Steve Desmond is a WGA screenwriter whose screenplays have been voted onto the prestigious industry Black List four times in the past five years, including in 2020 with his latest script, The Saturday Night Ghost Club. He sold his sci-fi adventure screenplay, Harry’s All-Night Hamburgers, to Warner Bros in a bidding war, with an Oscar nominated producer attached. FilmNation (Arrival, The King’s Speech) hired him to adapt the Stoker-award-winning horror novel The Cabin at the End of the World. He’s also been hired to work on projects for Legendary Pictures, Sony, Blumhouse, and Mandalay, amongst others. In honing his craft as a writer, Steve has leaned heavily on the art of outlining and has used it to find success for his work. Full Bio »
Learn how to outline your script to make your writing process more effective with a writer of M. Night Shyamalan's film KNOCK AT THE CABIN and the upcoming TRANSFORMERS ONE!
Outlining before writing your script can dramatically help the workflow and quality of your writing process.
Outlining isn’t for everyone. But if you find yourself struggling with where to begin, or getting stuck in the middle of a draft, or if the concept of writing a full screenplay just feels too daunting, then an effective outline can help make the process easier. An outline helps you to dive into your story before you begin writing, so that you can craft a plan for turning your vision into a reality. If your screenplay is a house, the outline is the architectural blueprint. Mastering outlining can elevate your next project to new heights and convince more people to take notice in your story.
It happens to everyone: You have an idea that you’re passionate about and leap into writing page one. But eventually, that initial spark wears off and it’s a struggle to figure out what to write next. Outlining is a great way to curate your ideas into a game plan so you can hold on to that spark. But in order to have a successful plan and structure for your screenplay, it’s crucial to know not only how to outline, but to read what that outline is telling you about your story. Let’s take a closer look.
Steve Desmond is a WGA screenwriter whose screenplays have been voted onto the prestigious industry Black List four times in the past five years, including in 2020 with his latest script, The Saturday Night Ghost Club. He sold his sci-fi adventure screenplay, Harry’s All-Night Hamburgers, to Warner Bros in a bidding war, with an Oscar nominated producer attached. FilmNation (Arrival, The King’s Speech) hired him to adapt the Stoker-award-winning horror novel The Cabin at the End of the World into M. Night Shyamalan's recent horror hit KNOCK AT THE CABIN. He’s also been hired to work on projects for Legendary Pictures, Sony, Blumhouse, and Mandalay, amongst others. In honing his craft as a writer, Steve has leaned heavily on the art of outlining and has used it to find success for his work.
Steve will provide tips and best practices for outlining to help you better prepare for writing your script and zero in on your project’s story and structure. He’ll explain the positives and negatives of outlining and how to find the outlining approach that’s best for you. He’ll also discuss how best to research and the benefits of creating a notes document. Steve will delve into ironing out your premise, focusing in on theme and tone, and building out characters. He will talk about three act structure and his own “build the bridge” method for outlining. Finally he’ll discuss next steps after you finish your first go at the outline.
Expect to leave this exclusive Stage 32 on-demand webinar with strategies and ideas you can take back with you to better organize and attack your own script.
Praise for Steve's Previous Stage 32 Webinars:
"This was fantastic. Steve offered so much insight, dozens of little nuggets that rang true or gave me pause to think of something I'd never considered before."
-Ed K."Perfectly laid out, clear and concise material taught by a genial host!"
"Steve was fantastic. His examples and insights were on point. Thanks!"
"I made 3 pages of notes; good pertinent topics with simple fundamental answers presented. Very helpful, worth the time and fee."
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Learn how to effectively network to improve your career as a screenwriter from Steve Desmond, the screenwriter of M. Night Shyamalan's KNOCK AT THE CABIN and a writer on the upcoming TRANSFORMERS ONE for Paramount Pictures! Plus! You'll receive a query letter template you can use to help you make the most out of networking! You want to be a professional filmmaker, but how do you make connections to get your foot in the door? We’re all in the business of telling stories, but we’re also in the business of building relationships. Without those relationships, the entertainment industry can seem daunting. So how do you meet new people and make meaningful professional connections? In this webinar, we’ll throw the stereotypical “networking” pretenses aside, and focus on what it takes to begin crafting real partnerships and collaborations, with the hopes of elevating each other’s careers. The old adage holds true - it’s not just about what you know, it’s about who you know too… But who you know is ultimately up to you. This is an industry that is built on relationships. But far too many aspiring filmmakers don’t spend nearly enough time meeting new people and building those relationships. Just like writing, meeting people takes time, effort, and focus. The onus is on you to reach out and stay in touch. It’s not just about meeting people who want to do the same thing as you (i.e. writers meeting other writers). It’s about meeting people that can be helpful to your career, and who you, in turn, can be helpful to theirs. The bottom line is that your chances of success improve exponentially when you combine skill with a network of like-minded colleagues. In this exclusive Stage 32 webinar, you will learn the skills and tools you need as a screenwriter to network effectively and build and maintain long lasting business relationships to help you shape your career. Teaching you everything you need to know about networking as a screenwriter is Steve Desmond. A longtime member of Stage 32, Steve co-wrote KNOCK AT THE CABIN, which was directed by M. Night Shyamalan and released theatrically by Universal Studios. It opened at # 1 at the box office, and subsequently #1 on VOD on Peacock. Steve is one of the writers on the upcoming Transformers franchise prequel, TRANSFORMERS ONE starring Scarlett Johansson and Chris Hemsworth, which will be released in theaters in fall, 2024 by Paramount Pictures. His screenplays have been voted onto the prestigious industry Black List four times, including THE SATURDAY NIGHT GHOST CLUB which he is attached to direct with Brad Fuller (A QUIET PLACE) producing. He sold his sci-fi adventure screenplay, HARRY’S ALL-NIGHT HAMBURGERS, to Warner Bros in a bidding war, with Oscar nominated producer Andrew Lazar attached. His short film, MONSTERS, that he wrote and directed, has amassed over two million views online and screened in over 100 film festivals worldwide, winning 46 awards. Steve is represented by APA and Ziffren-Brittenham LLP. In a information-packed webinar, you will learn how to make the most out of in-person and virtual networking events, how to utilize social media for networking purposes, and strategies to maintain relationships once you make them. Steve will teach you who you should be targeting when networking (hint: it’s all about who can actually buy your script!) and how you can research and get in touch with writers, producers, and reps in an organic way. PLUS! You'll receive a query letter template you can use to help with your own networking! In today’s ever connected world, it is easier than ever to network to improve your career, you just need to know how! Praise for Steve's Stage 32 Teaching "No wonder Steve's career has taken off. It's clear he has a strong sense of how to write and also how to handle the business of the industry. Learned a ton from him." - Anthony M. "Incredibly valuable webinar for everyone to take - not just writers. Networking is a tricky thing that I've never felt comfortable with, but Steve's approach and recommendations honestly make it way less daunting." - Laura L. "It's the well known truth that you have to network to make it in the film industry. But even approaching networking is a hard thing to do. Steve broke it down in a sensical and practical way that I think can work for everyone." - Matt C.
Learn how to effectively add subtext to your screenplay from the screenwriter of M. Night Shyamalan's KNOCK AT THE CABIN and the upcoming TRANSFORMERS prequel! You’re a writer who is struggling with crafting believable dialogue. You’re a director looking for the greater meaning in a scene. You’re an actor trying to connect with what a character is feeling. Subtext is the backbone of emotion in any story, regardless of what genre you’re working in. It also helps to separate great scripts from not so great scripts. In this Stage 32 Next Level Webinar, filmmaker Steve Desmond will help you to craft engaging subtext to layer your stories with nuance and emotion. Whether you’re going for laughs, drama, or impending fear, he’ll help you to make your screenplay feel more true to life. For directors or actors working with existing scripts, this webinar will help you to dig deeper below the surface to find the true lifeblood beneath a line. For producers, we’ll discuss tips on how to work with writers to make their subtext come alive. Whether you’re a writer, a director, an actor, or a producer, subtext is a major part of your game and this webinar will help you add an entirely new layer to your projects. PRAISE FOR STEVE'S TEACHINGS: "Before hearing from Steve, I would take months off between scripts if I got a really mean rejection because I couldn't handle it. Now, I'm always working on something new. If they don't want my script. No problem, someone else will or I'll make it myself!" - Emilio S. "It's clear why Steve is currently one of the top writers in Hollywood. He loves what he does and is good at it....and that completely translates to his teaching. I got so much out of this webinar that is helping my work. Thanks, Stage 32." - Mark M. "Steve knows his stuff, that's for sure! Honestly, I think I learned more from this 90 minutes with Steve than I did in all of film school. And that's not a joke." - Jonah R.
Learn How To Build Your Suspense From The Ground Up And Craft A Thriller With Earned Twists, Turns and Thrills From The Acclaimed Screenwriter Of M. Night Shayamalian's KNOCK AT THE CABIN and a writer on the upcoming TRANSFORMERS ONE If you're paying attention to the trades and seeing which screenplays and projects are being sold and produced, you know that psychological thrillers are highly in demand. With films like Swarm, the Joker franchise, John Wick: Chapter 4, The First Purge and many more, the industry sees the upside of keeping the audience on the edge of their seat. But the art of writing a psychological thriller is one of vulnerable characters, deep secondary characters, memorable set pieces, set ups, reversals, and earned twists and turns. There's a formula to it all, and those who master these skills win the day. Writing a psychological thriller and creating and maintaining suspense and high stakes throughout takes an immense understanding of the history of the genre. It's a genre based in Hitchcockian roots. One that needs to have certain elements in order to be effective to keep the audience involved, engaged and on the edge of their seat. While most psychological thrillers start off with a well thought out premise, that's all they have. The action starts quickly and then falls flat. In many other cases, the premise is in place, but the writer or filmmaker doesn't know how to get past the jumping off point. You must get your hook in place quickly - within your first five pages - and that takes skill. You need to truly create compelling characters, especially protagonist and your villain, and make them layered in order to support your theme and plot and to assure the audience always knows and is invested in the stakes. To be truly successful at getting your reader's attention, keep those pages turning and set yourself up for an offer of representation, an option, a sale, or financing, you need to understand all of the nuances that make a great suspenseful story before you type (or read) FADE IN. Steve Desmond is one of the best in the industry today writing suspense and psychological thrillers. His most recent feature screenplay, KNOCK AT THE CABIN, was directed by M. Night Shayamalian. He is currently writing TRANSFORMERS: A NEW GENERATION. His short film, Monsters, has played in over 100 film festivals worldwide, winning 43 awards including Best Short Film at the Comic-Con International Film Festival in San Diego and was a finalist at Stage 32's 3rd Annual Short Film Program. Steve filmed Monsters to serve as a proof of concept for his feature script, Twisted Avenue which is now in development. Needless to say, thrillers and suspense are in Steve's blood and the focus of all his writing. And now he's bringing all he's learned along the way to you. Steve will help you build your suspense from the ground up. He'll teach you the ultimate tool you need - the Hitchcock Ticking Clock Method which will help you on your way to setting the vital groundwork for your story. You'll learn how to create a compelling protagonist and an enticing villain. Steve will give you exercises you can use to craft your own characters and give you 5 must have tips on backstory and character confessions to give depth. You'll learn how to hook your reader in the first 5 pages and what the 3 different teasers you can write for your opening. You'll explore the power of murder in your script and the art of a twist ending. He will show you how to craft your script with producers in mind to give yourself the best chance to have your material attractive to the widest audience possible. Steve will go over how you can incorporate visuals into your story and break down case studies of Psycho, The Silence of the Lambs and Se7en. And, finally, Steve will share some advice on how to get your script on the screen by writing it in a producible budget. You will have a fully immersive experience from a suspense expert that will leave you excited, inspired and confident to tackle your next psychological project. PRAISE FOR STEVE'S TEACHINGS: This webinar was AWESOME!!! I just finished a thriller and now as a result of listening to Steve Desmond, I am ready to do a re-write which I believe will be one of the best screenplays I have ever written. Let's see what happens! - Michelle C. What a thrilling and insightful webinar, excellent!! - Kathleen W. Super helpful information that you don't find in books! - Pamela C. Very useful information - well structured and clearly presented! - Sara C.
"No" "Pass" "It's not for me" - What do you do when your script gets passed on by every company you send it to? Screenwriting is extremely hard, especially when it comes to handling rejection. But the reality is, the "no's" are a normal and part of the game. Even professional screenwriters get rejected numerous times a year. This webinar will offer tips and best practices for how to accept rejection, learn from it, and move on. Rejection can actually be empowering, and going through its trenches will ultimately make your scripts stronger and your victories feel that much better. Many aspiring writers let rejection, or the fear of rejection, stop their career before it even starts. Far too many writers quit after one or two scripts that didn’t sell. Even worse, many would-be writers don't even finish a script because they are afraid that it will never find success. Don't let that happen to you. Unless you’re a prodigy, rejection is something you will encounter over and over and over again, even if you become a working writer. But there are ways to prepare yourself for it, and use it as a teaching device to help you become better at what you love. The reality is, you can’t control if someone doesn’t like your work. But you can control how you react to rejection, and how you choose to move forward. ABOUT YOUR STAGE 32 EDUCATOR It took Steve Desmond 17 screenplays to become a full time working screenwriter. He didn't give up and neither should you. Steve has landed on the industry Black List four times and worked with major production companies and studios including Fuller Media (A QUIET PLACE), Warner Bros, Legendary Pictures, Blumhouse, and Mandalay Pictures, and more. FilmNation (PROMISING YOUNG WOMAN, ARRIVAL) hired him to adapt the Stoker-award-winning horror novel THE CABIN AT THE END OF THE WORLD, and he's co-writing a project at Paramount with Wes Ball (THE TIME RUNNER) attached to direct. His short film, MONSTERS, which he wrote and directed, has amassed over two million views online and screened in over 100 film festivals worldwide, winning 45 awards. Steve believes that going through these trenches ultimately makes your script stronger and your victories even better. In this empowering webinar he'll prepare you for it so that you become better at what you love by showing you: The different kinds of rejection, including "no," no response, and the toxic response How to use rejection to make your script better The feedback process and finding trusted readers Defeating self-rejection How to get your script out there Understanding gatekeepers and how to get past them Tracking your submission progress while celebrating the wins Juggling multiple projects so you're always moving forward And so much more! You can't control if someone doesn't like your work. But you can control how you react to rejection and use it to your advantage. PRAISE FOR STEVE'S TEACHINGS: "Before hearing from Steve, I would take months off between scripts if I got a really mean rejection because I couldn't handle it. Now, I'm always working on something new. If they don't want my script. No problem, someone else will or I'll make it myself!" - Emilio S.
You only get one chance to make a first impression… And the same goes for your characters in your scripts. A compelling character introduction can hook a reader instantly so they climb aboard for the rest of your story. So many people talk about how a screenplay needs to grab a reader within the first five pages – let's dive in to how you grab them and keep them turning pages. Includes real world examples from PIRATES OF THE CARIBBEAN, WHIPLASH, THE SILENCE OF THE LAMBS and BREAKING BAD. If we don’t care about the characters, we won’t be invested in the story. Far too often, we’re so eager to get into our script’s plot, that we don’t give our characters the attention they need. Ultimately, a character doesn’t have to be likeable, or even relatable, but they do need to be captivating. If you’ve ever received a note like, “I don’t like your protagonist,” or “I’m not sure what the character wants,” or “the characters felt one-dimensional,” or “the story took a while to get going,” then this is the webinar for you. Steve Desmond is a screenwriter who works across a variety of genres. His sci-fi adventure screenplay, HARRY'S ALL NIGHT HAMBURGERS, was sold to Warner Bros in a bidding war and now has an Oscar nominated producer attached. FilmNation (ARRIVAL, THE KINGS SPEECH) hired him to adapt the Stoker-award-winning horror novel THE CABIN AT THE END OF THE WORLD. His short film, MONSTERS, which he wrote and directed, has amassed over one million views online and screened in over 100 film festivals worldwide, winning 45 awards including being a winning film in the Stage 32 4th Annual Short Film Contest. Steve will focus on different methods to introduce your protagonist, antagonist, and supporting characters in your projects. By using both real life examples and case studies in film and TV, he’ll help you tailor your thinking to “character first, plot second.” Whether your characters are larger than life heroes, cruel villains, or average Joe’s and Jane’s, he’ll give you tips to help them leap off the page from the first time that we meet them. Steve will not only dive into your main characters, but supporting characters including your villains. He will also go deeper into how to create suspense, setting up opposites for your characters, and establishing contrasting needs. Finally, Steve will illustrate everything he's gone over with real world examples from films and shows such as PIRATES OF THE CARIBBEAN, WHIPLASH, THE SILENCE OF THE LAMBS and BREAKING BAD. Praise for Steve's Stage 32 Webinar: "This was fantastic. Steve offered so much insight, dozens of little nuggets that rang true or gave me pause to think of something I'd never considered before."-Ed K."Perfectly laid out, clear and concise material taught by a genial host!"-George P."Steve was fantastic. His examples and insights were on point. Thanks!"-Adam H."I made 3 pages of notes; good pertinent topics with simple fundamental answers presented. Very helpful, worth the time and fee."-Thomas W.
Congratulations – you’ve finished your first draft! But now comes the real work. The old adage goes that ‘writing is rewriting’ and that is absolutely true in film and television. A big part of screenwriting is learning how to receive feedback and how to implement it. Most professional writers go through numerous drafts and rounds of feedback before taking their scripts to the market. Just think about the first time you tried anything new – a new instrument, a new workout program, or a new screenplay. Unless you’re a natural, your first attempt isn’t usually your best. It’s the practice – or in this case, the rewriting – that helps you get better and will allow you to create something truly special. Too many aspiring writers think the hard work is over after the first draft. A first draft is a milestone accomplishment, but ultimately just one rung up the bigger ladder. But rewriting and polishing is not always an intuitive process – it’s hard to determine what to change or how much to change it. A big part of rewriting or polishing is learning how to listen to others, and realizing that even a solo screenplay can become a collaborative process. Steve Desmond is a WGA screenwriter whose screenplays have been voted onto the prestigious industry Black List four times in the past five years, including in 2020 with his latest script, The Saturday Night Ghost Club. He sold his sci-fi adventure screenplay, Harry’s All-Night Hamburgers, to Warner Bros in a bidding war, with an Oscar nominated producer attached. FilmNation (Arrival, The King’s Speech) hired him to adapt the Stoker-award-winning horror novel The Cabin at the End of the World. He’s also been hired to work on projects for Legendary Pictures, Sony, Blumhouse, Mandalay, and IM Global, amongst others. His short film, Monsters, that he wrote and directed, has amassed over two million views online and screened in over 100 film festivals worldwide, winning 45 awards. Steve has found his voice as a sought-after screenwriter by mastering the art of the rewrite and his excited to share what he knows with the Stage 32 community. Exclusively for Stage 32, Steve will give an in-depth and practical deep dive of the art of rewriting and polishing that you can take back to your own screenplay or pilot. Steve will share how best to utilize feedback and explain the difference between a rewrite and a polish. He will go through the psychological components of rewriting and show you how to make an effective plan to go through the rewrite process, and then how best to execute it. Next Steve will talk about how to actually trim your script by focusing on scenes and characters and how to work with producers and executives, including how to receive notes and maintain communication. He will then give you tools you can use to determine when you’re actually done. Expect to walk away with a slew of tools and ideas you can use to rewrite your own project and make it the best it can be. Praise for Steve's Previous Stage 32 Webinars: "This was fantastic. Steve offered so much insight, dozens of little nuggets that rang true or gave me pause to think of something I'd never considered before."-Ed K."Perfectly laid out, clear and concise material taught by a genial host!"-George P."Steve was fantastic. His examples and insights were on point. Thanks!"-Adam H."I made 3 pages of notes; good pertinent topics with simple fundamental answers presented. Very helpful, worth the time and fee."-Thomas W.