on how to build a reel and display your ability to find opportunities and will teach you how to find and stick to your rate, including ways to not undercut the market, manage value-added rates, and offset licence rights against day rates. Chris will even offer case studies from his own career to demonstrate how best to work with clients and get the shots you’re after. Expect to leave with the knowledge and confidence you need to kick start your own aerial cinematography career.
"My career as a cinematographer has been “elevated" greatly by incorporating drones and knowing how to use them properly to get the best possible shot. I'm so excited to share my experiences with the Stage 32 community and give everyone the knowledge to use this powerful tool to their creative and financial advantage"
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In very little time, drone photography has become widely—perhaps too widely—used in countless films, television shows, commercials, and other media projects. And along with this wide adoption of drones has come a demand for those who can successfully and artfully operate them. This presents a potentially lucrative and rewarding opportunity for cinematographers looking to expand their reach and build their skill set. Yet with the clear overuse of drone photography in media today, each to varying effects, it’s evident that not all drone shots are created equal, and standing out requires a deeper level of skills. Adding drone cinematography to your film, TV or new media project can breathe new life into shots that may, in the past, have cost your budget heavily. But finding success with drones requires more than knowing simply how to pilot one; a cinematographer needs to understand how to properly use the tool and work with clients and artists to get those perfect shots. The truth is, for as often as drone camerawork is used in film, television and new media today, you can still stand out as a cinematographer in a big way by using drones smartly, artfully, and effectively. But what turns drone photography from mediocre to great? And how can you use this tool to stand out and not only enhance your current project but also help you get more work in the future? Chris Tangey is one of the most sought after drone cinematographers in the world. His impressive career as a cinematographer has him working for Netflix, Warner Bros. Columbia Tristar, BBC, National Geographic, Discovery, Lonely Plant and more. He recently won "Best Aerial Cinematography" in the European Cinematography Awards, and both "Best Drone" and "Best Scenography" In the New York International Film Awards. He was also awarded a Jury Commendation in the World Drone Awards in Siena Italy and has 2 Gold and 4 silver awards from the Australian Cinematographers Society. Chris has quickly become a leader in the field of aerial imagery and is ready to share what he knows exclusively with the Stage 32 community. Chris will continue his drone cinematography education by expanding into the more intermediate and advanced elements of creating a great drone shot and using your work to help you get work. He will begin by going over the nuts and bolts of operating a drone, including preparation and safety checks, proper thumb and finger placement, and what the 180 degree shutter rule is. He’ll also explain how to maintain the shutter rule with ND and PL filters and teach you how to properly take off and land. He will also give you tips of how to eliminate variables and trip points when planning your flight and will show you how to continue to improve. Next Chris will break down the anatomy of a good drone shot. He will explain when drones are useful and when they should actually replace a jib or dolly shot. He’ll talk about the importance of getting the shot you’re after and how to tell if you’re overshooting. Next Chris will discuss different types of cinematic drone shots, including landscape shots, dolly shots, and lift shots. Then he’ll go more in depth of when you SHOULD use a drone and when you SHOULDN’T, including questions you should ask yourself before using the drone, how best to plan your shot, and what situations are most effective for drones. Finally, Chris will go over how drones work in the industry and how this particular skill set fits in. He’ll teach you the best ways to show off your talent and get noticed and give you tips on pathways to find work, including networks and communities, forums and drones for hire databases, and how that intersects with representation. Chris will leave you with a lot more context, skills, strategies, and knowledge to start using drones for your project and stand out from the pack while doing it. This is Part 2 of Chris Tangey's Drone Cinematography Webinar Series. To check out Part 1, now available on demand, click here. "My career as a cinematographer has been “elevated" greatly by incorporating drones and knowing how to use them properly to get the best possible shot. I'm so excited to share my experiences with the Stage 32 community and give everyone the knowledge to use this powerful tool to their creative and financial advantage" -Chris Tangey
History is littered with the bones of many failed films which fell apart due to conflicts between the director and producer. While you'll often hear how important it is for a filmmaker to have relationships with all the vital players and department heads on his or her set (and it certainly is), the reality is that the relationship between the director and the lead producer is the one that will begin the earliest and last the longest throughout a particular project. A healthy, cohesive relationship between the film director and the producer will show the cast and crew that a united front has been formed and that everyone is pulling in the same direction. An unhealthy, bifurcated relationship will put the cast and crew on their heels, which will inevitably hurt the project. Directors and producers are often people of vision and power. Harnessed correctly and collaboratively, that combination can bring out the best in everyone and help to make a project stay on time, on budget, and on message and voice. Harnessed incorrectly, ego and hubris take over. It may seem obvious that communication is the key to assuring that the relationship flourishes, and that's not totally untrue. But the key to a productive and positive relationship between the director and producer is understanding all aspects of what needs to get done, recognizing what the other person's needs are, defining what's worth standing up for and what's worth letting go, and recognizing that at the end of the day, you're both fighting for the same result. As President of Production at Zero Gravity Management, Tai Duncan oversees film projects from inception to completion encompassing all aspects of development, casting, finance and production. Zero Gravity is a production and management company based in Los Angeles that boasts a strong client list of screenwriters, directors, actors and financiers for feature films and television. Tai recently produced PROUD MARY for Screen Gems starring Taraji P. Henson and HOW IT ENDS for Netflix starring Theo James and Forest Whitaker, HONEST THIEF starring Liam Neeson and THE MARKSMAN starring Liam Neeson. Zero Gravity produced the Warner Brothers, Ben Affleck starring action/thriller THE ACCOUNTANT, the drama A FAMILY MAN starring Gerard Butler and Willem Dafoe and Executive Produced the hit Netflix television show OZARK starring Jason Bateman. Needless to say, as an on set producer, Tai knows a thing or two about the director/producer relationship including the pitfalls and the paths to glory. Beginning with pre-production, Tai will take you what steps you will need to take from moment one to forge a productive relationship that will last through post and beyond. Tai will talk about the steps you need to make to assure you are communicating clearly and effectively. He will talk you through script notes, casting, hiring crew, location scouting and scheduling. Moving on to production, Tai will teach you how to keep things smooth on set, how t manage disagreements, scheduling and money issues, and the push and pull between what a director wants and what he or she has in the can. Tai will then move on to post, and how to manage expectations during the assembly cut and the director's cut. He will discuss scoring, sound and color, sales and marketing, festival approaches, and even distribution strategies so that everyone is fully communicating and staying on the same page throughout. "Don't allow a failed relationship, miscommunication or misplaced ego sabotage all the work and effort that's gone in to putting a project together. Cohesiveness begins at the top and must continue throughout the project. I'll show you how to get it done." - Tai Duncan
The COVID-19 pandemic brought film production to a standstill last year. The risk of holding close gatherings required everyone to profoundly change how a film is produced in order to keep everyone safe. Yet we’ve luckily found a way to create new projects, on both a major studio and independent level. This doesn’t mean it’s easy, though. The preparation and process for producing a film have changed drastically, as have the rules and guidelines a crew needs to follow. There are ways to safely put your own film together even under these extreme circumstances, but doing so will require a new understanding of how to move forward. As a producer or filmmaker of any level, it’s your job not just to make sure a film comes together, but that the team you assembled stays safe in the process. This is extra difficult due to the pandemic, but it’s not impossible. In fact, independent productions have been finding a ways to do this successfully for a while now and you can as well. But this won’t be accomplished through business-as-usual approaches. Every aspect of the filmmaking process needs to be examined, altered, or even turned on its head in order to comply with new regulations, make the team feel comfortable, and most importantly to keep everyone virus-free. This is a big undertaking, but other independent outfits have figured this out, and learning how they did it can be instrumental in you finding success for your own project. Multi Emmy Award-winning filmmaker and author Shane Stanley has worked in almost every capacity on and off the set with hit shows like ENTERTAINMENT TONIGHT and SEINFELD and producing films like Sony Pictures’ GRIDIRON GANG a #1 box office hit starring Dwayne ‘The Rock’ Johnson. For three years, Shane was Vice President of Sheen/Michaels Entertainment where he produced several motion pictures starring Marlon Brando, Mira Sorvino, Thomas Hayden Church, Donald Sutherland, Marisa Tomei, Sean Penn, John Travolta, and Charlie and Martin Sheen.. Shane recently released his book What You Don’t Learn In Film School, which covers filmmaking from concept to delivery and has already landed on required reading lists at several universities across the country. Shane continues to produce and direct independent films of all levels, and just wrapped production on his latest action thriller BREAK EVEN, which was safely shot over December and January during the peak of COVID-19. Shane learned how to find success in the midst of a pandemic and is ready to share the lessons he picked up. Shane will teach you what you need to do to successfully and safely plan and produce a film during the COVID-19 pandemic. He’ll delve into the new rules you need to follow, issued by guilds, government agencies and film/permit offices. He’ll also discuss how location scouting works now and what sort of locations can be safely shot in. He’ll go through the changes in production insurance and how to hire and work with a COVID Compliance Officer during production. Shane will also discuss how to conduct COVID tests with your crew and how to work with guilds along the way. He will then go over how to work with actors during this time and will share with you the biggest tips and must-dos he learned to keep your crew safe. Finally, Shane will share the details of how he produced his own recent film DOUBLE THREAT and wrapped his 6 week production without a single COVID positive test. Even in times as tough as this, there’s a way forward and a way to create your art, and Shane will show you how to do so smartly, effectively, and while keeping yourself and everyone on your team safe. Praise for Shane's Previous Stage 32 Webinar: "Shane was thorough, gave me a realistic view into the market as it is now, yet encouraging. Easy to listen to and follow. I'll be signing up for other classes he teaches in the future." -Karena K. Just straight-forward, real, the kind of producer most of us would kill to work alongside. -Clark R. "Shane was relevant, knew what was happening, and could walk the walk." -Chuck R. "I loved the inside look from someone in the industry that is dealing with Covid restrictions on a daily basis." -Marven L.
One of the most crucial decisions you can make as an independent producer is also one of the first: should you produce your project working with the unions or should you shoot non-union? Cast and crew from unions can help with packaging your film and ensure different department needs are met. At the same time, when you’re trying to keep your budget low, shooting non-union is the smart choice for your production. The trick is to choose the path that is best for you and your project, and this exclusive Stage 32 webinar will walk you through the pros and cons of both options, and even show you some tips and tricks you didn’t know before. Guiding you is Nicholas Levis, a highly sought-after producer, and the founder and CEO of BrandCinema. Nicholas is known for his think-outside-the-box producing style. He has produced content in 30 states and 10 nations and is regarded for his in-depth knowledge of all aspects of the production process and close industry relationships. His recent film producing credits include WHO IS CHRISTMAS EVE? for the Bounce Network and DREAMKATCHER for Lionsgate, starring Lin Shaye, Radha Mitchell, and Henry Thomas. He also recently produced the globally distributed films HIGH STRUNG and HIGH STRUNG REE DANCE, directed by Michael Damian and starring Jane Seymour and Thomas Doherty. Nicholas will draw on his years of industry experience to show you how your budget and vision will impact your choices, the key factors to consider, and ultimately, how to embrace the best choice for your project. Even if you already know which path is for you, this webinar will go deeper and show you every aspect you need to know, like mistakes to avoid when approaching unions, how tiers affect unions and fees, and more. You’ll walk away from this webinar understanding the many different unions, how to communicate with them, and what it takes to work without them. This decision impacts every step of your production. Don’t miss out on your chance to learn this vital information so you can make the best choices on all your productions. Praise for Nicholas' previous webinars: "Very genuine educator who obviously knows his stuff. Lots of details to be aware of when making your decisions on filming locations and post - each project is unique - so it's not a standard set of answers." - Susan S. "Nicholas gave me life-changing information! My out of state project questions were easily figured out." - Sara B. "Such insightful knowledge, tips and tricks of the trade and he made it easy to understand!" - Tom T. "As a mentor at heart, the opportunity to be engaged by this amazing global community at Stage32 makes my teaching webinar sessions feel like I'm learning..." -- Nicholas Levis
Learn directly from Managing Attorney of the immigration firm D'Alessio Law Group, Lorraine D’Alessio! For freelance creatives like actors, directors, writers and producers, Hollywood is probably your Mecca. However, if you don’t already live there, or are not even a US citizen, how do you get there- and work there- legally? Unfortunately, the artistic community is often the target of immigration scams. It’s hard to know what information is valid and what is not. Many people spend hours researching work visas only to end up with the wrong type of visa for a creative career. Stage 32 is here to make sure that doesn’t happen to you! The more educated you are on the subject, the more empowered you will be in your career and in your life. Knowing how to find and secure the right work visa for you will get you one step closer to living your dream. In this Stage 32 Next Level Webinar, Lorraine D'Alessio, managing attorney of the immigration firm D'Alessio Law Group, will walk you through how to live and work legally in the US as a creative. She will educate you on the different visas that exist, go step-by-step through the O-1 "person of extraordinary ability" visa, suggest ways to build your career portfolio in order to strengthen your visa petition, alert you to the dos and don'ts at the border and most importantly, dispel the many myths and misinformation that exist on US visas. Lorraine D’Alessio’ combines her unique knowledge of the entertainment industry and immigration law to assist foreign nationals who wish to come to the United States and work in entertainment and entertainment related fields. Her practice is limited to immigration and nationality law and concentrates on temporary and permanent business and employment related visas for investors, artists, entertainers, musicians, actors, directors, producers and essential technical and creative personnel in the motion picture and television industries. Ms. D’Alessio routinely gives lectures throughout Canada on entertainment and investment immigration.
Learn how you can get the biggest results out of your short film - from festivals and PR to screenings and distribution deals - with Meredith Alloway, a filmmaker who has partnered with Hulu, Sundance Institute and 20th Century on her short films and whose short films have played at SXSW, AFI Fest, Overlook, and Bucheon! PLUS! You'll receive an exclusive Short Film Guide that will help you make the most out of your film! Making a short film can be an extraordinary launching pad for all parties involved — whether you’re the director, writer, producer, actress, or cinematographer. Shorts can showcase your distinctive abilities and have helped kickstart the careers of some of the most successful creatives. However, it’s not a guarantee that your short film will be a hit on the festival circuit and catch the attention of respected and renowned members of the industry. While it’s one thing to make a short film, it’s another to make a short film that people care about. Unless your short truly makes a splash and showcases a fresh, unique vision or team, it can be difficult to reap the benefits. Ultimately, you can tell a great story through a short, but then need to know how to get that story out into the world. In this exclusive Stage 32 webinar, you will not only learn how to get your short film made, but how you can set your short and yourself up for a successful run at festivals, online releases, and beyond. Teaching you how to get the most traction for your short film to bolster your career is filmmaker and journalist Meredith Alloway. Meredith’s critically acclaimed short film DEEP TISSUE screened internationally at festivals including SXSW, AFI Fest, Overlook, and Bucheon, and opened for Julia Ducournau’s film RAW at MoMA. She partnered with Hulu, Sundance Institute and 20th Century Digital Studios on her last two short films RIDE and FIRST DATE, and was thrilled to direct Paris Jackson’s debut gothic music video LET DOWN with Eli Roth as Executive Producer. As a journalist for over 12 years, Meredith has written interviews and feature pieces for publications like Vanity Fair, Playboy, Filmmaker Magazine, Nylon, and Indiewire. Now Meredith will share with you her own journey getting her films into festivals all over the world and published in various press outlets. In this information-packed webinar, Meredith will cover useful tips in the pre-production and production of your short, and then unpack the festival and online scene. How do you fund your short? On a shoestring budget, what crew members or resources are vital on set? What’s an EPK and do shorts need them? What’s an informed film festival strategy? How do you reach out to press? Where should you premiere online? Meredith will cover several questions and debunk any myths around what a “successful short” really looks like. PLUS! Meredith will provide you with exclusive handouts to help guide you on your short film journey. Downloads include: Guide for making the most out of your short film You will walk away from the webinar with the knowledge and tools you need to make your short film successful in a way that moves your career forward! "Mentorship and education has always been very important to me — I'm grateful to have had many of my own mentors along the way. I'm so thrilled to share my experiences. I hope they provide insight that helps someone else understand their unique voice and achieve their goals." - Meredith Alloway