Why is Pre-Production So Important?

Why is Pre-Production So Important?

Why is Pre-Production So Important?

Mike Gasaway
Mike Gasaway
4 years ago

Pre-Production. Or is it preproduction, one word? Maybe just pre-pro. Either way. Blah! Who needs it? I have a good script and I know mostly how I want the film to turn out. I have my shot list ready to go. My film will come together in the moment.

Let’s skip pre-pro and just get to shooting, right?

Not so fast.

If you’re anything like me, you feel like perpetual planning is holding you back. If the cameras aren’t rolling, nothing is getting done. It’s easy to buy into this way of thinking – been there, done that! Unfortunately, taking this haphazard approach to preproduction is not harmless or artistic. It makes for a chaotic and costly experience on set.

The reality is that success is 90% in the planning and 10% in the execution.

Why is PreProduction So Important

What Exactly is Pre-Production?

Pre-Production is the stage between the script and shooting. It is the first step to seeing a visual representation of the words on the page. This can be achieved through storyboards, photographic images, or even 3d shots edited together. Nearly every animation studio does extensive pre-visualization and a growing number of live action studios have adopted the practice to help set up their days and figure out how many FX shots they will produce.

Pre-Production mockups can be crude like Martin Scorsese’s raw sketches for Taxi Driver or highly detailed, including special FX like any Marvel movie.

Of course, shot lists are a vital first step in pre-production planning. Some directors use Excel to set up their list, divided by scenes while others, mark up a script to show how long each shot should take. Once you have your shot list, script markup, or both ready, it is time to get an idea of scene blocking and how you want each shot to look. This can be done by creating storyboards or computer aided pre-visualization process.

Why is PreProduction So Important

Do I Need to Draw to Do Pre-Pro?

Does it help if you do? Sure! But look at the Scorsese drawings again. He is doing ok as a Director and his boards aren’t museum ready. I can barely draw stick figures, but I still make a point of doing thorough pre-pro simulations.

For one of the films I directed, I used 3D animation to prepare my shot plan. Every single shot of the short film was created in Maya (animation software package by Autodesk) and cut together in Adobe Premiere Pro. Being an animator was certainly beneficial, but there are innovative products that can

help you automate the drawing process. If you have a slightly higher budget, you may also hire storyboard artists, or pre-viz animators to help you.

The main tool that you need to do pre-pro is an eye for composition. Knowing where to put the camera to get the best shot to tell your story is key. The ability to draw helps and understanding 3d space may be a bonus but knowing how to put the pieces together is something, as a visual storyteller, you should strive for.

Why is PreProduction So Important

Who Does it Really Help?

When you can show your vision tangibly, it takes away a great deal of guesswork that your crew would otherwise have to do. Doing pre-pro helps your team in various departments in a number of different ways both creatively and productively.

Director of Photography

The DP can see what shots you want and what they must do to accomplish that. Got a long oner? Now they can see where you want the camera to go to plot out their path of action. My DP for my current feature film said that without doing pre-pro is like running full speed down a trail you have never seen before and expecting not to get slammed into a tree. That sounds too painful to me.

1st Assistant Director and Line Producer

The first AD needs to know what number of shots you want so they can help the Line Producer figure out how many days you need to shoot certain scenes. This will also allow them combine scenes or order shots to get the most out of their days and which actors need to be on set when.

Why is PreProduction So Important

Editor

Plotting out the shots shows what coverage you have, to not leave the Editor hanging in post, wishing she had another shot to cut to. Most editors like to be involved earlier than after production because they want to get a head start on the flow and feel of the film. Their suggestions even in pre-pro, can help get the director their vision. Who doesn’t want that?

Production Designer

How many times on set do you set up a scene only to not shoot that one side of the room? What a bunch of wasted time. Your production designer will love you forever if they know they don’t have to design/dress an entire set. Their skills can be used to what actually goes up on the screen. Only shooting on two walls? Don’t design the others and only dress what you need.

Actors

The actors can greatly benefit from some sort of pre-pro as well. When they can see the director’s idea, it helps channel their creativity in the right direction. It also helps them with the basics like finding their marks. Explaining is one thing – showing is so much more powerful. This allows an actor to focus on the performance, not the blocking.

Why is PreProduction So Important

Refine Your Vision

As you can see, good pre-pro can help the entire crew but the person who benefits the most is the director. Pre-pro is the time to play with the shots to see how it all flows without the pressure of a paid cast and crew, waiting on you. Is it a frenetic camera with a lot of cuts? How will the cross-cutting work? What if the shots are combined instead of editing from one shot to the next? Reframe?...I could go on and on.

Being able to see drawings or even moving character in 3D allows you, as a director, to experiment with new shots and ideas. Oh sure, you can do this on set but that costs money. Want to try a different camera movement? If you are lucky, you don’t have to change the lighting setups too much, but it still takes time to:

  • Figure out what you want to do,
  • Explain what you are thinking,
  • Set it up and rehearse,
  • And finally shoot it.

If you are working with a huge budget, go for it. Most of us mere mortals can’t afford to play on set, so that way of working is out the window.

Why is PreProduction So Important

Help Raise Financing

A nice fringe benefit of doing pre-pro is that now you can show other people, besides your crew, what your film is going to look like. Instead of pitching a log-line and showing a look book, you can give a taste of what your design sense is. Got some gore in a horror film? Show that in your pre-pro. Got some action? Show it off.

A lot of the financing type are not necessarily creative, so envisioning a film based on just a script can be challenging for them. Spark their imagination with a look at your film in previz form. That’s Hollywood!

Granted, SOME may not have a clue what they are looking at but most will at least be excited to see something – anything.

And it may just be enough to give you money to do your next film.

Still think it’s okay to skip pre-pro?

Get engaged
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About the Author

Mike Gasaway

Mike Gasaway

Director, Producer, Screenwriter

Mike Gasaway is an award-winning Director with over 8 years of directing/producing experience, specializing in computer animation. He’s directed more than 20 hours of television and won an Annie Award for Best Children’s Animated Series and was nominated for an Annie Award for Best Directing in an...

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7 Comments on Mike's Article

Tasha Lewis
Actor, Author, Choreographer, Dancer, Director, Editor, Filmmaker, Marketing/PR, Narrator, Producer, Researcher, Screenwriter, Student, Translator, Voice Actor
Talk about timing.  Mike, next month I will start pre-production on my projects on my project page.  Thank you so much.
4 years ago
Tasha Lewis
Actor, Author, Choreographer, Dancer, Director, Editor, Filmmaker, Marketing/PR, Narrator, Producer, Researcher, Screenwriter, Student, Translator, Voice Actor
Stage 32 has a couple of blogs and webinars on Pre-Production that will be utilized during our committee meetings.
4 years ago
Tasha Lewis
Actor, Author, Choreographer, Dancer, Director, Editor, Filmmaker, Marketing/PR, Narrator, Producer, Researcher, Screenwriter, Student, Translator, Voice Actor
Thank you Mike Gasaway for reaching out.  Will do.
4 years ago
Ruschiene Deidrick
Actor, Voice Actor, Dancer, Model Maker
Very useful, clear and convincing information....Thank You!!! :)
4 years ago
Mike Gasaway
Director, Producer, Screenwriter
Feel free to check out my prepro platform.  www.filmatick.com
4 years ago
Vital Butinar
Director, Director of Photography, Editor, Filmmaker, Photographer (Still), Screenwriter, Colorist
Nice blog post Mike!Well I knew that preproduction was important from the very beginning. From the very first project, a dance video that Leya Marinčič and I shot to learn about how everything works we've done preproduction. From shotlists to storyboards and we've done this on every project to this day and have even refined the project.These days when we do a narrative project I always prep so that we first figure out what we want to show and what shots. So based on the location scout I act out my scenes and time them approximately. During this time Leya creates the storyboards based on the notes that we figured out what shots we needed.Then the real magic happens I input everything into an excel spreadsheet I designed especially for filming and enter the shots, the duration and the storyboards into the spreadsheet. Estimating how many takes we need, how much time to setup each shot and to repeat the shot and even estimate how long it takes after the camera and sound are running before action and after cut. In the end I get an estimate of how long it will take us to shoot each scene, shot, how much time we have in between and I have even added time estimates for makeup, set decoration and additional prep or travel time to a location.In the end I get a shot list with storyboards attached that tells me how much time we need at a location and how many days of shooting we've got.The thing is that some how this plan is accurate to about a half hour and we have actually never gone over schedule. One time we were shooting and a producer dropped by just to see what we were doing and we had just wrapped up with the last scene and he was so surprised that we actually wrapped up 20 minutes earlier that was scheduled and later he said that he had never seen anyone wrap up a head of time with everything they needed in his 20 years of working and that it was amazing after I showed him our shooting plan.As you said Mike, it's also good for editing because on every project we've done and where we've don the planning the editing slotted together without a hitch. Yes there are always fine refinements but we had always gotten exactly what we needed even though we might have had to combine shots or rethink framing and blocking on location.This is the spreadsheet we used shooting a proof of concept pilot episode for a TV show during last summer that we just finished prostproduction on. The shotlist said we needed four days but we did it in two very long days. Awesome blog thanks again Mike!
4 years ago
Vital Butinar
Director, Director of Photography, Editor, Filmmaker, Photographer (Still), Screenwriter, Colorist
Thank you Mike Gasaway. I saw that and I think it's a great tool. It's the stuff that I do by hand. Awesome.
4 years ago
Mike Gasaway
Director, Producer, Screenwriter
If you have time check out my prepro platform www.filmatick.com.  
4 years ago
William Joseph Hill
Actor, Screenwriter, Filmmaker
Great tips, Mike!  I believe you can never do too much pre-production.  It really helps when you're finally on set.
4 years ago
Is it OK if you do part of your pre-production inside your script, or should you always leave it completely up to the director?  For example, I'm working on a sci-fi script which begins in a prison camp in North Korea, and almost the entire first page is a detailed description thereof -- but I have my reasons, it's because I want the layout of the camp to be as close as possible to that of the Son Tay POW camp which was famously raided by our Green Berets in Vietnam!
4 years ago
Izzibella Beau
Author, Casting Director, Publisher, Screenwriter
Thank you for sharing. I totally agree with the preproduction stage of filming. I could go on endlessly with my preproduction horror stories from filming my first streaming series, let's just say there weren't any and it was a mess of a situation. PLAN. PLAN. And PLAN some more before the cameras roll. 
4 years ago
Harri-Pekka Virkki
Author, Stunt Performer
Great read! Preplanning is essential in pro stuntwork. Not only to get wanted pics done but to have a safe set. Have a tomato juice fresh weekend!
4 years ago
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