David Shecter has has been working in the television industry in production, development, and as a writer for over a decade. He has written on many shows, including season 5 of It's Always Sunny in Philadelphia. His experience and success on that show landed David on the pilot of the CBS smash hit 2 Broke Girls, where he worked his way up as a staff writer on the 6th and final season of the show. Since 2 BROKE GIRLS, David has served on the FOX sitcom OUTMATCHED starring Jason Biggs and Maggie Lawson and was named a WGA TV Writer Access Honoree for his script For Worse. David’s continued work in the sitcom TV world has lent him a keen understanding of what makes these shows successful and how to make the most of your sitcom pilot. Full Bio »
The television landscape is constantly changing, with new technology, new networks, new trends, and new players. Yet a constant throughout the years has been the popularity of the situational comedy. From I LOVE LUCY all the way to MODERN FAMILY and THE GOOD PLACE, there has always been an appetite for new sitcoms, funny stories and beloved characters to come back to week after week (or binge all at once). As a result, if you have great idea for a sitcom and a great pilot script to go with it, networks are always going to be interested. But first you have to write that pilot. But you can't build a house without a blueprint. That's why it's so important to understand the sitcom pilot script on a fundamental level.
A written TV pilot is not something physically tangible. You're selling the network an idea, an episode, and, really, an entire series without ever shooting a single frame. That alone is an overwhelmingly huge task. This is why people often struggle writing a pilot script. Putting too much into the script, or not enough. Properly setting up the world. Getting your audience attached to your characters. Including enough jokes and still having a prominent story. All of these elements make crafting your sitcom pilot difficult and the overall process intimidating. Yet shining a light on the pilot process can help reduce the fear and better equip you when writing.
David Shecter has has been working in the television industry in production, development, and as a writer for over a decade. He has written on many shows, including season 5 of It's Always Sunny in Philadelphia. His experience and success on that show landed David on the pilot of the CBS smash hit 2 Broke Girls, where he worked his way up as a staff writer on the 6th and final season of the show. Since 2 BROKE GIRLS, David has served on the FOX sitcom OUTMATCHED starring Jason Biggs and Maggie Lawson and was named a WGA TV Writer Access Honoree for his script For Worse. David’s continued work in the sitcom TV world has lent him a keen understanding of what makes these shows successful and how to make the most of your sitcom pilot.
David will break down how to write a great sitcom pilot that can build your world, show your style, and appeal to both executives and audiences. He’ll give you tips on how to find your sitcom’s tone and decide where it lies on the comedy spectrum between comedy and drama. He’ll discuss the differences between premise-based and character-based sitcoms and teach you how to find the balance between jokes and story. Next David will delve into the proper structure of a sitcom pilot, looking at length, episodic vs. serialized and if commercial breaks are still a thing. He’ll give you tips on how to start writing your sitcom pilot and break down the anatomy of a sitcom scene. He’ll share tips on how to build effective sitcom characters and will finally teach you how to best establish your world through the pilot and how to pack everything neatly into your script.
David will even offer a deep dive of the pilot script for HBO's Emmy-nominated sitcom BARRY, analyzing why this script works. Everyone who signs up will receive a free download of this script.
David is excited to show you the proper tools so you can start building the world of your sitcom from the ground up with complete confidence and create a product that can help you find the success you’re looking for.
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A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
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It's an undeniable fact, we are living in a gold rush of comedy content featuring lead female characters. Just think about the major box office and streaming successes we've seen over the last few years. On the feature film side, you have movies such as Late Night, Girls Trip, What Men Want, Rough Night, Bad Moms, and Trainwreck to name a few. On the networks, premium cable channels, and streamers Fleabag, 2 Broke Girls, Mom, Glow, Russian Doll, Insecure, The Marvelous Mrs. Maisel, and Unbreakable Kimmy Schmidt have drawn huge audiences and many have won major awards. Is it any wonder why development executives, managers, agents, producers and financiers are looking for writers who have the ability to write screenplays and teleplays featuring memorable and iconic female characters? There are many inroads to breaking and staying in the industry as a writer, but one of the most important factors is understanding what's hot in the marketplace. And right now, thanks to the massive buying power of the streaming platforms along with other major feature film and television production companies looking for comedies, it's never been a better time to understand how to write female driven comedies that pop. David Shecter has has been working in the industry in production, development, and as a writer for over a decade. David has written on many shows, including season 5 of It's Always Sunny in Philadelphia. His experience and success on that show landed David on the pilot of the CBS show. 2 Broke Girls where he worked his way up as a staff writer on the 6th and final season of the show. David is currently developing a female driven action comedy cop show, Lady Copped, with New Form and STX Entertainment. Most recently David was named one of the WGA TV Writer access honorees for his script For Worse. David will teach you everything he's learned about writing female driven comedies throughout his career. He will show you how to avoid the all to common cliches that seemingly find their way into every female driven script. He will show you why sex sells, but how to properly write sex and sexuality into your screenplay to make it unique. He will teach you the practice of gender flipping and role reversals. He will show you how you can bring a personal connection to your female characters no matter whether you're a male or female. He will show you how to examine your plot and your characters before you begin writing to make the process flow more smoothly. He will show you the difference between one dimensional vs multi-dimensional characters and how easy it is to fall into the former, but how important it is that you learn the latter. Finally, David will present a case study of his latest screenplay Lady Copped which is now in development with New Form and STX. Whether you're a feature or TV writer, you will learn all the important factors in writing a female driven comedy that will get you reads and attention. "Another incredible and insightful webinar presented by Stage 32. I have received notes on my screenplays in the past that my female characters fell into cliche. As a female, that pissed me off! But now I understand why and I'm already on the path to changing things for the better. Thank you, David, and bravo, Stage 32! -Melissa J. "Can men write female driven comedies? I often asked myself that question. I'm not any longer. Loved this presentation. - Kyle P.
If there's one subject that seems to confound and confuse filmmakers, producers, screenwriters, financiers and even set designers more than any other, it's the world of product placement. Can you raise meaningful money through product placement? What products can I put in my film or screenplay and which should be avoided? What are the legalities when dealing with product placement? These are all very valid and important questions. Those who understand the way the product placement industry (and it is an industry unto itself) works use this aspect of the production process to raise significant funds and stay on the north side of any potential legal issues. Those who fail to understand often have difficulties with clearances (and by virtue, issues securing sales and distribution) and may find themselves on the south side of some major lawsuits that include claims copyright infringement, misuse, and other serious charges. While the world of product placement was once considered to be an unregulated wild west of backroom deals and shady characters, it is now developed into an extremely controlled and accessible industry. Choosing a partner in this arena can lead to monetary deals that can help you close the rest of your financing. It can also help you fund parts of your pre-production phase. But most of all, it can lead to creative flexibility for your screenwriter, your director, your producer, your set designer, and even your crew. Over a 20+ year career in the film industry, David Patterson has worked as a writer, director and producer on dozens of projects. His films have played at Sundance and other prestigious film festivals which have garnered him sales to distribution outlets and various networks including Sundance Channel, Starz Channel and Warner Bros. David's work attracted the attention of Disney and his Bridge To Terabithia, was a huge studio release and box office success for the studio. More recently, David’s film, The Great Gilly Hopkins, starring Glenn Close, Octavia Spencer, Kathy Bates and Julia Stiles opened theatrically to rave reviews. Throughout this journey he has always used product placement to help with the success of each of his films. David will demystify and clearly explain the world of product placement and how you can best utilize a product placement strategy for your project. He will start by defining product placement - it may surprise you to know there are over 12 answers! He will then dive into how you can use just about everything to help you with product placement from your script, to your cast and crew to your producers to locations to utilizing your actors. He will teach you how to secure product placement - where to look, how to approach, how to close a deal. He will show you how the legalities of product placement for film festivals and commercial release differ and what you need to have buttoned up. He will explain E & O insurance and if you truly need it at all. He will also go into all the mistakes filmmakers make along the way and share some horror stories from filmmaker/producer friends and how you can avoid making the same mistakes - mistakes that can cost you money, time, endorsements and put you into legal peril. Additionally, David will teach you all the tips and tricks he's learned along the way to get the most out of your product placement strategies and build relationships with the right companies and brands so you can go back to the well time and time again! "Brilliant." - Jonathan C. "I was so unfamiliar with this world. Incredible breakdown of what and what not to do. This one truly opened my eyes. Can't recommend it enough." - Heather P. "David, where have you been my entire producing life?" - Priya R. "I don't throw this word around often, but this webinar was genius." - Alan L.
In this Pitch Tank Webcast we are brining in Distribution Executive Ken Korba Jr. of Universal Pictures! Previously, Ken worked at Brillstein Entertainment Partners, Principato Young Entertainment (Artists First), Paradigm, Open Road Films , Global Road, Entertainment, Crypt TV, and Focus Features. As an Executive in Distribution, Ken works directly with screenwriters and filmmakers to prepare their projects for production and release. Universal Pictures is....well....Universal Pictures! They are responsible for some of the industry's most recent critical and commercial successes, including THE INVISIBLE MAN, 1917, the JURASSIC PARK-franchise, US, FIRST MAN and GET OUT. Their upcoming projects include CANDYMAN and HALLOWEEN KILLS! Ken's background is in talent representation, development, production, theatrical sales, and film campaigns. Ken specializes in working with screenwriters and specializes in understanding what attracts sales agents to a particular film package in the current market, and how to guide a project from inception to completion! So you know he will have excellent feedback for our members pitching.
Learn directly from Producer Mitchell Peck, who has produced 3 studio movies with worldwide distribution! Hollywood is a global aspiration. This year, 80+ countries submitted films for Academy Awards consideration. And the number of aspiring screenwriters is growing every year thanks to websites like Stage 32, and others. Tech and resource barriers to entry for filmmakers are being lowered, with DSLR's, iPhones, online distribution, social media, etc. Financing is easier than ever before, thanks to options like Slated, Indiegogo, Kickstarter, etc. Filmmaking is finally a democratic medium. Yet, at the same time, Hollywood remains largely impenetrable -- and opaque -- to outsiders. Literary agencies, production companies and movie studios will not read "unsolicited submissions." Hollywood is an inefficient system; good material falls through the cracks all the time. For 20 years in Hollywood as a movie producer, Producer Mitchell Peck has specialized in identifying material (scripts, books, articles, life-rights, etc.) and aspiring screenwriters from outside the Hollywood system -- and successfully guiding them into Hollywood's best literary agencies, top management-production companies, and major movie studios. (Check out some of Mitchell’s success stories on his website below). Few producers can boast the same track-record of success as Mitchell on behalf of aspiring screenwriters. In this webinar, "Anatomy of a Hollywood Movie Deal: 7 Case Studies of Success with Producer Mitchell Peck” Mitchell will shed light on -- and hopefully demystify -- the process of successfully navigating the Hollywood marketplace by sharing highlights from seven (7) Hollywood movie deals in which he successfully guided aspiring screenwriters to top agency representation, script development deals, and-or produced studio movies with worldwide distribution.
Animated television is currently experiencing a boom like we’ve never seen before. Since it’s possible for the bulk of the work to be completed from home or while socially distanced, animation has been flourishing as more players are turning to this format. New shows like SOLAR OPPOSITES on Hulu, CLOSE ENOUGH on HBO Max, FINAL SPACE on TBS and BLOOD OF ZEUS on Netflix are hugely popular, and this is just the beginning. Scores of upcoming animated shows are in the pipeline and just around the corner. Considering this appetite, it doesn’t look like this trend is fading any time soon. And more interest in animation means there are more opportunities for your own project to get noticed and get picked up. The opportunities may be extra plentiful right now, but you still need to do your homework and understand the animated TV industry and what they’re looking for if you want to be noticed. This means nailing down a great concept, a fantastic pitch deck, and a strategic and effective pitch. And all of these elements don’t need to just be good; they all need to lend themselves to the format and industry that is animated TV. But if you can ace all of these elements, you may have just found your way in and the piece of material that will fire you off the launch pad. Brad Graeber is the CEO and co-founder of Powerhouse Animation Studios, recognized as a leading producer of action animation for its work on Netflix original series like CASTLEVANIA and SEIS MANOS, as well as a multitude of video game cinemas, trailers, and commercials. Through Powerhouse, he has also produced several shows in the children’s space including Nickelodeon's THE ADVENTURES OF KID DANGER and Disney's IT'S A SMALL WORLD: THE ANIMATED SERIES. Based in Austin, TX, Brad is currently overseeing the highly anticipated upcoming Netflix series MASTERS OF THE UNIVERSE: REVELATION, based on the HE-MAN cartoons from the 1980s and produced by Kevin Smith. Few people know better than Brad what it takes to turn an idea into a successful animated show, and he’s going to share his knowledge with the Stage 32 community. Brad will draw from his deep experience in the world of animated TV to break down how to best develop your animated series and pitch and sell it to a streamer or other network. He’ll first teach you what animated TV looks like today, what networks are looking for and where we’re headed. Next he’ll dive into what you should do to get your own animated series market-ready. He’ll address the three questions you NEED to answer before you try to sell your show, and will give you for shaping your character descriptions, plot outlines, structural elements and unique viewpoint. Brad will also talk about how to get the meeting with an interested network or studio. Next Brad will go into crafting your pitch documents including an effective pitch deck and accompanying artwork. He will also go through the 8 biggest mistakes he sees writers make when putting together their animated shows and give you tips on how you can avoid these pitfalls. Brad will even share the pitch deck he used for his original series SEIS MANOS that got it picked up by Netflix and will break down the process of developing the show and getting the streaming giant on board. If you are working on an animated show, you’re going to want to hear what Brad has to say.
This week the Writers' Room welcomes two very special guests into the Pitch Tank! Jason brings in Director of Development Rachel Crouch of Cold Iron Pictures, a production/financing company that most recently produced Being Frank starring comedian Jim Gaffigan and Anna Gunn. Previously Cold Iron produced Swiss Army Man starring Daniel Radcliffe and Paul Dano, as well as Marielle Heller’s directorial debut The Diary of a Teenage Girl starring Bel Powley, Kristen Wiig and Alexander Skarsgård, both of which premiered at Sundance. Previously Cold Iron releases also include Joseph Cedar’s political drama Norman starring Richard Gere which was released by Sony Pictures Classic, Don't Think Twice, and Lake Bell’s second film, I Do...Until I Don't.As a writer, Rachel has had articles published by The Mary Sue, TVGuide.com, EveryGeek.net, and co-founded the geek girl podcast and blog The Babes in the Woods. We are also joined by the Founder and CEO of Stage 32, Rich "RB" Botto. RB is a writer, producer, and actor himself, who is currently writing a biopic with a major company on board! During the Pitch Tank, Rachel, RB, and Jason give feedback on pitches a diverse set of project from members around the world!