Daniel Stellan Kendrick is a manager and development executive at Chatrone LLC, a production / management company, which specializes in animation. Originally hailing from San Diego, Daniel moved to Los Angeles to attend UCLA where he graduated with a degree in history and film. He worked at International Creative Management before joining Chatrone LLC in 2012. His clients include writers, artists, and creators that have worked on projects such as Robot Chicken, Spongebob Squarepants, Teenage Mutant Ninja Turtles, and The Lego Movie. Chatrone’s first animated feature, The Book Of Life, was released by Fox and has been nominated for five Annie Awards and a Golden Globe. With offices in Rio de Janeiro and Sao Paulo, Chatrone also produces multiple TV series in Latin America. Full Bio »
From our first exposures to Mickey Mouse to the off-color adult humor of South Park, animation spans the human experience. One of the most unlimited and flexible mediums of entertainment, it often remains an outlier in the film industry.
Aspiring writers are constantly inundated with information and resources about writing the perfect feature screenplay, but rarely do they have the opportunity to glimpse inside the animation industry. This practical and informative webinar will illuminate the trade secrets and industry culture of cartoons.
Over the years, Daniel Stellan Kendrick has heard countless pitches from aspiring animation writers. After a while, he realized that the tools required to succeed at writing this unique and unfamiliar specialty are not easy to find. In this Stage 32 Next Level Webinar, Daniel will walk you through the lay of the land of the animation industry. From concept creation, to the big players, to the final pitch, Daniel will help you master this boundlessly imaginative field we call “animation.”
Daniel Stellan Kendrick is a manager and development executive at Chatrone LLC, a production / management company, which specializes in animation. His clients include writers, artists, and creators that have worked on projects such as Robot Chicken, Spongebob Squarepants, Teenage Mutant Ninja Turtles, and The Lego Movie. Chatrone’s first animated feature, The Book Of Life, was nominated for five Annie Awards and a Golden Globe.
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You can join Daniel Kendrick, Manager and Development Executive at Chatrone (Golden Globe nominated animation feature film The Book of Life, with animated clients for SpongeBob SquarePants, The Lego Movie, Robot Chicken, Teenage Mutant Ninja Turtles) as he deconstructs PIXAR's Oscar-nominated script, Inside Out! As the second highest grossing PIXAR film ever made and Oscar nominee, what makes Inside Out resonate so deeply with audiences across the world? PIXAR, the world’s premiere animation studio, has yet again managed to produce a smash hit that makes everyone laugh and cry all the way from children to grown adults. Join your host, Daniel Kendrick as he delves deep to deconstruct the Inside Out script as part of the popular Stage 32 Next Level Education "Deconstructing the Script" series! You will learn the storytelling strategies and techniques PIXAR employs to produce hit after hit award-winning animated features. Daniel will go over the methods by which PIXAR tweaks traditional story structure to compose an enthralling character piece. You will understand the plot points and characterization that makes the fictional inhabitants of a mind in this script so appealing and endearing. You will also understand the visual and poetic appeal of Inside Out and its characters’ journeys. You will walk away with a solid understanding of all the elements that make Inside Out a successful script including: protagonist, plotlines, characters, dialogue & visuals, set ups & pay offs, animation and overall development. To find out more, click the "What You Will Learn" tab above!
4-PART IN-DEPTH CLASS (OVER 8 HOURS OF EDUCATION) Join veteran screenwriter Brian Herskowitz and receive sample feature script outlines and scenes while learning how and why professional outlining can set your work above the rest! Includes Exclusive Handouts! You may have heard the screenwriting phrase “story is structure.” Many writers reject the idea as they feel it’s too rigid or restrictive, holding you back from being your creative self. But it’s actually the opposite - the structure if your friend! In this exclusive Stage 32 on-demand class, you’ll learn how to formulate your idea, concept, and theme, using the principles of structure that will allow you to be your most creative self and create the best story. Over four sessions, you’ll learn how to develop your script using story as your guide as you build from concept to beat sheet and, ultimately, an outline for your feature script. Outlines aren’t just documents that help you blueprint your script for when you start writing. They’re also documents that many development executives require as they work on projects with writers and something managers use to asses their clients’ progress. Taking you through this vital process is writer and producer Brian Herskowitz. Brian has worked on over 2 dozen feature films and TV shows for HBO, Universal, CBS, NBC and more. He’s worked with top-tier Hollywood talent, such as Academy Award-winner Jason Alexander and RUSHMORE’S Jason Schwartzman. Now, he brings his decades of hands-on experience to you in this Stage 32 class. Brian will provide you with sample script breakdowns, including SHREK, a cheat sheet of his 12 Guideposts for a great screenplay, and more. Don’t miss out on this incredible opportunity to learn from an industry veteran with a proven process for screenwriting success. You’ll finish these sessions with the tools you need to professionally craft your screenplay's story and structure to strengthen every script you write in the future. Testimonials for Brian's Teaching and Stage 32 Education “As a collaborator with Brian and a guest in his class, I am hugely impressed with his screenwriting knowledge. I heartily recommend him and his course.” - Jason Alexander (Seinfeld, Pretty Woman, Listen Up) "I have a master's degree and a doctorate, Brian is by far the most caring and best teacher I have ever had." "The course was everything I needed and then some. An excellent course." "Mr. Herskowitz is very knowledgeable, patient, and superb at discerning problems and helping us solve them." "A solid course in which I felt I had learned a LOT by the time it was over."
Are you unsure how to navigate comedy audiences in a world where tastes and platforms are rapidly changing? No matter what your style or skill set, there's an audience out there for you. But you won't find them until you put yourself out there with the right tools to get staffed or sell your brilliant comedy. Every day there's a new streamer with its own brand and audience to cater to. From TED LASSO to PEN15 to SPACE FORCE, there have never been so many opportunities available. But while making someone laugh gets you a career, it takes more to get you in the door, and these digital players aren't following the rules of traditional networks. In this exclusive Stage 32 on-demand webinar, you'll learn the ins and outs of streaming writers' room styles and how to be effective within them so that your jokes get airplay. You'll understand how to write stories that will thrill a showrunner and get you staffed in a room. You'll have the chance to analyze your pilot to consider where it fits in the marketplace, how to view it as though you're the executive, and determine how to strengthen your concept so that it's ready to sell. You'll discover the differences between platforms, budgets, schedules, audiences, and development needs, and more. Most importantly, you'll learn how to get your work into the right hands and snag that comedy gig at a top streaming platform. Taking you through the state of streamer staffing season and pilot selling is literary and talent manager Spencer Robinson of Art/Work Entertainment. With over 20 years of experience, Spencer has had clients in films from directors Quentin Tarantino, Steven Soderbergh, Clint Eastwood, Gore Verbinski, and more. His clients have worked on projects from Netflix, The CW, Cinemax, CBS, NBC, FX, Starz, Nickelodeon, EPIX, and TBS, to name a few. Using his extensive experience helping writers get staffed and sell their pilots, Spencer teaches you the do's and don't of writing for streamers vs. network and how to tailor your script to make the best impression on executives at the biggest streamers in town. He lays out how streamers differ from the formatting to structure and specifically analyzes what you should consider before tackling your pilot. Spencer also dives into staffing and sales, and what approach is best for you. He'll also debunk common misconceptions about selling a comedy series in today's market and how you can use IP to sell your show. Whether you have the next great comedy series are ready to land a spot in a streaming room, this webinar ensures you walk away prepared for success. PRAISE FOR SPENCERS TEACHINGS: Spencer was awesome! Super informative and detail-driven - providing great insights. Packed so much into a short amount of time which I'm super grateful for! -Eric C. Spencer Robinson has high energy and packs a ton of information in his lecture. Most importantly Spencer gives realistic advice while encouraging writers to move forward fully informed of the terrain. -Oweeda N. Spencer opened my eyes to how the TV world works with broadcast and streaming. What a great crash course! -Ricki L. "Very enlightening. Gave a realistic view of how difficult it is to get a pilot made but was just inspiring enough to give hope. :)" -Clive M.
While the scene will be heavy with exposition, disguise the exposition in dialogue and conflict as much as possible. How does the character make the complex simple? What props does the person use? How does the character who receives the info react?
You know what you like to write, but do you know your personal brand as a writer? Branding yourself as a writer is an integral part of your strategy toward getting read, securing representation, attracting development executives and producers, and, ultimately, securing a long and successful career in the entertainment industry. Should you write in a variety of different formats or stick to one? Should you settle in on a tone or style or show your versatility? All of these questions (and many more) will factor in to how you brand yourself as a writer. Your brand is equal parts preferred medium, chosen genre(s), and personal voice/style. Once all of this is determined and developed, it will become easier to for you, your representation team, and/or your production company to sell/produce/finance your material. There are more screenwriters than ever looking to secure and maintain a career writing for film, television, and now, digital content. But with so much talent vying for limited opportunities, it’s important to find a way to stand out from the crowd. And because there are very few new stories, only fresh takes on proven formulas, a writer’s unique voice and style are paramount when creating and selling content. This voice/style combined with preferred genres and mediums make up a writer’s brand, and cultivating that brand is instrumental in selling yourself and your material in Hollywood. And you don’t need representation or a production company behind you to do it! Developing your brand as a writer starts and ends with you. Once you fully understand, determine and develop your brand with confidence, you’ll find that many more representatives, producers, and other buyers will be willing to jump on your bandwagon. Tiegen Kosiak began her career working with, among others, the Academy Award-winning writers of BIRDMAN and the creator of STEP UP and SAVE THE LAST DANCE. While working in management and development Tiegen recognized how integral a writer’s brand was in submitting material, setting meetings, and pitching clients for open writing assignments. Prior to her new role working with an A-list actress who has a producing deal with Netflix, Tiegen worked for Cinestar Pictures, Zoe Saldana’s production company. In these roles Tiegen uses branding every day to option material, sell screenplays, and attach writers to projects. She'll help you understand how you can stand out, get read and get sold! Tiegen will teach you the tools needed to craft your brand as a writer and how to use that brand to sell yourself and your material to representatives, producers, and other content buyers in the entertainment marketplace. No matter if you're writing for features or television, Tiegen will show you how to rise above the competition by finding your lane and using this focused strategy to get reads and get you in rooms that matter. Whether you're looking for representation or searching for new representation, Tiegen will teach you 9 invaluable tips on approach that won't make you "just another writer" in the eyes of a rep. She will teach you how to choose the right representation (so important). She will explain and help you navigate where to find work, how to handle, general, pitch and network meetings, and how best to approach producers. In short, she will give you all the tools to help brand you and your writing so executives, reps, and decision makers want to read you and work with you from the jump! PRAISE FOR TIEGEN'S TEACHINGS: I found it very helpful and entertaining. I was shocked at how fast the time went. Tiegen packed a lot of great information into the 90 minutes. I know this is a webinar I will listen to again. - Cam C. This was an EXCELLENT webinar! Useful, unique information. Tiegen generously shared an enormous amount of information. Writing is a strenuous, though rewarding endeavor, and her detailed observations and vigorous, yet concise, genotype theories, as it were, have inspired my work ethic. And triple thank you for mentioning there are management companies with offices in NYC, not far. I don't live in LA, and have been worried for ages about that geographic block. Thank you Tiegen, and Stage 32. - Gerri G.
2 part class taught by Jessica Sitomer, writer, producer and entertainment career coach! AVAILABLE ON DEMAND! Everyone says, “It’s all about who you know”. But when you're an introvert, this is A LOT easier said than done. If meeting new people isn't your forte, and if the idea of approaching someone you don't know gives you anxiety, you can feel at a distinct disadvantage when it comes to finding opportunities. The problem is, though, the less you network, the more challenging it can become, which leads to you networking less, and the vicious cycle takes over. Even in today's world where networking has turned virtual, this can still be incredibly daunting for anyone who isn't extroverted. In reality, no one likes networking, but it is a necessity in this industry. If you are going to get ahead you need to connect with people. The best resume and cover letter in the world can't compete with good old-fashioned human connection, and you will be hard-pressed to find anyone successful in the film and television industry who didn't find a break by meeting and getting to know the right people. But how do you start a conversation? And how do you know you're saying the right thing? It can seem scary, but it's absolutely achievable, and even for the most introverted among us, there are strategies and exercises to help take away the fear and allow you to network. Let us help. Industry veteran Jessica Sitomer has over 20 years in the industry as a development executive, producer, writer and career coach for the Cinematographers Guild. Through the years she has perfected the art of relationship building - helping creatives grow their networks from one to two people to hundreds to thousands. When she moved to Los Angeles, she knew two people and one of them moved the day after she got to LA. She made it her mission to learn how to survive and thrive in the creative industry. And survive and thrive she has. Not only is Jessica's network huge, but she has also written three best-selling books on the subject of networking and relationship building, And… Action! Powerful, Proven, and Proactive Strategies to Achieve Success in the Entertainment Industry, The Greenlight Coach and You Got This: For Those Who Work Hard and Play Hard - How to go From Burnout to Bliss. In this exclusive two-part on-demand class, Jessica will teach you ideal strategies for various networking situations, both physical and virtual, as well as how to develop a clear follow up plan so your networking pays off. Jessica has geared her presentation specifically to introverts and those of us who face anxiety and fear when meeting new people. In the first class, Jessica will discuss the obstacles of networking and how to overcome them. She will cover the do's and don'ts for introverts, how to network when you “don't like people,” how to network when you don't have the time and more. In the second session, Jessica will run through actual conversation and icebreaking scripts to help you craft conversations that will make you look great. She will also cover how to turn those conversations into relationships that you can maintain and how to follow up in your networking to make sure it pays off. Lastly, she will teach you how to maximize a networking opportunity when you're an introvert, and how to read non-verbal clues in social interactions. Praise for Jessica's Stage 32 Class "I thought that Jessica was wonderfully engaging and answered all the questions fully with great insight. I also feel more confident because of how confident she is. I will be recommending her to all my friends!" – J. Gaffney "Great to know HOW to network. Loved the personal stories and hadn't thought of that. Gave me the courage to contact a producer that I'd worked with before and in the conversation he told me he had some story ideas that were right up my alley. We'll see if it works out. Thanks much!" – D. Meyer "Great personality! Made us feel like you were really there to help! Thanks so much!" – D. Levy "I really appreciated all of the advice and the passion in the delivery. I hope to take it to heart and use it to help me succeed."– T. Scharf Purchasing gives you access to the previously-recorded live class.Although Jessica is no longer reviewing the assignments, we still encourage all listeners to participate!