Negotiating Actor’s Agreements

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Hosted by Thomas A. Crowell, Esq.

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Thursday, Jan 25TH 1 - 2:30PM PST
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Thomas A. Crowell, Esq.

Webinar hosted by: Thomas A. Crowell, Esq.

Entertainment & IP Attorney at LaneCrowell LLP (clients include Sony, Starz, TLC & More)

Thomas A. Crowell, Esq. is an entertainment and intellectual property attorney and partner with the New York law firm of LaneCrowell, LLP. Mr. Crowell counsels clients on a wide range of entertainment law and intellectual property rights issues, including deals with TLC, Elsevier Publishing, Starz, Discovery Communications, Focal Press, the Smithsonian Network, WE: The Women's Entertainment Network, The Science Technology Network, IDW Publishing, and Sony Entertainment. His clients' work is seen in the pages of Marvel and DC comics and on movie, TV, computer, and mobile screens across the world. A frequent columnist for film industry publications, Mr. Crowell is also the author of a best-selling legal guide for independent producers, The Pocket Lawyer for Filmmakers (Focal Press), which has been adopted as a core textbook in many film and law schools across the United States. His latest book is “The Pocket Lawyer for Comic Book Creators” (Focal Press) — is the very first dedicated legal guide for the comic book industry. He currently serves as a series editor for Focal Press and its new line of legal guides for artists. Prior to becoming an attorney, Mr. Crowell was a television producer and the head of business development for one of Japan's premier satellite television news companies, the Science Technology Network. Mr. Crowell began his legal career at KMZ Rosenman, where he established his expertise in entertainment, media, intellectual property protection, and general corporate and commercial matters. In addition to his private practice, as a teacher, Thomas is the co-creator and Director from Practice, emeritus, of the “Indie Film Clinic” at Cardozo Law School, where he has taught courses in film and media law. THIS PRESENTATION HAS BEEN PREPARED FOR EDUCATIONAL AND INFORMATIONAL PURPOSES ONLY AND IS NOT INTENDED TO PROVIDE LEGAL ADVICE OR A LEGAL OPINION. PLEASE BE AWARE THAT QUESTIONS YOU RAISE DURING THE WORKSHOP ARE NOT CONFIDENTIAL. ONLY YOUR ATTORNEY CAN ADVISE YOU WHICH LAWS ARE APPLICABLE TO YOUR SPECIFIC CASE AND SITUATION.   Full Bio »

What is the most important element in your film to landing a distributor? The script? The director? Probably not. For many distributors, the choice of one film over another often comes down to whether your film features an actor that audiences recognize. Actors’ performances breathe life into a film, and their fame gives a film its marketing power.

Because performers realize the hold they have over a film project, negotiating the performer’s services agreement can be a nail-biting experience. Virtually every recognizable performer has a team of agents, managers, and attorneys ready to protect the actor’s interests and negotiate the best deal they can for their client. For producers, knowing how to negotiate an actor’s contract is critical for the success of their films.

This course will show you how to negotiate an actor’s services agreement, provide an overview of dealing with SAG-AFTRA, and even give you a few tips and tricks on dealing with actors’ agents and managers.

Testimonials for Thomas' previous webinar: "One of the best yet! All are informative and I have learned from each, but this one topped the charts. Definitely want him back. Thanks!" J. Rose


What You'll Learn:

  • Negotiating with agents, managers, and other actor’s representatives
    • Negotiating with agents is often compared to “swimming with sharks.”
    • We’ll discuss some techniques to help you build a shark cage for your negotiations.
  • Becoming a signatory with SAG-AFTRA
    • Signing your production up with the SAG-AFTRA performer’s union is not as difficult as you might think.
    • We will demystify the process and discuss which union contract is right for your production
  • The key elements of an Actor Services Agreement
    • We will discuss the important elements of actor’s contracts including:
    • work for hire clauses
    • engagement
    • options for future services
    • publicity
    • compensation
    • net profits
    • a host of other critical provisions.
  • We will even discuss letters of intent (LOIs) and why they may not be as useful as you might think.

About Your Instructor:

Thomas A. Crowell, Esq. is an entertainment and intellectual property attorney and partner with the New York law firm of LaneCrowell, LLP. Mr. Crowell counsels clients on a wide range of entertainment law and intellectual property rights issues, including deals with TLC, Elsevier Publishing, Starz, Discovery Communications, Focal Press, the Smithsonian Network, WE: The Women's Entertainment Network, The Science Technology Network, IDW Publishing, and Sony Entertainment. His clients' work is seen in the pages of Marvel and DC comics and on movie, TV, computer, and mobile screens across the world.

A frequent columnist for film industry publications, Mr. Crowell is also the author of a best-selling legal guide for independent producers, The Pocket Lawyer for Filmmakers (Focal Press), which has been adopted as a core textbook in many film and law schools across the United States. His latest book is “The Pocket Lawyer for Comic Book Creators” (Focal Press) — is the very first dedicated legal guide for the comic book industry. He currently serves as a series editor for Focal Press and its new line of legal guides for artists.

Prior to becoming an attorney, Mr. Crowell was a television producer and the head of business development for one of Japan's premier satellite television news companies, the Science Technology Network. Mr. Crowell began his legal career at KMZ Rosenman, where he established his expertise in entertainment, media, intellectual property protection, and general corporate and commercial matters.

In addition to his private practice, as a teacher, Thomas is the co-creator and Director from Practice, emeritus, of the “Indie Film Clinic” at Cardozo Law School, where he has taught courses in film and media law.

THIS PRESENTATION HAS BEEN PREPARED FOR EDUCATIONAL AND INFORMATIONAL PURPOSES ONLY AND IS NOT INTENDED TO PROVIDE LEGAL ADVICE OR A LEGAL OPINION. PLEASE BE AWARE THAT QUESTIONS YOU RAISE DURING THE WORKSHOP ARE NOT CONFIDENTIAL. ONLY YOUR ATTORNEY CAN ADVISE YOU WHICH LAWS ARE APPLICABLE TO YOUR SPECIFIC CASE AND SITUATION.

 


Frequently Asked Questions:

Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.

Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.

Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer

Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.

Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year! For a live webinar, you will be given the link within 2 business days after the live session.


 

Testimonials:

Very helpful graphics; good pace (not to fast or slow); speaker had high level of knowledge/experience. Very helpful. - J. Marshall

Tons of great information very well explained - Thanks! - R. Heaps

Great job.. Thank you. - R. Miles

One of the best yet! All are informative and I have learned from each, but this one topped the charts. Definitely want him back. Thanks! J. Rose

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.

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