David Weddle is a prime time Executive Producer and Writer with an impressive career spanning over two decades on award winning shows. David is currently an Executive Producer and Writer for The Strain – a primetime television series created by the acclaimed writer/director Guillermo del Toro, based on his series of best selling novels, co-written with Chuck Hogan. Showrunner Carlton Cuse (Lost) serves at the helm. Prior to The Strain, David worked on shows such Falling Skies, CSI, and Peabody Award-winning Battlestar Galactica. He has also written and produced for such series as Alphas, Defiance, The Fearing Mind, The Twilight Zone, and Star Trek: Deep Space Nine. He is the author of two books: the critically acclaimed "If They Move... Kill 'Em!" The Life and Times of Sam Peckinpah, and the best seller, Among the Mansions of Eden. As a journalist, he has written for such publications as:Rolling Stone, Los Angeles Times Magazine, The Washington Post, The San Francisco Chronicle, San Jose Mercury News, L.A. Weekly, Sight & Sound, Film Comment, and Variety. Full Bio »
There is no hotter market right now than television. More content is being ordered than ever before. And with streaming networks such as Netflix planning to have 50% original content in their libraries within the next few years, the demand for quality television scripts, products and minds isn't going away anytime soon.
But what makes a television show work? What elements are networks, premium channels and streaming platforms looking for? How do you navigate what has quickly become a very crowded market?
By learning from the best, of course.
Stage 32 is beyond proud to introduce a new, timely, important and exclusive Masters of Craft webinar: Writing & Producing Compelling Television in Today’s Market.
Your teacher is 20+ year television veteran, the one and only David Weddle. Over his prolific career, David has been an award winning producer on some of the most famous shows of all time (Battlestar Galactica, CSI, Star Trek: Deep Space 9, The Twilight Zone). Currently, David is an Executive Producer and Writer for The Strain – the highly acclaimed television series created by writer/director Guillermo del Toro, based on his series of best-selling novels, co-written with Chuck Hogan. David is working alongside one of the most famous and in demand showrunners in the business, Carlton Cuse (showrunner for Lost, Bates Motel, Colony and the upcoming Amazon Studios' show Jack Ryan starring John Krasinski).
As an added bonus, in this exclusive worldwide online event Stage 32’s very own CEO, Richard Botto, a writer and producer himself, will sit down with David and discuss the ins and outs of TV. David will take you into the world and processes of creating quality, compelling television. He will get in depth on how shows get bought and made – from writing to budgeting to casting. In short, you will gain pertinent, usable knowledge and information on writing and producing for TV.
Further, we will have an extensive Q&A session where you can ask David any questions you have.
This is masterful information brought to you by a master of his craft!
David will begin by discussing the evolution of the television industry over the last 2 decades and how he’s seen it change and evolve.
The Hierarchy of the Roles in the TV Landscape:
How To Ascend To The Top Spot - Paths to Becoming A Writer/Executive Producer For Television
Overview Of Expected Responsibilities Of An Executive Producer On Primetime Television:
1) Staffing and Running The Writers Room:
4) Getting The Directors And Crew Set For The Show:
7) Bringing It All Together: The Life Of An Executive Producer:
Plus, exclusively for Stage 32 David will open the floor to answer any questions you have!
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year! For a live webinar, you will be given the link within 2 business days after the live session.
Learn directly from Jordan Barel, TV Dept. at Abominable Pictures (Burning Love and Children’s Hospital on Adult Swim)! Once you’ve written the script and you’re ready to get your show idea in front of production companies and executives, it’s important to know how to pitch your TV pilot correctly. A good pitch is often the deciding factor of a show getting picked up or passed on. Aside from knowing how to pitch in the most effective way, an important aspect of pitching your TV pilot that often gets overlooked is knowing how to tailor your pitch to the network you are pitching to. Cable networks all have their niche. For example, AMC has really honed in on intense dramas, such as The Walking Dead, Breaking Bad, and Mad Men; USA focuses on character driven mystery dramas such as CSI, House, and NCIS; TBS centers around comedy sitcoms like The Big Bang Theory, Ground Floor, and Cougar Town; ABC Family focuses more on sitcoms relating to family, such as Melissa and Joey, Baby Daddy and The Fosters. Knowing how to tailor your pitch to a specific cable network opens up immense opportunity for your TV pilot. Every cable network can be a real home for your work - it’s just a matter of the how, when, and why. Knowing how to appeal to multiple networks gives your pilot a better chance of getting picked up! In this Stage 32 Next Level Webinar, host Jordan Barel will teach you both how to pitch your pilot and how to tailor your pitch to the right cable network. In addition, he’ll go over what kind of shows live on each network currently, and what may be the right fit for you. You will walk away with a clear understanding of how to pitch effectively (information you can take with you over to the Happy Writers Pitch Sessions!) as well as a clear understanding of how to make your pilot what each network is looking for. Your host Jordan Barel currently works for Paul Scheer through his producing deal at FOX, working on development with his projects as well as bringing in new writers for him. Jordan also works at Abominable Pictures in their comedy and TV department. Previously, he worked as the Television Coordinator for Verve Literary Agency, producing the company's staffing video which lead to a 200% increase in the company's staffed writers. While there he also vetted all new TV and film clients. Jordan knows what will make your pitch stand out and is here exclusively for Stage 32 to help guide our writers toward success!
Have you ever been to these industry events? Film: The Cannes Film Market, The American Film Market, The European Film Market TV: MIPCOM, NATPE, Real Screen What do you really know about these events? Do you know how projects really get bought, sold and funded? Do you know how to work these markets? Strategically? Do you know how to best position and pitch your projects to the industry - to move your career forward? This Stage 32 Next Level Webinar, How to Work the Film & TV Markets is taught by former IFTA liaison for the American Film Market, Heather Hale. In this jam-packed webinar Heather takes independent filmmakers, television and digital content creators on an online tour of the circulatory system of the global media landscape. She is breaking down the entertainment industry’s trade show circuit – where content is bought and sold around the world, year after year. Heather demystifies these markets, makes them less intimidating, less confusing and less overwhelming. She shows you how to strategize and navigate these events, making them far more accessible, productive – and fun! She contextualizes her state-of-the-art, from-the-trenches insights into immediately implementable practical advice if you’re hitting the markets, and even if you're not. This webinar highlights the most significant annual entertainment industry events around the world, dossiers all the players you will run into. You will learn how to best work with them before, during and after the market. She reveals the elements that establish the market value and predict profitability of entertainment properties – and how you can raise the bar for your own projects to be more successful. You will walk away knowing how to make the most of your investments of finite funds, time and creative energy attending markets. Take the step to optimize your odds for success in this mainstream, business-to-business market ecosystem!
**Payment plans are available - contact firstname.lastname@example.org for details*** **If you have to miss a class, don't worry. Each class is recorded and you can watch on-demand** PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your comedy pilot. Start to prepare for your pilot pitch. WEEK #1 – Introduction, Character, World This week we will cover the syllabus, your instructor's background and experience, your goals for this eight-week lab and launch into a discussion on creating strong characters for your pilot. We will discuss the types of comedy pilots and how they differ from network to network. This will include a discussion about Single-Camera and Multi-Camera comedies. We will go over how to create effective loglines and pitch documents. Then we will delve into character – what makes for strong characters and weak ones. Also knowing the world your show takes place in. We will also discuss other kinds of TV comedy writing (late-night talk shows, sketch, political comedy talk shows, etc.) The assignment for this week will be to create a document with a detailed description (around half a page) on each of your series regular characters, and an explanation of the world. WEEK #2 – Pilot Outline, Pitch Document This week we will break down pilot structure, plot and subplots. Pilot structure varies depending on the type of comedy pilot (single-camera or multi-camera) and the network (broadcast, cable, streaming, digital, etc.) We will identify what kind of network to target for your story idea and structure the pilot accordingly. We will also discuss the function of your series bible and what it needs to include to support your pilot. The assignment for the week is to complete a pitch document with characters, pilot outline, and future episode ideas. WEEK #3 – Pilot Outline (One on One Consultations – No Online Class) This week will consist of one-on-one consultations regarding pilot structure. Each writer will send in their pilot outline in advance and will have a 10-minute call to discuss what works and what doesn’t. The assignment for the week is to address any notes given on the outline and pitch document before proceeding with next week’s class. WEEK #4– Structure, Scenes, Dialogue, We will discuss both the Single-Camera and Multi-Camera structure. You will decide which works best for the pilot that you are developing. We will address the qualities of effective (and ineffective) scenes, dialogue, and jokes. The assignment for the week will be to write three complete scenes from your outline: the cold open, a scene introducing your main character(s), and a scene with strong jokes. WEEK #5– Pilot Structure This week we will go over all the necessary story beats that exist in a comedy pilot, including traditional page count, act breaks, tags, etc. The assignment this week will be to complete a first draft of your pilot WEEK #6– After You Write Your Pilot Last online class. We will discuss what happens when you take meetings with managers, agents, and showrunners, and how to pitch a comedy pilot. The assignment for the week is come up with a pitch for your pilot WEEK #7–Consultation for Revision (No Online Class) This week will consist of one-on-one consultations. Each writer will have a 10-minute call to pitch your pilot. WEEK #8– One-on-one Feedback and Polish (No Online Class) This week will consist of one-on-one consultations. Each writer will have a 10-minute call to go over notes on the pitch and script. Final notes and next steps for your pilot will be given.
Learn directly from 12-year veteran Mary Cybriwsky, who's worked on films such as THE DARK KNIGHT, GET SMART, THE INTERNATIONAL and THE BANK JOB and has recently produced BURYING THE EX (Anton Yelchin, Ashley Greene) and STICKY NOTES (Ray Liotta, Rose Leslie). With any script, setting up a strong foundation is key to a good story. In screenwriting, the craft is your foundation to a more successful journey. All working writers take the craft very seriously and have spent time perfecting their art. Too many writers try to jump into this insanely competitive field with little to no training. Executives can tell by page 5 if a writer knows the basics of screenwriting and they will not take a writer seriously if there are glaring mistakes. Stage 32 Happy Writers is excited to bring you our first ever 4-week "Perfecting the Basics - Introduction to Screenwriting" online class taught by manager Mary Cyrbwisky from Scooty Woop Entertainment. Mary has been one of our most sought out executives through our Coverage Program and has helped many writers better their craft (and even signed one!). Finding such a mentor to teach the basics of screenwriting is crucial and we are thrilled to have Mary for this class. Whether you are brand new to the screenwriting profession, or a seasoned writer, this class is intended to go over the basics of screenwriting to perfect your craft. The objective of this 4 week class is to cover basic screenwriting formatting, 3 act structure, characters, plots, themes, what to write and what NOT to write, but Mary will go over so much more! All of this is done in a friendly, interactive, fun online atmosphere. Purchasing gives you access to the previously-recorded live class.Although Mary is no longer reviewing the assignments, we still encourage all listeners to participate!
Learn directly from Morgan Long, TV Literary Department for a “Big Six” Agency This lab is designed for beginner and intermediate screenwriters looking to build a pilot from scratch or expand on an existing idea. With the TV market exploding right now, one of the most in demand formats is the 1-hour TV drama pilot. Many, if not all, managers and agents are looking for writers that can write in this space, and with more and more production companies heading into TV, knowing how to write a strong 1-hour TV drama pilot will give you a competitive advantage and help you find success as a TV writer! Due to popular demand, Stage 32 is thrilled to bring back our 8 Week Intensive TV Drama Pilot Writing Lab taught by Morgan Long, a TV development coordinator at a “Big Six” Agency! This hands-on intensive lab will guide you through picking a concept, creating engaging characters, structuring and outlining your pilot and writing the first draft! The main objective of this 8-week lab will be to have a first draft of your script. You will meet online with Morgan for 2 hours a week in a class setting, plus have phone consultations during some of the weeks when you don't have an online class. This will be accompanied by weekly homework assignments to guide you on your way to creating a marketable, unique pilot that will grab the industry's attention. Payment plans are available - please contact email@example.com for more information. This Lab is Limited to 20 People. Please Note: Participating in this lab does not mean you are writing for or pitching to Morgan or her company. PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your drama pilot. Start to prepare for your pilot pitch.
You've put in months, maybe years of effort planning, raising funds and shooting your film. You're incredibly proud of your efforts. Now all that remains is getting the film seen and returning some profits to your investors. But what's the best path? Should you enter festivals? Hire a sales agent? Go for theatrical distribution? Attempt to navigate the streaming and VOD platforms? In short, how do you know what's the best route for your film in 2017? Deciding on how to monetize your project can be very complex. With so many options out there it’s sometimes hard to know what is important and what you can skip. This Stage 32 Next Level Webinar will be your one-stop crash course on how to navigate the marketplace! Your host Bradley Gallo, Chief Creative Officer at Amasia Entertainment (known for The Call, Fear, Inc., Mr. Right, Careful What You Wish For, and the award-winning indie The Road Within) will discuss what options are available for your project once it's complete and help you decide if VOD, theatrical, a festival circuit run or hybrid strategy is best for your film. After giving you the lowdown on options, Bradley will quickly discuss the benefits of each and provide you with a gameplan depending on the path you decide to pursue. Whether you’re selling the film yourself, looking for independent representatives to bring on board, or trying to get into a festival, it’s important to know the steps involved in selling a film, no matter your role in the filmmaking process. Indie films are getting produced and distributed every day! It’s time to learn how to take your film to the marketplace and show it to the world! Your host, Bradley has produced a wide variety of films independently, guided some through the festival markets and sold directly to distributors. He will share his knowledge and real-life experiences exclusively with the Stage 32 community! You will walk away with a sense of the marketplace of today including an overview of how to approach the festival circuit, who should/should not rep your film, how to deal with distributors, VOD vs theatrical and so much more!