Mike Mitchell is a director, producer, actor and former animator best known for his work on THE LEGO MOVIE 2: THE SECOND PART, SHREK, TROLLS, PENGUINS OF MADAGASCAR, THE SPONGEBOB MOVIE: SPONGE OUT OF WATER and more. Conrad Vernon is a director, writer, storyboard artist and voice over artist best known for his work on SHREK, THE ADDAMS FAMILY, MADAGASCAR 3, SAUSAGE PARTY, MONSTERS VS. ALIENS and more. Harland Williams is a comedian and actor best known for his work on SAUSAGE PARTY, THE ADDAMS FAMILY, Disney’s PUPPY DOG PALS, Netflix’s SKYLANDERS ACADEMY and more. Your Moderator: Amanda Toney, Managing Director, Stage 32 Amanda is a producer best known for WHAT LIES AHEAD starring Rumer Willis and Emma Dumont and METAPHORMS, a Hungarian production which premiered at the Raindance Film Festival. She recently sold an unscripted TV show to a major US network. Full Bio »
Our Stage 32 Managing Director Amanda Toney will host this incredible panel. You will hear from top industry professionals that can offer thorough points of view from multiple facets of the animation business:
Top Animation Filmmakers
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With numerous financing options available and platforms for distribution, there's never been a better time for $3 million and under films from great new talent. With guidance from a producer and financier on over 45 films and television projects, you won't have to wait for a studio green light to bring your low-budget film to reality. Is your desire for your script to be a commercial film holding you back from producing it yourself? Are you overwhelmed by the thought of coming up with those big numbers and convinced only a big studio could bring your project to life? Whether you're making an intimate character study or a high-concept comedy, there's no need to wait to produce your film. Investors and producers avoid films in the $1 to $3 million range as these lower budgets are riskier, but the returns have the greatest rewards if you produce them correctly. In this exclusive Stage 32 webinar, you'll learn the optimal way to finance your $1 to $3 million film and make a profit by choosing the best project for the market, attaching great talent to build a package, and assembling a great business plan that attracts investors. You'll understand the financing, production, and distribution options available to low-budget films, how to secure and structure the various finance sources, and how to optimize distribution agreements. Showing you the ropes is acclaimed producer Jeanette Milio, who has worked on over 45 film and television projects with major studios and producers, such as Netflix, Disney, Sony, Paramount, HBO, Showtime, and many more. Her films have starred major stars, including Academy Award-winning performers Halle Berry, Adrien Brody, Forest Whitaker, and Mickey Rourke. As a member of the Producer's Guild of America, Women in Film, and the Cannes Film Festival Producer's Network, Jeanette has deep industry knowledge for domestic and international markets at every budget level. Jeannette brings extraordinary knowledge for your benefit and will be available for questions so that you can ask for information specific to your project. You'll also have access to the recording to revisit the lessons and be provided with exclusive handouts from Jeanette, including: Financial Planning Tools Sample CAMA (revenue/profit) agreement Sample story rights agreement (option) Sample talent offers for director and cast (pay-or-play) "Jeanette has invaluable knowledge and made me feel like seeing my movie on the big screen was possible." - Phillip F.
Serialized dramas produced in the streaming and premium cable spaces may be garnering more awards recognition and chatter on social media, but their often-ignored cousins – the procedural dramas that present closed-ended stories within each episode – should not be underestimated. Procedurals continue to not only draw huge crowds, but can stay on the air for many more seasons than their streaming counterparts (can you believe GREY’S ANATOMY has had 17 seasons??). Current ratings for shows like CBS’s EQUALIZER, FOX’s 9-1-1 and NBC’s CHICAGO P.D., CHICAGO FIRE and CHICAGO MED demonstrate just how wildly successful procedural dramas continue to be. The fact is writing and producing the successful procedural remains a highly marketable skill that can offer longevity to a writer's career, though it requires both technical knowledge and an understanding of the current marketplace for these enduring shows. For something that seemingly sticks closely to a formula, the professional TV procedural script can be deceptively hard to write, and there is little if any published literature addressing this subject. Over the years, many “rules” for writing the procedural or mystery have developed in rooms across Hollywood, and expectations for what such a script must include have grown. But how can up-and-coming writers or writers of other genres learn these rules? What actually constitutes an effective procedural pilot script and how can writers demonstrate this skill in order to find their way into a writers’ room? Barry Schkolnick is a long-time writer and producer in Hollywood who has written on over 20 procedural TV dramas including LAW & ORDER, UNFORGETTABLE, THE GUARDIAN, THE DIVISION, STAR TREK: THE NEXT GENERATION, and IN JUSTICE. Barry also served as co-executive producer on USA Network’s IN PLAIN SIGHT and consulting producer for CBS’s Emmy-nominated and critically acclaimed THE GOOD WIFE. Barry’s work on LAW & ORDER was honored with a nomination for a Writer’s Guild of America award for Best Episode, Dramatic Series and a Silver Gavel Award from the American Bar Association. In addition, he was a member of the writing staff of LAW & ORDER’s Emmy and Peabody Award winning season. Barry has an incredibly deep experience in the world of procedural drama television and will be sharing what he knows exclusively with the Stage 32 community. Barry will walk you through procedural drama television, how it fits in to today’s market and to best write in this genre in order to break into the space and create compelling television. After breaking down the actual difference between serialized and procedural dramas, Barry will give an honest appraisal of the market today and the pros and cons of writing procedural television within it. He’ll walk you through the main types of procedural series currently on air and will then lay out some of the main elements any procedural pilot needs. He’ll provide tips and strategies to best write in this space, including choosing the right lead character, how to best outline, and what the Golden Rule of procedurals is. Barry will conclude the webinar with a case study of the pilot script of THE GOOD WIFE, which he served as a consulting producer on. Using the lessons he taught, he’ll explain why this pilot was so successful and how you can use the script as inspiration for your own procedural project. Praise for Barry's Stage 32 Webinar "Barry presented information that I needed to know whether I was aware of that or not before the webinar. I like that Barry used a script that was available to us ahead of time and knew where he was going to in that script to show us what he wanted us to learn. It was one of the best webinars I have taken." - Bev I. "Barry gave great examples to distinguish the different types of procedural drama from serialized drama. They were easy to understand especially since Barry focused in on the key elements of the procedural drama. I did like the fact that Barry broke the pilot into "chunks" and talked about each one separately." - Susan S. "Barry spoke very personally and also gave good examples and applied his experience to today. Also he was very focused on what to do to succeed but he also was honest that you have to love writing. He came across as smart and no nonsense but also very warm and kind, which seems like a great combination for a writer. Maybe that's why he has been so successful!" - Deborah B. "Barry was very likable, down to earth, forthright. I felt that he really cared about helping writers." - Elise M.
Most Execs will toss a script if they aren't hooked in the first 5 pages. We challenged you to create or polish a teaser or opening sequence that builds a world, characters, and plot that leave us begging to read more!
Writing scenes come naturally to many of us especially when we have an outline of what we are aiming to accomplish. Scenes require us to describe setting, introduce characters, establish tone, and achieve a list of other key elements. We are tasked with making the words in each scene exciting and engaging with a few precious moments - urging the reader to keep turning the page and for the audience to keep watching. The words that we use should guide the reader and allow our voices to shine through our work. Understanding the importance of the words you use is imperative to how well your script ultimately translates to the screen. Scenes are a building block to the narrative of your story. Without well-written scenes, the foundation of your story will crumble. It is important to examine each scene of your story and analyze what ways it can be enhanced so that it really adds to the overarching points you are trying to get across as a writer. This comes with proper execution of infusing your own personality and authentic voice in a way that uniquely connects with your readers. Although this can be difficult, there’s no need to run away from this challenge. We have the tools and resources to help your words spring off the page instead. Steve Desmond is an established award-winning and represented screenwriter who wrote the thriller feature ON YOUR DOORSTEP that sold to Treehouse Pictures which has worked with incredibly talented actors like Zac Efron, Michael B. Jordan, and Henry Cavill and he also created the horror feature, TWISTED AVENUE, which made 2015 Hit List honoring the best spec screenplays of the year. His successful portfolio of films continues with his current project, MONSTERS, that won the Comic-Con International Film Festival for Best Horror/Suspense Film and Best Overall Film and has been accepted into over forty film festivals. Steve’s well-renowned success has landed him amazing representation with APA who is connected to partners such as the Global Production Network, The Gotham Group, that produced projects such as THE SPIDERWICK CHRONICLES and THE MAZE RUNNER franchise, and Eclipse Law Firm which has represented projects like NARCOS, KING KONG, WATCHMEN, and YOUNG ROCK. Steve will instruct you how to effectively craft the scene descriptions of your story to make them truly come to life. After providing you with the critical Do’s and Don’ts when writing scenes, Steve will show you how to guide your reader on an exciting journey, set your tone so that readers can feel the words on the page, and craft character introductions that leave memorable impressions with your audience. He will also discuss directing on the page, rewriting scene descriptions, and the importance of reading scripts. Steve will provide you with several resourceful writing exercises that will help you generate ideas for your own prose writing. You will walk away from this session with your words leaping off the page! Steve is beyond excited to share his tools and expertise with members of the Stage 32 community.
Founded in 2011 by Richard "RB" Botto, Stage 32 is the world's largest online platform connecting and educating film, TV and new media creatives and professionals worldwide. Stage 32 works with over five hundred industry professionals and executives who provide education, instruction and professional opportunities for members of the platform. Stage 32 currently has over 1,200 hours of exclusive film, television and digital craft and business education in its library. Stage 32 members use the platform daily to build their network, take online webinars, classes and labs, find work and cast and crew their projects. Stage 32 members range from students to Emmy, BAFTA and Academy Award Winners. Over the last few weeks, we have been working tirelessly to ensure that you know that Stage 32 is your online home to stay connected with over 600,000 creatives and professionals from across the globe. Now, we are looking forward to bringing you another virtual event to help you stay up-to-date about the state of the entertainment industry featuring some of the top professionals in the business. In this special event webcast we presented a virtual panel featuring some of the top minds in the Stage 32 community to discuss the current state of the entertainment industry as we are all faced with the COVID-19 pandemic. Our Stage 32 Managing Director, Amanda Toney, hosted this incredible lineup, where you will hear the point of view of a production company (Andrew Fried of Boardwalk Pictures), a lender (Viviana Zarragoitia of Three Point Capital), lender counsel (Carolyn Hunt of Barnes & Thornburg LLP), a talent representative (Tracy Christian of TCA Management), all moderated by producer and production company counsel (Elsa Ramo of Ramo Law PC). Stage 32 is proud to be putting the "social" in #SocialDistancing. Please share this event on your social media and tag @stage32 on Twitter and @stage32online on Instagram.
In Stage 32's commitment to bringing you free educational virtual events we are excited to bring you a special global edition of the Stage 32 Writers' Room Pitch Tank. We brought in the President of Production at Zero Gravity Management, and 3 industry leading literary managers from Circle of Confusion, The Cartel, and Art/Work Entertainment to hear pitches directly from writers across the globe! In this exciting 90 minute webcast four different screenwriters from the US, UK and Scotland step into the Stage 32 Pitch Tank to pitch their script to a panel of some of Hollywood's power players. The hopeful end result? That their script is requested! And...as an exciting surprise, we have brought in a special industry pro to come in and pitch to the panelists! Pete Goldfinger, who is the scribe behind the SAW franchise's JIGSAW, Piranha 3D and Sorority Row steps into the tank to pitch his new screenplay idea. You'll be able to see up close and personal on what different types of pitches and learn how the decision makers on the other side of the table feel about the process. And...best of all there were several requests in the tank. Want to find out which ones they were and why? You have to watch to find out!