After a 30 year career on radio in markets from New York to San Francisco to satellite and network, David H. Lawrence XVII decided to make a drastic change. He hung up his headphones and retired from hosting 3 syndicated radio shows to head to Los Angeles, to concentrate solely on acting in front of the camera. The Cleveland native has been seen on TBS' Frank TV, CBS' legendary CSI, The Mentalist, their military thriller The Unit and served a month or so as the announcer on The Price is Right; he's appeared on FOX's Touch and The Finder, TBS' Raising The Bar, ABC's epic LOST, NBC's spy dramedy Chuck, the hit Disney Channel sitcoms Good Luck Charlie and A.N.T. Farm, and is best known for his breakout role as one of the Villains, puppet master Eric Doyle on NBC's smash hit Heroes. Lawrence also stars in new media as well, reprising the Doyle role as the lead in the PRODUCED BY Producer's Challenge winner Heroes: Nowhere Man, from NBC and Retrofit, and as a series regular on Subway's The 4 to 9ers on Hulu. Lawrence's film career includes on-camera and VO work on Men In Black III, The Changeling, The Hulk, Iron Man, Percy Jackson, Unstoppable, Too Big to Fail, A Special Relationship and countless other films. His is the voice of America Online's customer service lines, as well as the voice of over 1500 other interactive voice response telephone systems - he is one of the most often heard voices in the world. As a new media expert and radio air personality, David Lawrence was heard every night for almost two decades as the wacky, eclectic and highly opinionated host of The David Lawrence Show, and weekend Online Tonight, both nationally syndicated radio talk shows that revolved around pop culture and the high-tech lifestyle. The Emmy-award winning and Clio-nominated Lawrence is deeply rooted in the music industry as well, and anchored The Net Music Countdown for almost a decade, counting down the top downloaded and streamed artists on the Net. These shows were heard on over 300 radio stations and both XM and Sirius Satellite Radio. His past theatre and voice work include originating the role of Charles Bukowski in Sacred Fools' LA's award-winning Bukowsical!, Potter in It's A Wonderful Life, the role of El Gallo in The Fantasticks, as well as parts in The Children's Hour, The Good Doctor, Born Yesterday, The Fall of the House of Usher and starred as Barry Champlain in Talk Radio. He has performed on stage at the Kennedy Center for the Performing Arts and is a lifelong member of Mensa. Full Bio »
"He certainly knows the business very well, I likes the way he breaks things down , it makes it easy to remember and therefore to apply to our work". - Nicolette M.
"This was such an awesome webinar, especially for the price point - I learned a lot that I can take directly to my next auditions." - Stephanie M.
"Excellent info! Very clearly presented!" - Brad V.
"This is information I am in need of and believe it or not, it's not taught by all coaches I have met. Please do more!" - Steve L.
In this Stage 32 Next Level Webinar, you will continue your education on the most common category of voice over auditions and performance: radio and TV (and now web!) commercial copy. Using what you learned in Voicing Commercials - Part 1 about auditions, equipment and slating, you will dive into the structure of copy, looking at lists, setups, payoffs, dialogue reads, and endings. This webinar will round out your education on how to connect with a listening and viewing audience on a visceral level, taking your execution of commercial VO to a deeper and more satisfying level!
You Will Leave This Webinar Knowing:
After a 30 year career in radio, your host David H. Lawrence XVII moved to television, and has been seen (and heard) on ABC's epic series Lost, CBS' legendary CSI, How I Met Your Mother, The Mentalist and military thriller The Unit, NBC's spy comedy Chuck, Good Luck Charlie and ANT Farm on Disney, Bella and the Bulldogs on Nickelodeon, Touch and The Finder on FOX, and is best known as the creepy evil puppet master Eric Doyle on NBC's smash hit Heroes. His film career includes on-camera and VO work on Men in Black III, Pizza Man, The Changeling, The Hulk, Iron Man, Percy Jackson, Unstoppable, Too Big to Fail, A Special Relationship and countless others. Lawrence has also voiced over 100 audiobooks. He is one of the top VO actors and instructors in the business, and we are thrilled to have him back to teach with Stage 32!
David H. Lawrence XVII
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"He certainly knows the business very well, I likes the way he breaks things down , it makes it easy to remember and therefore to apply to our work". - Nicolette M.
"This was such an awesome webinar, especially for the price point (very affordable) - I learned a lot that I can take directly to my next auditions." - Stephanie M.
"Excellent info! Very clearly presented!" - Brad V.
"This is information I am in need of and believe it or not, it's not taught by all coaches I have met. Please do more!" - Steve L.
"Nice job. Easy to follow. Great anecdotal explanations. Arthur Godfrey, indeed!" - Ryan C.
Learn directly from David H. Lawrence XVII, VO and screen actor with over 50 film and TV credits, including Heroes, Lost, CSI, How I Met Your Mother, Men In Black III, Iron Man and more! This is information I am in need of and believe it or not, it's not taught by all coaches I have met. Please do more! - Steve L. Nice job. Easy to follow. Great anecdotal explanations. Arthur Godfrey, indeed! - Ryan C. In this Stage 32 Next Level Webinar, host David H. Lawrence XVII will take you through the most common category of voice over auditions and performance: radio and TV (and now, web) commercial copy. You will learn how the performance of this class of VO work has changed over the years, how to approach copy, how to create your commercial character, and how to connect with a listening and viewing audience on a visceral level. You will leave the webinar: Knowing how to take your execution of commercial VO to a deeper and more satisfying level! Prepared to approach professional voice over work for radio and TV commercials! After a 30 year career in radio, your host David H. Lawrence XVII moved to television, and has been seen (and heard) on ABC's epic series Lost, CBS' legendary CSI, How I Met Your Mother, The Mentalist and military thriller The Unit, NBC's spy comedy Chuck, Good Luck Charlie and ANT Farm on Disney, Bella and the Bulldogs on Nickelodeon, Touch and The Finder on FOX, and is best known as the creepy evil puppet master Eric Doyle on NBC's smash hit Heroes. His film career includes on-camera and VO work on Men in Black III, Pizza Man, The Changeling, The Hulk, Iron Man, Percy Jackson, Unstoppable, Too Big to Fail, A Special Relationship and countless others.
You have goals, but how much of your life is getting in your way of achieving them? For writers, directors, producers, and other artists, motivation often must come from a very vulnerable place, and that doesn't happen easily. Let someone with over 100 scripts and productions under their belt show you how to get out of your way make your goals happen. Are procrastination and blocks halting your creative work? Do you believe that you have to suffer to produce great art? How many days do you go to be disappointed that you didn't write a single page? Is a fear of failure holding you back? Your art requires an act of courage, and it starts with one step. Justin Rossbacher is a writer-director-producer who's worked on over 100 on-screen projects and won over 140 awards across 20 years. He has worked with countless artists in the entertainment field to support their passions by providing structure, community, and accountability. Justin has continuously generated great, award-winning work by keeping distractions, procrastination, and fear out of his path of producing fantastic results. So many self-help or motivational books and podcasts are from entrepreneurs or sales experts. How is that going to help you prep for your film or finish your screenplay? You need advice from a creative, just like you. Justin believes the world is a genuinely better place when you commit to doing the work you often don't make time for. Whether writing a screenplay, directing that film, or just getting organized, you have a unique contribution to this world, and Justin will help you make it a reality. During this exclusive Stage 32 webinar, you will be able to ask Justin questions about your unique situation and dilemmas to create actionable steps you can implement immediately. You will also have the tools to: Reconnect with your goals Prioritize time for yourself and essential steps Justin's "time boxing" technique to get more done and save time Find a schedule that works for YOU Hold yourself accountable Know where to get support and create community After viewing, you'll have access to this information on-demand to revisit and inspire yourself if procrastination or other blocks get in your way again. So what's holding you back today? Why not let Justin know...
"No" "Pass" "It's not for me" - What do you do when your script gets passed on by every company you send it to? Screenwriting is extremely hard, especially when it comes to handling rejection. But the reality is, the "no's" are a normal and part of the game. Even professional screenwriters get rejected numerous times a year. This webinar will offer tips and best practices for how to accept rejection, learn from it, and move on. Rejection can actually be empowering, and going through its trenches will ultimately make your scripts stronger and your victories feel that much better. Many aspiring writers let rejection, or the fear of rejection, stop their career before it even starts. Far too many writers quit after one or two scripts that didn’t sell. Even worse, many would-be writers don't even finish a script because they are afraid that it will never find success. Don't let that happen to you. Unless you’re a prodigy, rejection is something you will encounter over and over and over again, even if you become a working writer. But there are ways to prepare yourself for it, and use it as a teaching device to help you become better at what you love. The reality is, you can’t control if someone doesn’t like your work. But you can control how you react to rejection, and how you choose to move forward. ABOUT YOUR STAGE 32 EDUCATOR It took Steve Desmond 17 screenplays to become a full time working screenwriter. He didn't give up and neither should you. Steve has landed on the industry Black List four times and worked with major production companies and studios including Fuller Media (A QUIET PLACE), Warner Bros, Legendary Pictures, Blumhouse, and Mandalay Pictures, and more. FilmNation (PROMISING YOUNG WOMAN, ARRIVAL) hired him to adapt the Stoker-award-winning horror novel THE CABIN AT THE END OF THE WORLD, and he's co-writing a project at Paramount with Wes Ball (THE TIME RUNNER) attached to direct. His short film, MONSTERS, which he wrote and directed, has amassed over two million views online and screened in over 100 film festivals worldwide, winning 45 awards. Steve believes that going through these trenches ultimately makes your script stronger and your victories even better. In this empowering webinar he'll prepare you for it so that you become better at what you love by showing you: The different kinds of rejection, including "no," no response, and the toxic response How to use rejection to make your script better The feedback process and finding trusted readers Defeating self-rejection How to get your script out there Understanding gatekeepers and how to get past them Tracking your submission progress while celebrating the wins Juggling multiple projects so you're always moving forward And so much more! You can't control if someone doesn't like your work. But you can control how you react to rejection and use it to your advantage. "Before hearing from Steve, I would take months off between scripts if I got a really mean rejection because I couldn't handle it. Now, I'm always working on something new. If they don't want my script. No problem, someone else will or I'll make it myself!" - Emilio S.
Animation is one of the few types of productions that hasn’t slowed down or halted due to the pandemic. Since it’s possible for the bulk of the work of animated films and television to be completed from home or while socially distanced, animation has been flourishing as more players are turning to this format. With these ongoing changes in animated film and television production and financing, it’s now more important than ever to develop solid relationships to get into animation, and especially with overseas animation studios to successfully produce your own animated project. The truth is you’ll be hard-pressed to find many animated projects that are fully financed and produced in America. In fact, well over half of the work of most animated projects is done overseas, and that number is only rising as the industry continues to change. Working with overseas company is the norm and something that might be necessary if you are working towards producing your own animated project. Yet there’s more to gain in working with companies overseas than simply avoiding being left behind. Working with other countries opens the door for better tax breaks and lower cost and overhead. Going global might be the best step you can take in making your animated project a reality, but it requires a deep understanding of how this pipeline works and how to get your foot in the door. Mike Disa is the director of the hit Netflix series PARADISE PD and has been in the animation industry for over twenty-five years. Mike found success working with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others. Over a fascinating career, Mike has worked with some of the greatest and most infamous people in Hollywood including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg and Roy Disney. A favorite and fixture among the Stage 32 community, Mike has directed and produced movies and television with over a dozen overseas partners and wants to tell you how it's done. Mike Disa will walk you through the why and how of producing your animated project with an overseas company to best position it for success. He’ll begin by explaining the three basic models of animation production and how each works within a global pipeline. He’ll then explain why you should work with an overseas animation company and will outline both the benefits and negatives of doing this. He’ll then give you tools in how to best start a relationship with an overseas company and explain the difference between an overseas company, an overseas company with American offices and an American company with overseas offices. Next, Mike will explain how financing works with overseas companies and what these companies are looking for in an American partner. He’ll then delve into how the crash of movie theaters has affected the overseas markets and partnerships. Next he will focus on the impact Netflix animation has had on the industry as a whole and address the question “is everything bad Netflix’s fault?” Mike will teach you about how ownerships and participation work when working with overseas animation companies and will delve into why Chinese and Indian money is different than other money. Finally he will spend time explaining the problems Brexit is causing and how you can navigate these issues. Through covering these topics, Mike will give you a thorough blueprint of how to think and work globally and give your animated project success. Praise for Mike's Stage 32 Webinar It was really advanced stuff, and great advice. I appreciate that he was willing to stick around as long as he did to answer questions. -Shari E. I loved the wealth of content and Mike's humor. -Prema R. "Amazing" - Nilfredith S. Loved the host and the webinar! Mike’s knowledge is sound and extensive. His vision for what’s happening now and what we are to expect in the future is brilliant. I could listen to him forever. -Jane D.
The COVID-19 pandemic has affected every industry in the world, but perhaps none as harshly as that of live events. Whether it’s concerts, theaters, conferences, conventions, or anything in between, organizations built around bringing people together are scrambling to adapt in order to survive and continue their missions. Nowhere is this more true or evident than with film festivals. Film fests big and small have been grappling with large existential issues since the outbreak and have needed to find large scale and innovative changes to continue sharing films and championing artists in a now virtual setting. The landscape of film festivals has no doubt changed, but what exactly does this change look like and how permanent will this move to virtual be? How can festivals stay afloat and how should filmmakers be using festivals in this new era? In another FREE Stage 32 COVID-19 webinar, directors and programmers from Tribeca, Hollyshorts, Raindance, and Austin Film Festivals, as well as Stage 32’s very own Managing Director Amanda Toney will come together for an exclusive Q&A session where they’ll answer questions from the Stage 32 community about the state of film festivals and where they believe things are headed. They’ll address platforms and solutions available to film festivals (including Stage 32’s Screenings platform!), and will give their thoughts and advice to filmmakers on how to consider, approach and submit to festivals in this new virtual era. Bring your questions and prepare for a direct, upfront, and honest discussion.
What is the most important element toward your film to landing a distributor? The script? The director? You may be surprised. For many distributors, the choice of one film over another often comes down to whether your film features an actor that audiences recognize. Actors’ performances breathe life into a film, and their fame gives a film its marketing power. Whether you're shooting a student or short film, ultra low budget, low budget or new media, it's important to sign talent that will help move the needle on your project. As important, you must know how to navigate the wide, varied landscape of actor agreements to assure that you are buttoned up legally so that distributors and sales agents are attracted to your project. Because performers realize the hold they have over a film project, negotiating talent services agreement can be a nail-biting experience. Virtually every recognizable performer has a team of agents, managers, and attorneys ready to protect the actor’s interests and negotiate the best deal they can for their client. For producers, knowing how to negotiate an actor’s contract is critical for the success of their films. Making sure that you have your film set up properly from the legal perspective at the get-go will help put you in the best position to negotiate. And, making sure you know the clauses to look out for during negotiation and how to handle them is crucial. Thomas A. Crowell, Esq. is an entertainment and intellectual property attorney and partner with the New York law firm of LaneCrowell, LLP. Mr. Crowell counsels clients on a wide range of entertainment law and intellectual property rights issues, including deals with TLC, Elsevier Publishing, Starz, Discovery Communications, Focal Press, the Smithsonian Network, WE: The Women's Entertainment Network, The Science Technology Network, IDW Publishing, and Sony Entertainment. His clients' work is seen in the pages of Marvel and DC comics and on movie, TV, computer, and mobile screens across the world. Throughout his career he's helped hundreds of producers and actors protect themselves when signing the Talent Services Agreement. Thomas will walk you through labor and employment issues to consider when hiring key cast for your production, as well as give you payroll company resources you can use. You'll learn how to sign you production up as a signatory with SAG-AFTRA and how to be compliant. He will help you determine which union agreement your film will fall under and discuss the differences to consider between a student/short film, ultra low budget, low budget or new media project. Once you understand how to set up your film correctly, he will teach you how you can negotiate with agents, managers and other actor's representatives. Finally, Thomas will go over the key elements of a legal actor/talent services agreement. This is an all encompassing look at the broad landscape of actor's agreements taught with an easy to understand and comprehensive delivery. Whether you are making student films, short films, feature films, or new media projects with ultra low, low, medium or big budgets, you will learn EXACTLY what you need to get your actor's agreements buttoned up and protected. "One of the best yet! All are informative and I have learned from each, but this one topped the charts. Definitely want Thomas back. Thanks!" Jessica R. "This was incredibly detailed. I appreciated that Thomas took a lot of time showing real life examples and included easy to understand descriptions of all the clauses that would make my spin. Well worth the time." Paul P.