In 1985 Brad Wilson began an eleven year alliance with Academy Award winning actor Robert Duvall, operating ROBERT DUVALL PRODUCTIONS in New York. This alliance encompassed eighteen feature films, among them: COLORS with Sean Penn, DAYS OF THUNDER with Tom Cruise and Nicole Kidman, FALLING DOWN with Michael Douglas and the critically acclaimed WRESTLING ERNEST HEMINGWAY with Richard Harris and Shirley MacLaine. Wilson also worked with Duvall on some of his most memorable television roles, including the CBS miniseries LONESOME DOVE and the HBO epic STALIN shot in location in Moscow, for which Duvall won the Golden Globe for Best Actor. In 1992 the formation of BUTCHERS RUN FILMS was announced in Hollywood and Wilson as the company's Vice President of Development and Production. After only two months, the company had closed a deal with United Artists to make A FAMILY THING, based on an original idea from Duvall and scripted by Academy Award winner Billy Bob Thornton and Tom Epperson. The film was released in February 1996, and Wilson was awarded a Humanitas Certificate for his work as Co-Producer on the movie. Mr. Wilson acquired the rights to EICHMANN IN MY HANDS, based on the highly acclaimed autobiography by Peter Malkin. After Wilson sold the idea of the story about the Israeli agent who captured the chief Nazi executioner under Hitler, Emmy winner Lionel Chetwynd was hired to write the script THE MAN WHO CAPTURED EICHMANN, which aired on TNT in 1996 with Duvall as Adolph Eichmann. In December of 1995, Mr. Wilson became Vice President of Production of GREYSTONE FILMS. There Wilson produced their first feature production, LUNKER LAKE. This family film inspired the creation of INSIDE OUTDOORS, a weekly television show for TNN, on which Wilson served as Executive Producer. The film LEFT LUGGAGE marked Jeroen Krabbe's directorial debut and starred Isabella Rossellini and Academy Award winner Maximilian Schell. Mr. Wilson served as Co-Executive Producer on the film, which premiered at the 1998 Berlin Film Festival and took home four honors. In 2000 Mr. Wilson became Vice President of Development and Production and a producing partner at HEMISPHERE ENTERTAINMENT and produced a slate of films including THE GHOST CLUB staring Britt Robinson filmed on location in South Carolina and released in December 2003. His suspense thriller ONE OF THEM and the family film UNDERCOVER KIDS enjoyed successful releases. THE GRIFT a 1940s period film was shot on location in Tennessee and released in 2007 by SHORELINE ENTERTAINMENT. SET APART starring Richard Roundtree and John Schneider was released in September 2009 by PROVIDENT/SONY FILMS. ANGELS LOVE DONUTS with The Crosswise Players filmed in Dallas and BECOMING JESSE TATE with Amanda Waters and Bailey Ann Borders filmed in Nashville were both released in 2010 by BMG. THREE BLIND SAINTS, filmed on location in Kansas City, was released late 2012. His film SLIP TUMBLE & SLIDE staring Katharine Ross and Scott Wilson was released in 2015, the family film CHRISTMAS ON SALVATION STREET, which was released November 2014. MY MANY SONS, based on the life of the most winning basketball coach no one knew, Don Meyer, was filmed in Nashville and will be released in September 2016. The film MEANEST MAN IN TEXAS from the book of the same name has just completed principal photography and will be going to film festivals and released in 2017. Mr. Wilson also co-founded POWER IN FAITH and helped develop and produce the critically acclaimed TV drama series called BELIEVERS AMONG US. The first four episodes continue to air on TBN, SKY ANGEL, CORNERSTONE NETWORK, FAITH TV, and TCT NETWORK. The series has won two prestigious Telly Awards, the Aurora Award, two Davey Awards and the Millennium Award. Also under this label, the film THE RESURRECTION OF GAVIN STONE will be released in theaters January 2017. His films have won awards at the Berlin Film Festival, The America Cinema Foundation, The Chicago Film Critics Association, Emden International Film Festival, Nederlands Film Festival, Westchester New York International Film Festival, Stony Brook Film Festival and The Santa Clarita International Film Festival. Mr. Wilson is a member of the Academy of Television Arts & Sciences and a charter member of the National Radio Hall of Fame of Texas. Brad is partnered in HIGHER PURPOSE ENTERTAINMENT with Casey Bond. Full Bio »
Faith based and faith friendly films have been a steady, popular, and profitable industry and one of the hottest genres for success. It could be considered a niche audience, but it’s a powerful and dependable niche audience that has helped catapult films and filmmakers to success. Recent films like I CAN ONLY IMAGINE, GOD’S NOT DEAD, and THE SHACK have found popularity and impressive box office numbers by tapping into this audience and bringing out church-goers and other faith-friendly communities that might not be as eager to seek out films outside of this genre. And it makes sense that faith-based films are doing well. In challenging or negative times, people will more actively seek out positivity and inspiration, two ingredients almost guaranteed to be featured in a faith-based film. Considering how challenging and negative our current world can be, there might not be a better time to break into the world of faith-based films and write a script that can shine in this market.
Writing a faith based or faith friendly script can be tricky, as you don't want to fall into cliches and lose your audience. You might have a great idea for a script with an uplifting message and inspirational ending, but when does it cross the line from a traditional genre script to faith-friendly? What does that audience actually look for and what do faith-based production companies seek out when considering a script? What elements in your story are off-limits and which will help you sell your script? There’s no crystal ball that can tell us 100% what works and what doesn’t in this genre, but there are patterns and constants that can be gleaned and applied to your own script. With a proper lay of the land, you’ll be able to better tackle this genre and write a script that can not only get on the screen, but inspire and uplift viewers at the same time.
Brad Wilson is the Co-founder of Higher Purpose Entertainment (HPE), a production company dedicated to telling stories in film and TV that encompass truth of character and strive to embrace inspirationally redeeming qualities. While at HPE he's produced a number of films including THREE BLIND SAINTS, CHRISTMAS ON SALVATION STREET, MY MANY SONS, THE MEANEST MAN IN TEXAS, and THE RESURRECTION OF GAVIN STONE, which was released last year in 1,100 theaters across the country. Brad is well-versed in the business of faith based films and has a keen sense of how projects thrive in this genre. He’s ready to share what he knows exclusively with the Stage 32 community.
Brad will walk you through how to create a faith based script that can both sell and have a positive impact within this specific community. Brad will begin with an overview of the faith based/faith friendly landscape and will give you a rundown of how this genre works both at a studio and in the independent space. He’ll then break down major screenwriting points of an effective faith based scripts, including average page count, characters, and plot structure. He’ll outline what makes a script faith based or faith friendly and at what point a drama script would be considered by a faith based production company. He will delve into what the faith based audience looks like and the best ways to reach them. Brad will teach you the elements that work best for a faith based script, including employing romance and a specific message. He will also go over elements to stay away from and how to balance a cross over script with “preaching to the choir”. He will also give tips on how to drive the story forward within this genre. He’ll discuss when to take feedback on your script and when to trust your gut and will give you tips on how to keep your writing real, even when it’s made up. Brad will also discuss the types of budget you should keep in mind for the best chance of success with your faith based script. Brad’s valuable rundown of the faith based genre will give you the tips and tools you need to create an amazing script that will excel within the faith friendly community.
Like what you heard from Brad during this webinar?
Brad will read your script and speak with you for a half-hour if you click here.
Praise for Brad's Stage 32 Webinar:
"Brad was terrific! This was an excellent real world webinar. Very helpful in reinforcing some of the trends that I have been seeing in this category, and I learned a lot from today's discussion."
"Brad was amazing. He laid out so clearly the genre and how to write for it in a practical way. He was an awesome instructor who combined practical info, inspiration, and was so "real." Loved it."
"This was the best webinar I've had so far at Stage 32. Brad's very seasoned and gave wonderful tips that will help me make my faith-friendly script" more marketable."
"A very honest, forth right presentation from a guy whose been there and done that, and knows the pitfalls and promises of the biz."
Plus! Brad will share a script download from one of his recent successful films THE MEANEST MAN IN TEXAS, which reaches a more cross over audience, is not preaching to the choir but still faith based.
Stay tuned...in a future webinar Brad will also be going over how to produce a faith based or faith friendly script.
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It's not talked about as often, but faith based and faith friendly films have been a steady, popular, and profitable industry for a while now. It could be considered a niche audience, but it’s a powerful and dependable niche audience that has helped catapult films and filmmakers to success. Recent films like SOUND OF FREEDOM, I CAN ONLY IMAGINE, I STILL BELIEVE, GOD BLESS THE BROKEN ROAD, GOD’S NOT DEAD, and THE SHACK have found popularity and impressive box office numbers by tapping into a faith-oriented audience and bringing out church-goers and other faith-friendly communities that might not be as eager to seek out films outside of this genre. And it makes sense that faith-based films are doing well. In challenging or negative times, people will more actively seek out positivity and inspiration, two ingredients almost guaranteed to be in a faith-based film. Considering how challenging and negative our current world can be, there might not be a better time than the present to break into the world of faith-based films and write a script that can shine in this market. The faith-based arena might be lucrative, but that doesn’t mean it’s a cinch to succeed in. It can be a complicated and difficult world to navigate. Faith based films exist firmly within the larger film and television landscape, but they still have their own specific companies, leaders, and expectations to understand. Breaking into any aspect of the film industry is hard, but there are challenges that come specifically with the faith friendly market. It’s important in this world to create a product that is wholesome and accessible for all ages and sensibilities, and navigating this tight rope is tricky, ensuring you don’t turn off any particular group. As a producer or filmmaker wanting to work in this space, it’s your job to understand this world and the different players within it. Having a strong sense of how everything works, what kinds of films succeed in the space, and how to avoid the land mines that come along with this genre is critical. With a proper lay of the land, you’ll be able to better tackle this genre and produce a film that can not only succeed financially, but inspire and uplift viewers at the same time. Brad Wilson is the co-founder of Higher Purpose Entertainment (HPE), a production company dedicated to telling stories in film and TV that encompass truth of character and strive to embrace inspirationally redeeming qualities. While at HPE he's produced a number of films including THREE BLIND SAINTS, CHRISTMAS ON SALVATION STREET, MY MANY SONS, THE MEANEST MAN IN TEXAS, THE RESURRECTION OF GAVIN STONE and the upcoming PARADISE A TOWN OF SINNERS AND SAINTS. Brad is well-versed in the business of faith based films and has a keen sense of how projects thrive in this genre. He’s ready to share what he knows exclusively with the Stage 32 community. Brad will put on his producer’s cap and walk through how a producer can successfully understand and navigate the world of faith-based and faith friendly filmmaking. He’ll begin by teaching you what the state of the faith based industry looks like right now. He’ll focus on the notable and successful faith based films coming out now, including studio films and indie films and what their budgets have been. Then he will provide you helpful strategies on how to independently produce a faith friendly film. Next he will outline themes, topics, and other landmines to avoid while producing your film to stay within this genre and not offend its audience. Brad will outline the main elements that make a faith and family based film successful in the marketplace and will delve into how to be authentic and stick to facts while still remaining commercial and appealing. He will then discuss what the faith based audience looks like and how best to reach them. He’ll talk about getting involved with churches and communities in producing and distributing your film and how best to reach out. Brad will next give a rundown of who the financiers and studios are in this market and what they’re looking for. He’ll spend time talking about the pure business of this space. Finally he will explain who the main distributors targeting this audience are. This is a tricky and very specific part of the film industry, but Brad’s will give you the tools you need to better understand it and succeed within it. Praise for Brad's Stage 32 Webinar: "This was superb! He was very open and helpful. I really appreciated him walking us through his business plan." -Crystal B. "He was so informational and inspiring with all he presented. Thanks to Brad Wilson and Stage 32 for presenting this." -Ann K. "Brad Wilson is personable, professional, and knowledgeable. I feel inspired to rework my script and shop it for production" -Darlyn K. "This was very informative. I have not written in this area, but hearing about how these movies get made is very inspiring. I can now see the steps that are needed. It is so great to get his wisdom and the practical step by step how to." -Mary S.
The backbone of the entertainment industry was shaken to the core after the trades announced one of the major festivals - SXSW was going to cancel its in-person festival. Shortly after festival after festival had to adapt to a new way of doing things - should they present their festival live and take a chance of it being cancelled? Or, should they present their festival virtually bringing on a new slew of challenges? Navigating this "new normal" has rocked the industry and has left many filmmakers scratching their heads about what it all means. Should you release your film in this new format? Or should you hold onto it and wait it out, with the fear of another year going by without it seeing the light of day? Despite the ongoing shift to a virtual, watch-from-home and hybrid model, film festivals continue to serve as an important platform for your film to make its debut. Your film can continue to find attention, distribution and other successes from participating, yet there are new questions and considerations you should factor into evaluating which festivals to submit to. The current spirit of cooperation and collaboration between festivals during the pandemic has radically changed, creating lots of new and exciting ways you can benefit from the circuit. But, with the excitement, there is also a lot of confusion about premiere status, virtual screenings vs online screenings, and more. Outside of getting your film into a festival, there are things you can learn from what the successful festival films are seeing that you can apply to your own film and its release. Whether you are a feature filmmaker or a short filmmaker you need to understand and embrace the new practices emerging among festivals presenting virtual and hybrid events. It’s time you take stock of the situation. Kimberley Browning is an independent filmmaker, the Associate Short Film Programmer at the Tribeca Film Festival and the founder of the long-running short film screening series Hollywood Shorts. Kimberley is also the Executive Producer of HBO ACCESS Directors Fellowship, the network's program developing and launching underrepresented voices into episodic television. Formerly a short film programmer for both the Los Angeles Film Festival and Guadalajara International Film Festival Los Angeles, Kimberley has a long history of working with film festivals and continues to serve as a festival consultant for many independent filmmakers. Kimberley has built her storied career around elevating new voices and empowering them to get their projects out into the world. Kimberley will delve into how filmmakers are finding success with their new films during the pandemic and how you can use film festivals as well as other practices to successfully release your own short or feature film. She’ll begin by explaining how you should be setting your gals and building your strategies to get your film out there. She’ll talk about new practices to build an audience, strategy essentials—with or without COVID—and how you should now be defining success and whether it needs to evolve due to the pandemic. Next Kimberley will focus on film festivals and show you what the new festival landscape and vocabulary looks like. She’ll explain what the best digital platforms festivals are utilizing and which to avoid. She’ll also teach you what ‘geocaching’ is and how to determine your geofencing options. She will go over DRM protections and how to keep your film safe when screening virtually and will talk about the difference between virtual screenings and online screenings. Next Kimberley will delve into the new film festival calendar, how the overall festival circuit is shifting due to date changes and postponements. She’ll give you the rundown of how to read small print before submitting to festivals to make sure you know what you need to know ahead of time. She’ll walk through how you should revamp your festival strategy to better navigate COVID and how you should now be communicating with a festival team. Kimberley will also talk about how to now navigate premiere status with festivals and explain how virtual festivals impact your film’s status and its ability to get distributor attention. She’ll also talk about how media and distributors are now navigating new rules in 2020 to find work with films. Next she will teach you how to navigate a virtual festival if your film is accepted, including how to promote your film to a virtual audience and how to build relationships and make connections without in-person events. Beyond festivals, Kimberley will give you strategies to promote and market your film to a general audience for its virtual release including if and how to work with publicists and new social media strategies to start employing. Kimberley will talk about other release strategies for your film beyond film festivals. She’ll give you tips on how to host your own independent online premiere. She’ll also give you a rundown of how to find distributors in a distanced world and how to operate long-standing marketplaces like AFM that are now turning virtual. Finally Kimberley will go over ways to self-distribute your film during quarantine, including if and how to work with aggregators to maximize your release. This is a tough time to release your film—rules and practices have changed across the board—but it’s still possible to find success and Kimberley will show you how to achieve this with your own film. Praise for Kimberley's Stage 32 Webinar: "Kimberley was very engaging which isn't easy when there is no audience interaction. Her presentation hit the middle ground between newbies and more seasoned festival goers which was very helpful because we are all newbies in this virtual festival world...both presenters and filmmakers alike." -Laurie C. "Good perspective, useful advice." -Mick H. "It was great!" -Daniel G. "I loved how knowledgeable Kimberley was. She gave me so many ideas of how to move forward with my film" -Karen B.
Age is just a number...even in Hollywood! Take charge of the career in entertainment you've always wanted with guidance from an acclaimed producer, writer, and entertainment career coach with over 20 years in show business! PLUS! Jessica will provide you with an exclusive template to use you plan your career in entertainment! One of the great myths about the entertainment industry is that the older you are, the harder it is to break in. The truth of the matter is, there are Baby Boomers working in the industry in all capacities. In fact, with the abundance of film, television and digital content being created, the opportunities for Baby Boomers has never been greater. Whether you're writing or filming content, looking to produce or work on the business side of the industry, or have an interest in being an actor, crew member, or other on set talent or staff, it's time to get moving and let yourself be seen and heard! Ageism is a word that gets thrown around often when people talk about the entertainment industry. But at the end of the day, those working in the industry want to hire talented, dependable, and dedicated people to help them elevate their personal and professional goals. So much of getting hired has less to do with your age and how you present and handle yourself. Here to teach all you Baby Boomers how to create a prosperous career in the entertainment industry is Jessica Sitomer, who has worked in the entertainment industry for over twenty years as a writer, an independent producer, a development associate, a director, and an actress. She's produced three television shows, had her writing produced by an Emmy award winning producer, and while working in development had the pleasure of being a part of Crazy in Alabama, Antonio Banderas' directorial debut (and yes, Jessica says, he's as charming in real life as he is on screen). Simultaneously, for seventeen of those years Jessica has been a career coach for Entertainment Industry Professionals. Within that period, she served for seven years as the in-house career coach for the International Cinematographers Guild. There she coached over 1000 people one-on-one, created over 40 seminar topics, ran over 30 mastermind groups, and developed a successful mentor program. No one is better suited to discuss breaking into the industry as a Baby Boomer than Jessica. Jessica will teach all Baby Boomers how to build a relevant career that squashes myths and stereotypes in the industry. She will identify and explain key strategies to circumvent the occasional ageism that historically has turned older generations off to pursuing their entertainment career. You will receive “ageless” tips for making a first impression either in person, by phone or via email. Jessica will also provide marketing tips on how Boomers can market online (social media and websites) to stay current. Further she will show you the advantages you have being a boomer as well as 3 strategies for using them! Jessica will help you identify your strengths and assets to understand what makes YOU stand out so you can parlay those traits into more work. PLUS! Jessica will provide you with a downloadable template to simplify your plan of action that you can use for your path to success! Age does NOT need to be a factor in pursuing a career in film, television and digital media. Jessica will give you the tools, the motivation, the strategies, and the confidence to build the career you want! PRAISE FOR JESICA'S TEACHINGS: "Jesica is an inspirational ball of fire. I came in with doubts and fears and left ready to knock down the intimidating gates of the industry. Can I get an Amen? Thank you Jessica!" -- Roberta K. "Coming from a sales background, there are 2 things I know you need to be successful: Information and confidence. This webinar provided so much information, and it was delivered in such a clear and motivating way, I left with all the confidence in the world." -- Frank I.
During this hour-long webcast, Jason explores the uses of this technique to drive plot, reveal character and deliver exposition using some of our favorite films and television series including "Fleabag", Deadpool, Spaceballs, "House of Cards", Fight Club, The Big Short and more to find out how these projects break the fourth wall without throwing us out of the narrative. We discuss the how screenwriters weave this storytelling device into scripts and Jason gives you specific types of wall breaks to consider when writing as well as tips on how to write them!
Creating a movie is more than just a labor of love: it's also an investment of time and money. But while countless hours are spent raising money, putting the project together, setting up shots, and editing footage, many producers and filmmakers spend too little time or have little understanding of how to take care of the legal aspects of their productions. As a result, producers and filmmakers often learn the difficult lesson that no matter how good their films may be, a distributor can't sell a movie unless all of the necessary rights and permissions have been secured. In fact, without the correct agreements in place, filmmakers may be surprised to find out that they may not even own their own films! Thomas A. Crowell, Esq. counsels clients on a wide range of entertainment law and intellectual property rights issues, including clients who have had deals with TLC, Elsevier Publishing, Starz, Discovery Communications, Focal Press, the Smithsonian Network, WE: The Women's Entertainment Network, The Science Technology Network, IDW Publishing, and Sony Entertainment. His clients' work is seen in the pages of Marvel and DC comics and on movie, TV, computer, and mobile screens across the world. A former television producer and director of development for STN, Thomas has spent the better part of the last two decades creating ways to make difficult legal concepts accessible to creatives. Thomas will outline how to spot the top 10 major legal problems that filmmakers and producers face. He'll go through aspects of copyright law and a deep dive of a filmmaker's ownership of the film to make sure you keep your rights. He'll go over critical deal points for option and purchase agreements and talk about fundraising "sand traps" and how to avoid them. Finally Thomas will teach you tips and tricks for negotiating with agents. Whether you have a finished film, a script, or the beginnings of an idea for a television program, you will leave this webinar with a set of tools you can use to tackle legal problems that may come your way. PRAISE FOR THOMAS'S TEACHINGS: "One of the best webinars yet! All are informative and I have learned from each, but this one topped the charts. Calmly and clearly explained every pitfall I fear. Definitely want him back. Thanks!" - J. Rose
During this webcast, writers from around the world including Australia, Scotland, Canada, and more, shared their "writer biographies" and talking points. It was an excellent way to get to know one another and find out how to present their backgrounds and career aspirations during a general meeting. In addition to developing the craft, we endeavor to prepare Writers' Room members for the business of film and television. And that means, knowing how to present yourself, as well as your ideas, in a meeting with producers, executives, and filmmakers. Using the "Breakdown Webcast: Breaking down a General Meetings" as a guide, your challenge was to write a short biography on yourself which focuses on the major "talking points" that you would benefit you in a general meeting with a producer, executive, manager or other industry pro. Include a bit on your personal and professional background, the genres you write, your screenwriting accomplishments (such as awards, accommodations, accolades), your goals for your writing career (features? TV? Both?), and what makes your point of view so unique in an crowded market!