Tyler Gillett is a film, television and new media writer, director and producer based in Los Angeles. He has recently been tapped to direct the new SCREAM film for Spyglass Media Group. Prior to SCREAM, Tyler directed the 2019 hit READY OR NOT, which was one of the biggest successes for FOX Searchlight with a budget of $6MM and grossing over $57MM worldwide. He also directed DEVIL'S DUE for 20th Century FOX and The Orchard's SOUTHBOUND. As one of the founding members of the filmmaking collective Radio Silence, Tyler got his break with the Sundance hit V/H/S, which originated with short form content he created. In addition to his film credits, he has sold three television shows -- a horror anthology to NBC, an action comedy to Comedy Central, and an adventure show to Disney XD. Tyler got his start working with the online comedy group Chad, Matt & Rob whose work has garnered over 100 Million total views on YouTube. Full Bio »
Learn from one of the most successful and in demand directors of the past few years, Tyler Gillett (Devil's Due, Ready or Not, upcoming Scream reboot) exclusively on Stage 32.
If you’re reading this and you’re an aspiring storyteller, you’re probably well aware that no path in this business follows a straight line. There’s no recognizable ladder to climb. No standardized “five-year” plan. There are so many questions – How do I get my start? How do I tell stories that inspire me? What’s the right story to tell? How do I find an audience? How do I get recognized? So many questions and no hard and fast “right” answer.
With the rise of digital technology, storytellers now have access to a new and incredibly valuable set of tools to help sell their ideas. Shooting a compelling short film, web series, or proof of concept has never been easier – and it is one of the most effective ways to practice your craft, showcase your voice and set your work apart from the rest of the pack. But there’s a catch – the increased accessibility of these tools has lead to a dramatic increase in the amount of content created and it has become much harder to cut through the noise and really stand out.
Tyler Gillett is a film, television and new media writer, director and producer. He has recently been tapped to direct the new SCREAM reboot feature film for Spyglass Media Group. Prior to SCREAM, Tyler directed the 2019 hit READY OR NOT, which was one of the biggest successes for FOX Searchlight with a budget of $6MM and grossing over $57MM worldwide. He also directed DEVIL'S DUE for 20th Century FOX and The Orchard's SOUTHBOUND. As one of the founding members of the filmmaking collective Radio Silence, Tyler got his break with the Sundance hit V/H/S, which originated with short form content he created. He has made an impressive career which launched from directing his own short form content and he's here to show you how to do it.
Tyler will share his own path and how utilizing these tools helped him move from directing zero-budget digital shorts to directing and producing feature films for studios. Tyler will go over the 4 main benefits to create a short film and how to choose the right idea or genre the compliment your talents to get you noticed. He will get into the script phase and discuss what works and what doesn't as it relates to your characters, tone, style, scale, runtime and more. He will teach you how to design your production model and by giving you 4 huge tips to use heading into production. And, as we all know there are limitations on a smaller production, and to that point, Tyler will present 3 things you need before you get on set to assure a successful production. To prepare you for post production, Tyler will show you how to obtain quality VFX on a budget. And of extreme importance, Tyler will discuss the best places to release your work and why. To illustrate all of these teachable points and more not even mentioned, Tyler will be citing examples from over 10 features including Boogie Nights, District 9, Leviathan, Whiplash, Chronicle and more!
Tyler will discuss how to conceptualize and create low-budget, high-quality short-form content that will wow financiers and producers and help you sell yourself and your ideas to a larger audience.
Praise for Tyler:
"Tyler is so humble considering all the success he has had. He truly made me feel like I can do anything and that no project is unattainable."
- Kevin M.
"A unique look at short form content as your calling card. It's a fundemental creative shift that can actually HELP you get work from your short work. Bravo Tyler."
- Anne N.
"Another superstar in the Stage 32 lineup. What a thrill to learn from someone of Tyler's caliber. I hope he continues to come back."
"I loved READY OR NOT. And I loved Tyler. So much good information."
- Susan M.
Navigating the Business of Catch 22s as a “First-Timer” Creating Short Content
4 Main Benefits of Creating a Short Film
How to Choose the Right Idea & Genre
Discussing What Works and What Doesn't
Developing with Limitations in Mind
How to Design Your Production Model
Integrating VFX Work on a Budget
Your Short is Done: Preparing fo Next Steps to Get Noticed
Where is the Best Place to Release Your Work and Why
Examples We’ll Cite:
Q&A with Tyler
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In today’s climate, independent filmmakers and producers are expected to make their movies on lower and lower budgets. This is hard enough for a simple or grounded drama, but what if your film includes supernatural elements or other aspects that require effects? How can you keep the budget low while still including the monsters, explosions, illusions, and other that can only be made possible special and visual effects? As it turns out, it’s more possible than you might think, especially with the right preparation. Whether you need to work with practical special effects or include visual effects in post, the key is always careful planning ahead of time. There are many pitfalls that producers and filmmakers can run into when working with effects, including going over budget and not getting the result your film needs, but these can always be overcome with the appropriate preparation, research and understanding ahead of time. So how exactly do experienced indie producers prep for effects? What can be done in early pre-production and throughout? And how can you make sure that, even on a low budget, your effects are, well, effective? Let’s explore. Micah Gallo is an award-winning writer, director, cinematographer, producer and post-production expert who has been making films for over ten years and has worked on effects and post-production for over 40 feature films. A filmmaker from an early age, Micah’s fascination with visual composition and technology inspired him to cofound the award winning post-production facility Lit Post where he built the company up and collaborated with other top artists to design new cutting-edge effects previously unavailable for independent films. As a filmmaker, Micah has earned several Best Director and Best Cinematography awards as well as the Emerging Cinematography award for Achievement in Cinematography from the International Cinematographers Guild. Micah most recently served as writer, director, producer and post production supervisor on the celebrated cult creature feature ITSY BITSY, starring Bruce Davison (X-MEN) and Denise Crosby (STAR TREK: THE NEXT GENERATION). Micah’s excited to bring his experience both as a writer/director and as a post-production expert to the Stage 32 community. Using his experience both as a filmmaker and an effects guru, Micah will walk you through the steps you need to take as an independent filmmaker to include visual effects and special effects into your film at any budget. He’ll go through the process of analyzing your script with an eye for effects, how to research and get bids from vendors, and incorporating effects into both your shot lists and storyboards. Micah will also give you tips on how to handle the critical lighting and video testing phase of effects and how you can work with your DP, AD, and production designer to ensure everyone’s on the same page. Micah will also lay out how to handle effects while on set and how you should be shooting for VFX. He will also teach you how to navigate effects shots in post-production. Throughout, Micah will be providing specific examples from his own award-winning film ITSY BITSY, which heavily used both special effects and VFX, and using this as a case study you can take back to your own project.
Sebastian is currently a partner in Circus Road Films after working in development at Paramount, and at Touchstone, the TV division of Disney and ABC.We'll discuss the business + a live Q&A!
Jason got his start with Evolution Entertainment, moved into Studio Development, and now independently producers and writes. We discuss what makes a project marketable, how to push your career forward industry trends, & more, plus a live Q&A!
The more production savvy we are, the better filmmakers we become. As directors, it is our job to know every heartbeat of our story; the preparation needed for executing our vision; and the intricacies of bringing it to its final conclusion, in a way that will illicit an emotional response from our audience. That means that we must not take our foot off the pedal once we wrap. Being present, aware, in control, and maintaining our focus during post-production is vital. Sometimes our film is made (or lost) in the edit. The technical steps of post production can seem overwhelming, especially coming off the heights (or lows) of wrapping a picture. But if we don’t have a good understanding of the post production steps, it could be challenging to bring our vision to a strong finish, and ultimately to a wider audience. Stacia Crawford is a Director/Producer/Writer/Actress who, last year alone, directed two feature films which premiered on Netflix and Lifetime. As a producer she has helmed five feature films with Mar Vista Entertainment (premieres on Hallmark, Lifetime, CMT), in addition to several independent feature films. In television, Stacia co-directed/produced various unscripted series for NBC/Esquire, The History Channel, A&E, AMC, Spike, Logo, Pivot, Blaze TV, MTV. She also produced several web content shows, most notably for My Space. Prior to directing/producing, Stacia started her career as an actress/writer and can be seen in several feature films, including cameo roles in films that she’s directed. As a writer, she has written two novels (KIT TEN, THE SPACE BETWEEN) and co-created four original dramatic television series, (DRIVING UNDER THE INFLUENCE, WILDCATTERS, AMERICAN CAESAR, and SENESCENT) all currently in development. In a clear, expansive, yet easy to digest presentation, Stacia will help all filmmakers understand exactly how to handle and navigate the post-production process. She will begin by teaching you what to look for when hiring your entire post-production team. From there, she'll discuss the difference between all the post production positions - some sound quite similar, but do completely different jobs - and...do you need them all? Stacia will then dive into scheduling including the level of cuts for the film, and how long each part of the process (sound, coloring, etc) should take. She will discuss pick up shoots, fixing lighting and audio mistakes, and how to protect for footage errors. She'll even get into key art and what to include in your trailer! This is a comprehensive webinar designed to keep you deeply immersed in the post-production process carrying with you the knowledge that will keep your team on board with finalizing your vision. Praise for Stacia from her previous Stage 32 Next Level Webinar: She explained what is the Director's job was very very well and broke it down step by step! -Sharlene R. Stacia did a great job. She was great! -Tracey A If you are thinking of going into the industry it was amazing, hit all the points, and she went above and beyond when she expanded on a lot of her points...like making sure you get your insert shots (which I've been a victim of.). Overall she was great, clear and to the point. -Ryan H. Stacia was great. A lot of good information in a clear and concise manner. -Angel N. Great information! -Liz H. It was interesting to hear from other filmmakers' perspective. I learned a lot about the Director's position, as it relates to Film & TV. I came into this webinar because of my interest in knowing more about the producing/directing side of the industry, and man Stacia really did go in and cover a lot. My mind was soaking up information left and right. Another great webinar! -Shayne W.
Welcome to the final Writers' Room webcast of 2019! The last broadcast of the year was the Write Now Challenge: Plot Twists! This month you were challenged to write a scene in 3-5 pages that tells a story with a major plot twist. This is no easy feat and perhaps the most difficult challenge we have faced to date! There is also a special question and answer session during the broadcast, where members asked me anything about the industry, the craft, the business, your screenwriting career or any other burning questions you may have!
It's no secret that raising funds for a film is a difficult proposition. Most people who repeatedly invest in the film industry have no shortage of projects from which to choose to place their money. They also have a particular set of standards and requirements that need to be met before they write a check. Even more casual investors in film who go in with lowered expectations still will want to see that you have the knowledge, discipline and understanding on how to handle and protect their money and put them in the best position for a return. The fact of the matter is that you could have the most attractive project with a highly marketable and commercial screenplay and fantastic talent interested in attaching, but if you can't deliver on the important details, know how to answer the toughest questions, and show that you have the savvy to withstand the scrutiny associated with putting together a film financing deal, your potential investment target will be on to the next pitch without a blink. There is no straight answer on how to pitch an investor. Some will tell you that without a pitch deck, you have no shot. Others will tell you that 99% of the time a pitch deck is just a pretty, overblown document designed to dazzle and amazing, but with very little substantiative information. Regardless of the approach, there is one fact that is undeniable: you need to know every angle on how a film can come together and be able to show clearly and concisely a path to how your investor is going to recoup their money and potentially make a profit. To do that, you need to be able to put together an investor kit, first for yourself, and then as something you can tailor to your investor. There's no need to be intimidated by this. Once you understand the various facets of film investing, the rest will fall into place quite naturally. And we're here to help you do just that. Kevin Christoffersen has been producing multi-media content internationally for over two decades across four continents while living in five countries. Currently, Kevin is working as a development executive, producer, writer and consulting with the technology platform Movie Rights Exchange which is changing the way films are being distributed. Kevin's current projects include his co-written feature, Falling Up with Stephanie Drapeau, Dallas Brennan’s Deception Road, a new Hal Hartley feature in development and Rear View Windows being casted by Kerry Barden. Kevin has guest lectured at NYU, teaches workshop classes with the IFP, Art of Brooklyn Film Festival, Filmshop and moderated a producers panel at the Hunter Mountain Film Festival. He then works with students on creating their packages throughout the A to Z Development process. Kevin will be teaching about the step by step process required throughout the development financing stage of your feature film project to create your "Investor Kit". This includes all of the elements from business plans to budgets, proof of concept videos, retaining production counsel and a casting director. Kevin will show you the all important skill of bringing packaging elements to your project, something so very important in this day and age. He will tell you how to handle the common issue of securing "First-in money" and how to navigate talent retainer fees. He will talk co-production agreements, also a valuable thing when putting together a film. He will teach you about distribution agreements, tax credit loans and pre-sales estimates. Kevin will even teach you how to source your investors and how to build a powerful team so you can wear limited hats and divide and conquer. Praise for Kevin "Took the intimidation and fear of approaching investors by presenting clear facts and strategies that make perfect sense." - Michael M. "I've read complex and dense books on this subject that have taken me months to get through and I learned more in 2 hours with Kevin. Brilliant material." - Cheryl Lee K. "This one was off the charts." - Sammie P. "This removed so many questions. So many. I feel as if the clouds have parted. This IS possible. Thank you, Kevin." - Marty K.