Farrell Ingle is a creative executive at Zucker Productions (Director Jerry Zucker's production company) where he is in charge of the development of several film and television projects across myriad genres. He started his career working at 3Ball Productions, Warner Bros Studios and New Line Cinema. He then moved to powerhouse agency CAA where he worked for a year. From there, he segued to Zucker Productions where he has worked for over 4 years. Primarily a movie production company, Zucker Productions is known for such hits as Ghost, My Best Friend's Wedding, Airplane!, Rat Race and Friends With Benefits. Recently they have delved into television with projects set up a TBS, HBO and Starz. Full Bio »
Many of us are familiar with the tropes made popular by screenplay gurus like Syd Field and Blake Snyder. Yes, it's true that many great films can be broken down into three clean acts or thirteen story beats. But the same can be said for many unwatchable films too.
What are the elements that differentiate the great screenplays from the purely mediocre?
In this Stage 32 Next Level Webinar, creative executive from Zucker Productions (director Jerry Zucker's production company), Farrell Ingle will define the importance of the ever imposing first act of a feature screenplay. He will show you how much of the groundwork for your story needs to be laid in the first act of your screenplay. If those early pages aren't up to snuff, the rest of your story will suffer, no matter how fantastic the ending is.
Your host, Farrell will lay out the many pitfalls writers stumble into without necessarily realizing it while they craft the set-up of their story. Using examples of classic films, you will understand how top notch writing creates multitudes of subtext, character development, and plot advancement with each scene. We will also discuss what constitutes an "act" and why it's so very dangerous to hold yourself within the box of a rigid structure.
By the end of this lecture, you should be able to go back through your own writing and break down each scene in your script to ensure that you're putting yourself in a position to succeed. After all, the first act is the most important act for readers and executives when evaluating your ability as a screenwriter.
Plus, you will break down the first acts beats of well-known movie scripts as Farrell leads you through an in-depth analysis of films such as Raiders of the Lost Ark, The Professional, Die Hard and more!
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
In this Pitch Tank we welcome screenwriter Sam Alper from FX's "Better Things" and the new AMC series, "Kevin Can F*** Himself" to critique television pitches from Writers' Room members. Sam gives excellent insights from the perspective of a working screenwriter who has worked in professional writing rooms with some of the industry's leading show runners and writers.
Often entertainment immigration seminars focus on actors, but what about everyone else who works on a film or TV project? Directors, producers, screenwriters, crew members, editors, sound designers, costumers, creative advertising directors, production specialists and all other creatives and professionals need the pertinent information as it applies to Visas and Green Card information. Understanding all Visa possibilities, which one is right for you, the eligibility requirements, and how to assure your applications and petitions have all the pertinent information needed to push through the system will have you in the best position to be approved quickly so you can begin working in the U.S. There is a threshold that the U.S. Immigration Office has set before they will approve a Visa application. It's called "Extraordinary" and your information must meet the standards to earn that status. But for many, knowing the criteria that can push your application and petition to this high level is nebulous at best and often extremely confusing. We're here to clear it all up for you. Your hosts, Lorraine D'Alessio and Liz Profumo are partners at D'Alessio Law Group. Their practice specializes in immigration and nationality law and concentrates on temporary and permanent business and employment related visas for investors, artists, and entertainers. They have has assisted hundreds of artists, performers, and other industry professionals to realize their dreams of living in the United States. Ms. D'Alessio combines her unique, firsthand knowledge of the entertainment business with immigration law. This year she also won the Century City Bar Association's "Lawyer of the Year" Award. Exclusively for Stage 32, Lorraine and Liz will take away all the confusion, anxiety and fear associated with understanding the Visa landscape and submitting an application and petition. They will start by presenting a detailed explanation of the various type of Visas so you can understand and identify, with confidence, which Visa is right for you. They will dive into the U.S. Immigration Office's threshold for obtaining "extraordinary" status and how you can prove that you fit the criteria. They will help you identify who should be your petitioner and how to best build his or her resume to assure they're credible in the eyes of the reviewing officer. They will teach you what to say and what not to say when you reach the border. And they will dive into other legalities and contracts you should be aware of and how to identify and avoid immigration scams. This is a fully comprehensive overview and directional guide on how to understand the Visa process, submit a thorough and complete application, and best position yourself to obtain a Visa to begin working in film & TV in the U.S. Praise for Lorraine and Liz "The Webinar was simply amazing. Great clarity!" - Ranadeep B. "Tremendously informative." - Arhynn D. "Easy to follow and to understand. So helpful." - Elizabeth K. "The best I've seen on this subject. Filled with gratitude." - Sunil P.
What is it about the most successful TV comedies that have allowed them to stand the test of time? Whether it’s ALL IN THE FAMILY, SEINFELD, PARKS AND RECREATION, or FLEABAG, it’s not the jokes that have made these shows so successful—as funny as they might be—it’s the characters. Distinct, hilarious, memorable and, above all, authentic characters are always the ingredient that will make a good TV comedy great. Whether you are working on your own comedy project or are hoping to write on an existing show, it’s crucial to have an understanding of what makes TV comedy characters great and how you can create your own Archie Bunkers and Leslie Knopes. Crafting great comedic characters is not only important in creating a successful show; it’s also how you can get noticed. After all, with so many different types of comedies in the marketplace, it is becoming the toughest genre to break into. Writing great characters can separate your work from the rest and give you the kind of attention that solid jokes and a good sense of humor simply can’t muster on their own. This means it’s vital not only to have great characters, but to know how to make them shine on the page. The good news is there are strategies and actionable lessons you can use to elevate the characters in your own television comedy. Vijal Patel is an Emmy-nominated and Peabody Award-winning writer and executive producer who has written for many award-winning comedy series including ABC’s BLACK-ISH and THE MIDDLE. Vijal currently serves as writer and co-executive producer of the ABC comedy series SCHOOLED, starring Tim Meadows and AJ Michalka. He also writes and develops feature film projects for the powerhouse studio DreamWorks. Vijal has built his career on writing comedy and using it to explore race, family, religion, politics, and class struggle. In this exclusive Stage 32 webinar Vijal will teach you how to make your characters funny. He’ll go through the 2 most basic comedy archetypes and explain the difference between jokes and attitude humor. He’ll teach you how to differentiate your characters and ensure they’re unique and will guide you through both the “One Word” exercise and “Situation” exercise to help improve your characters, using examples from THE SIMPSONS, FLEABAG, BLACK-ISH, SEINFELD, and others. Vijal will then delve into how to make your characters feel authentic and how to write impactful character descriptions to ensure they pop on the page. Finally he will dive deep into how to write funny dialogue for your characters, including how to use humor, how to end the joke, metaphors, similes, and reactions. Vijal will leave you with a series of strategies and clear examples that you can bring back to your own project to make your characters, funnier, more memorable, and more authentic.
Rich "RB" Botto is a producer, writer, and actor himself, and he and Jason have been on both sides of the table of hundreds of General Meetings. During this webcast, RB and Jason discuss how screenwriters should approach a general meeting, how to prepare for a general meeting, what to expect once you are in the room, and how to follow up so the first meeting turns into another meeting. This is essential information that every writer should be aware of!
In this Stage 32 Next Level Webinar, your host Michael Poisson will teach you how to write a kick-ass comedy pilot that will get executives’ attention. This webinar is not only about how to properly execute writing a comedy pilot, but also about how to make it your strongest sample so that it can get noticed! You will leave the webinar knowing: The 3 most important things Producers/Execs look for in a pilot as they relate to concept, structure and voice. How to properly highlight your unique comedic voice and stuff your script with laughs. How to create a crisp 1-2 sentence pitch that will get executives excited about your idea. How to navigate the competitions and fellowships. How to think from a Producer/Manager/Executives POV and understand what they're looking for so you can apply it to your script. Michael Poisson is a former Director of Development who's worked for Ryan Reynolds TV production company DarkFire TV, Krysten Ritter's company Silent Machine and CAA and is now a writer on Netflix's Raising Dion. This background gives has given Michael a unique perspective for what kind of script stands out among the hordes on everyone’s “Weekend Read” lists and he is here exclusively with Stage 32 to share that knowledge with you.
Stage 32 is dedicated to diversity and toward seeing that the imbalance of female creatives finding work changes permanently. That is why we are proud to present our Women In The Room series and the first installment Breaking In As a TV Writer! You can join this live webinar for FREE! It continues to be Stage 32's mission to give you access to this incredible information and talent working in the industry. Hosted by the Script Coordinator for FOX's Shots Fired, Courtney Smith, Women In The Room - is designed to show you how to break in and get paid as a television writer. Joining Courtney will be Sonia Kharkar, Showrunner's Assistant of such acclaimed programs as FOX's The Mindy Project and NBC's The Blacklist, Nicole Ranadive, Staff Writer for TNT's The Librarians and Script Coordinator for FOX's Sleepy Hollow, Solange Morales, a Writer's Assistant on FOX's Shots Fired, and Nicole Brides Ockman, a Script Coordinator for FOX's Blindspot If you’re interested in taking the first step toward landing a job in a TV writer’s room these ladies will give you advice on breaking in, breaking story and navigating the politics and personalities. We’ll go over what to expect once you’re in an assistant or script coordinator role – the good, the bad and the sleepless – straight from the dynamic ladies who help keep the train on the tracks. Plus, we’ll open up the floor so you can ask questions during a Q&A session at the end. With more television being created just about everywhere, this is actionable information for everyone, no matter where you live in the world! Your accomplished instructors are: Sonia Kharkar - Showrunner's Assistant - FOX's The Mindy Project - NBC's The Blacklist Sonia began her career at WME and moved on to be a showrunner's assistant for ABC's The Blacklist and now is a showrunner's assistant for Mindy Kalig on The Mindy Project. Nicole Ranadive - Staff Writer - TNT's The Librarians, Script Coordinator - FOX's Sleepy Hollow Nicole has been active in the TV industry for years having worked in various writing positions on 24, Everybody Loves Raymond, Hawaii Five-O, Smallville and Dawson's Creek. Solange Morales - Writer's Assistant - FOX's Shots Fired Solange is currently a writer's assistant on FOX's Shots Fired. She started at Fox Searchlight Pictures as an assistant to screenwriters, producers and directors for the feature films Notorious and The Secret Life of Bees. Her next stop was the world of documentaries, casting her as associate producer of ESPN’s One Night in Vegas, a doc chronicling the parallel lives of undisputed heavyweight boxing champ, Mike Tyson and iconic rapper, Tupac Shakur. Melissa Brides Ockman - Script Coordinator - NBC's Blindspot Melissa is currently the Script Coordinator for NBC's Blindspot. From New York, Melissa graduated from City University of New York-Hunter College with a Bachelor's degree in Film, Cinema and Video Studies.