Sivert Glarum is a veteran sitcom writer and story breaking whiz with 25 years of experience, who has written on both live action and animation series, including KING OF THE HILL, BEAVIS & BUTTHEAD, JUST SHOOT ME, RULES OF ENGAGEMENT, and more. He has also served as showrunner for Marc Maron’s comedy MARON on IFC, animated series GLENN MARTIN DDS on Nick at Nite, and YouTube Red’s RHETT AND LINK’S BUDDY SYSTEM. When Sivert isn’t writing or running shows, he helps young writers develop their craft and trains new showrunners on breaking story and character. Full Bio »
Adult animated TV is hotter than ever right now as shows like BOJACK HORSEMAN, SOLAR OPPOSITES, RICK & MORTY and BIG MOUTH are taking the genre to a new level. It's absolutely true that TV animation is an exciting world to dive into right now. Yet animated TV is written a bit differently than other types of series. In order to write successfully in this space, it’s important for you to understand the differences and challenges there are to writing animation and how the best animated series break story for an episode. This way, you’ll be able to fit seamlessly into any writers' room and begin an exciting career in prime time animation!
Sivert Glarum is a veteran sitcom writer and story breaking whiz with 25 years of experience, who has written on both live action and animation series, including KING OF THE HILL, BEAVIS & BUTTHEAD, JUST SHOOT ME, RULES OF ENGAGEMENT, and more. He has also served as showrunner for Marc Maron’s comedy MARON on IFC, animated series GLENN MARTIN DDS on Nick at Nite, and YouTube Red’s RHETT AND LINK’S BUDDY SYSTEM. When Sivert isn’t writing or running shows, he helps young writers develop their craft and trains new showrunners on breaking story and character.
Sivert will teach you everything you need to know about breaking an episode of prime time animation, including how long an episode should be, breaking story, structuring your episode, and the difference between plot and story. He’ll take you through a case study of GLENN MARTIN DDS to show you how to find your A-Story beat by beat, then apply the same beats to your B and C story. He’ll also breakdown the three different types of sitcoms and how the breaking process for each works. Sivert will give you all his tips for properly executing an episode of primetime animation, highlighting the differences between animation and live-action, and prepare you to write and run an animation series.
"I’ve spent several years writing on animated comedies. I’ve seen many scripts turn out great. I’ve witnessed many others suffer unspeakably grueling fates at network table reads. After a while, I realized the key was to make sure the script had a solid structure. Understanding the basic rules can make all the difference. I’m glad to share what I know and break down what really makes an episode of prime time animation work."
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In this Executive Hour we welcome the President of Amasia Entertainment, producer Bradley Gallo. Bradley is a co-founder and the President of Film & Television at Amasia Entertainment. He has over 20 years of media and entertainment industry experience including film, television, commercials and journalism.Amasia recently acquired the rights to and will be producing the beloved GREEN HORNET AND KATO franchise, set up at Universal, and will also be producing the highly anticipated DARK SHADOWS: REINCARNATION sequel series. Bradley also produced John Patrick Shanley’s upcoming WILD MOUNTAIN THYME starring Emily Blunt, Jamie Dornan, Jon Hamm and Christopher Walken, the 2019 Sundance and SXSW selection THEM THAT FOLLOW starring Jim Gaffigan, MR. RIGHT starring Sam Rockwell and Anna Kendrick, and THE CALL starring Halle Berry and Abigail Breslin.During the webcast, Bradley's talks about his career at Amasia, what he looks for when developing new material and working with screenwriters, how he takes a project from script to screen, what types of scripts and projects he thinks will be in demand once this quarantine is over, and so much more!
In this world of DIY filmmaking, it has become easier than ever to just pick up a camera and start making your project. You don’t always need much money, a big crew, corporate backing, or other resources; you can just get up and go. But this certainly doesn’t mean your project is automatically going to look good. Even on a budget, even as a guerrilla filmmaker, it’s critical to have the tools you need to make something look professional and of high quality. You don’t necessarily need the top-of-the-line camera and all of the expensive specialty equipment found on a massive set, but there are things you’re always going to need with you, a kit that will have you covered in any situation. The challenge is determining what exactly this kit should look like. If you’re a DP, director, or a one-person-band doing all of the jobs at once, preparation is key. But if you go to any camera or equipment store or website you’ll notice just how many options there are. Tools for every occasion. Every type of lens. Every type of stand. Every type of light. Every type of microphone. It can be overwhelming to even look at. How can you distill all of these options into exactly what you need, a collection of tools that you can get on a budget and pack into one bag? Is that even possible? Your instructor Barry Andersson knows that it is. There are just some important things you need to know first. Barry Andersson is an award-winning director and cinematographer. He has directed 5 feature films, many of which were released in theaters—his most recent film is being distributed by Lionsgate. Barry’s career as a cinematographer includes several television pilots, acclaimed short films, numerous commercials, and countless commercials and corporate videos. Barry is also the author of the DSLR Filmmakers Handbook. Through his extensive experience, Barry has figured out the best and most cost effective equipment you need to make great content. Barry will share with you his time-tested soup-to-nuts equipment list and will show you, piece by piece on camera, what he uses and why. He’ll begin by walking you through the strategy of putting together your own kit and aspects you need to keep in mind when assembling the perfect collection of equipment. He’ll discuss the types of lenses to carry with you and what to get even if you don’t know anything about lenses. He’ll also delve into choosing the right case and strategies to efficiently pack everything you need. For filmmakers on the go, Barry will share how he packs everything he needs for travel without spending extra on baggage fees. Barry will share exactly what gear is essential for every type of project, including standard filming, talking heads, and B-roll. He will next discuss audio and the types of microphones, stands, poles, and extras you need to effectively capture audio on the go. Barry will walk you through the life-saving essentials he takes with him wherever he goes—seemingly miscellaneous items that no one ever says you should have. He’ll also tell you what things you don’t really need, even if people say you do. Barry will give you a resource list of 11 must-have items for your equipment kit and where you can find the best deal to purchase them. Praise for Barry’s Webinar: “Great insight. Very practical and actionable advice.” -Martin R. “This was so straightforward and practical. No theory, no filler, just exactly what I needed to know. Thank you” -Harold B. “Barry’s advice was so helpful. I feel a lot less overwhelmed about buying new equipment now” -Sandy C. “I NEVER find webinars that are this straightforward and useful. This was such a gem.” -Roger F.
Learn how you can write an Oscar caliber screenplay based on a true story from the two time Academy Award winning writer of GREEN BOOK! PLUS! Get a copy of the script for GREEN BOOK! You’ve heard the phrase “write what you know.” Well, it might just win you an Oscar. For writer/actor Nick Vallelonga, his screenplay for the 2018 film GREEN BOOK is much more than a creative expression. It is a testament to his father, Tony Lip Vallelonga, whose life Nick based the screenplay on. And it led to Nick winning the Oscar for Best Original Screenplay. Nick wrote the film to highlight his father’s relationship and friendship with African-American pianist Don Shirley as they encountered staggering racism in segregation-era America. The film became a huge hit and went on to receive wide critical and audience acclaim (winning both Best Original Screenplay and Best Picture at the Academy Awards). In this exclusive Stage 32 webinar, you will learn directly from Nick Vallelonga about his writing process and production journey on GREEN BOOK and how he was able to take a true life story about his father and turn it into an award-winning film. While writing what you know often leads to creating compelling and nuanced stories, it is not easy to discern which elements of the true story should be part of the script. Nick will walk you through how he effectively chose particular elements of his father’s story to create a compelling Hollywood movie and give you the tools you need to create your engaging screenplay based off real world events. Through a case study of the script of GREEN BOOK, Nick will teach you how to break down a scene and create interesting dialogue for your characters so your audience is always emotionally involved in the story. In addition to writing GREEN BOOK, Nick has worked on dozens of films and television series for major studios, networks, and streamers including Universal, NBC, Fox, Lionsgate, and more. Nick is an avid educator and is excited to share his wealth of knowledge with the Stage 32 community. Don’t miss this chance to learn from and engage with a TWO TIME ACADEMY-AWARD WINNING WRITER in this exclusive Stage 32 webinar! PLUS! Nick will provide you with a copy of the script for the GREEN BOOK to keep! Praise For Nick's Webinar: "Nick was very inspirational, especially to someone like myself, who is writing a screenplay based on a true story. I loved hearing more about the real life characters of GREEN BOOK, which is one of my favorite movies. His script breakdown and discussion of his process helps me see why it was so successful." -Martha C. "I grew up in New York City so I'm a little biased but I think Nick V is the real deal. The webinar felt like I was a guest in his home as he gets to chatting about his work and his life over some delicious lasagna. It great to hear the true story behind the true story, especially when he admits that he doesn't really follow the rules or process we are have all learned. Five stars." -Jim M.
If you talk to an exec, a manger, or any other gatekeeper, you may be surprised to find out just how many scripts that are sent to them are turned down before they’re even given a chance. Whether it’s due to formatting errors, unclear descriptions, or other fixable problems, countless scripts fall by the wayside and countless writers lose an opportunity either because they were too eager to submit or because they weren’t able to look at their creation with objective eyes. The good news is this is a problem that can be fixed. Before you send your script off to representatives, executives, or reputable contests, you need to ensure your screenplay is written clearly, formatted correctly, and tells a story that raises the stakes and builds momentum. Too often, writers go on blind faith and hit “send” before it sees a second set of eyes. But you can (and should) be your own second set of eyes with a practice known as self-editing. This is where you take your writer hat off, hang it up for a hot second, and put your editor cap on so you can revise your screenplay in an objective manner. It’s harder than it seems, but there are actually 10 specific things you can learn to read your script for that will help ensure it’s ready to be sent. If you can master the self-edit, you will greatly improve your chances of getting your work seen. Ready to learn how to do that? Nikki Terpilowski is here to help you master self-editing techniques. Nikki is a long time literary agent and owner of Holloway Literary who represents both screenwriters and novelists and is highly experienced at negotiating book-to-film deals for her clients, most recently Argent Pictures and ABC Studios. Her roster of authors have made Amazon, iTunes, Globe & Mail and USA Today bestsellers lists, have been nominated for Goodreads Choice, and RITA Awards and received starred Publishers Weekly reviews. She has also been invited to speak, teach classes and take pitches at ThrillerFest, Sisters In Crime, Romance Writers of America (RWA), Virginia's Festival Of The Book and many more literary events. Needless to say, Nikki is incredibly familiar with writers and their work and knows what it takes for a script to make it through the noise and get her attention. Drawing on her deep literary background, Nikki will teach you an effective way to self-edit your own script and the 10 aspects you need to focus on before sending it off. From more technical issues like script formatting and establishing action to narrative topics like scene structure and character arcs, Nikki will walk you through how to determine if each element in her self-edit checklist is effective. She’ll give you tools to determine where your script’s red flags might be and strategies to fix up each element. With the strategies Nikki provides, you’ll be able to feel more confident in getting your script ready and sending it to reps, execs and contests
Learn how to make Instagram work for you - get in front of casting directors and make income as an influencer! Exclusive 3 HOUR ONLINE CLASS with Rachel Paulson It's no secret that one of social media's most visual mediums, Instagram, is where actors and casting directors hang out. Yet, with thousands of profiles in a casting director's scroll, how do you stand out? Instagram is a powerful tool for you as an actor, one, that if harnessed correctly, can land you in front of the right casting directors plus give you opportunities to earn extra income from brand deals. So, where do you even start to build your brand on social media and how do you leverage it to start getting seen by the right people and start making money while doing it? We can help you get there. Rachel Paulson has grown up in a family of Hollywood royalty. She and her sisters, Emmy-winner Sarah Paulson (AMERICAN CRIME STORY, OCEAN'S 8) and Liz Paulson (SVP of Casting for FOX) have worked together for decades to learn every aspect of acting and casting and how to put yourself in the best position to stand out and book the job. Over her career, Rachel has worked on both sides of acting - both as a casting director as well as talent. In addition, she has been certified in social media and how you can use it to put yourself in a position to win. She is currently making a living through her social media endorsement deals and is the star of the Go Magazine series DATING ZOE, the host of the video series Drink Responsibly with Rachel Paulson, and the co-host of the podcast Gay vs. Straight Bitches with One Tree Hill alum, Lindsey McKeon. She also stars as the lead in the LGBTQ drama film GOOD KISSER on Hulu. Rachel is working exclusively with the Stage 32 acting community to mentor you and help you learn how to use Instagram to help your career. You will have the opportunity to work in an intimate setting with Rachel in an extended 3 HOUR ONLINE CLASS. You will walk away from this class with all the tools you need to work the Instagram algorithms and get seen on Casting Director's feeds, PLUS you will learn how to work with brands to supplement your income as an actor. Volunteers will be given sides and information on a product and Rachel will help coach you on how to secure a deal with the brand. Whether you’re new to acting and looking for your foot in the door, or an experienced actor who has had trouble navigating social media and building an online presence, Rachel will give you the tools and strategies you’ve been looking for and an avenue for finding acting opportunities you might have not even considered before. "I have been in the industry for over ten years, I’ve worked as an actor in commercials, as a casting director and run sessions. I have also worked IN social media, running the pages of several brands. I have started to realize why brands and companies are heading towards social media for all the new advertising tools, and what that means for you as actors." -Rachel Paulson
Learn directly from Morgan Long, TV Literary Department for a “Big Six” Agency This lab is designed for beginner and intermediate screenwriters looking to build a pilot from scratch or expand on an existing idea. With the TV market exploding right now, one of the most in demand formats is the 1-hour TV drama pilot. Many, if not all, managers and agents are looking for writers that can write in this space, and with more and more production companies heading into TV, knowing how to write a strong 1-hour TV drama pilot will give you a competitive advantage and help you find success as a TV writer! Due to popular demand, Stage 32 is thrilled to bring back our 8 Week Intensive TV Drama Pilot Writing Lab taught by Morgan Long, a TV development coordinator at a “Big Six” Agency! This hands-on intensive lab will guide you through picking a concept, creating engaging characters, structuring and outlining your pilot and writing the first draft! The main objective of this 8-week lab will be to have a first draft of your script. You will meet online with Morgan for 2 hours a week in a class setting, plus have phone consultations during some of the weeks when you don't have an online class. This will be accompanied by weekly homework assignments to guide you on your way to creating a marketable, unique pilot that will grab the industry's attention. Payment plans are available - please contact firstname.lastname@example.org for more information. This Lab is Limited to 20 People. Please Note: Participating in this lab does not mean you are writing for or pitching to Morgan or her company. PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your drama pilot. Start to prepare for your pilot pitch.