Stage 32 8-Part Pitching Lab: Build Your TV Series Pitch With A Top Showrunner & Learn How To Sell Your Show
Other education that may be of interest to you:
Stage 32 Screenwriting Lab: Develop And Write Your TV Pilot Script With An Emmy Nominated Showrunner
Only 3 Spots Still Available To Work One-On-One With Todd Slavkin Write your television series pilot episode in 10 weeks while being mentored directly by multi Emmy nominated TV showrunner Todd Slavkin. ***Flexible Learning: if you cannot attend any of the sessions live don't worry - you will be sent the links to the recordings of each session within 48 hours of the live session and you will have direct access to Todd on email to ask him any questions about your project, craft or career so you can keep up at your own pace and schedule.*** Payment plans available - contact edu@stage32.com for details If you are ready to write your TV series pilot episode under the mentorship of one of the best showrunners working in TV then this exclusive Stage 32 screenwriting lab is for you. Over the course of this 10 week writing lab, you will develop your series idea into a professional pilot episode outline and then you will actually write your pilot episode. Guiding you on your writing journey is multi Emmy nominated television writer and showrunner Todd Slavkin. Todd will teach you about about story structure, scene structure, scene description, dialogue and everything in between and you will walk away from his lab with the first draft of your completed teleplay for your pilot episode. Todd is a showrunner/writer/director with over 35 years of experience in both film and television. Working with his writing/producing partner Darren Swimmer, Todd has worked in all different kinds of genres and has been involved with many popular television shows, including SMALLVILLE, SHADOWHUNTERS (winner of 2017 GLAAD media award for outstanding drama series, 2018 People’s Choice Award for Best Show & Most Bingeworthy Show, 2019 People’s Choice Award Best Science Fiction/Fantasy Show) and most recently THE MYSTERIOUS BENEDICT SOCIETY, for which he has been nominated for four Emmys (2022 & 2023 Outstanding Young Teen Series and Outstanding Writing for a Young Teen Program). He has written pilots for ABC, NBC, FOX, SYFY, FREEFORM and The CW, where he developed and was co-showrunner of MELROSE PLACE 2.0. Other television credits include NO ORDINARY FAMILY, ALPHAS, DEFIANCE, DOMINION and GUILT. He began his career in features, penning DARK REFLECTION and CONTROL, starring Ray Liotta, Willem Dafoe and Michelle Rodriguez. You will work with Todd and your fellow writers in a virtual class setting, with ample time for Q&A’s, and you will also have one-on-one sessions with Todd where he will give you constructive notes and share his thoughts on your story, outline and script pages. These sessions will mirror the experience you would have working with a showrunner on your pilot and allow you the opportunity to be mentored by a top professional to get your script written. This lab is a must experience for any level of writer looking to harness your talent into a strong TV pilot/writing sample that will help further your career. Praise For Todd's Teaching "Todd's experience and expertise shine through. If you've ever wanted to be a showrunner on a TV series then learn all you can from him." -- Rahime B. "I never realized how much fell on the showrunner before working with Todd. He's a fantastic educator!" - Meg L.
Stage 32 4-Part Class: Your Complete Guide To Showrunning
Learn everything you need to know about television showrunning so you can become a successful showrunner from a veteran showrunner who has worked with Disney, The CW, ABC, and more! PLUS! Receive multiple production documents from the hit series SHADOWHUNTERS, which the host was the showrunner on, including an episode outline, script, shooting schedule, prep memos, casting memos, set drawings, location pictures, post-production schedule and more! A series showrunner is the most essential and complex role on a television show. The showrunner is responsible for all facets of the production - from pre-production, shooting, post-production, and even marketing. If you want to be a showrunner, you need to be able to handle both the creative and business sides of a television show. While the demands on a showrunner are quite high, there is little that first time showrunners can do to prepare themselves for the job. Until now... This intensive on-demand 4-session class will teach you how to showrun a scripted drama television show, from hiring the pilot director, casting the show, assembling your production and post-production team, hiring and managing the writing staff, managing pre-production and production, editing the show, delivering that final cut, marketing the show, doing press, and of course live tweeting the premiere. You will learn from veteran showrunner/writer/director Todd Slavkin, who will share his advice and personal anecdotes to help guide you through the process of showrunning. Todd's experiences showrunning series for Disney, The CW, ABC, and more have provided him with an arsenal of showrunning tools that he will share with you to prepare you for your own career as a showrunner. Todd has worked in all different kinds of genres and has been involved with many popular television shows, including SMALLVILLE, SHADOWHUNTERS and most recently THE MYSTERIOUS BENEDICT SOCIETY, for which he was nominated for two Emmys. He has written pilots for ABC, NBC, FOX, FREEFORM and The CW, where he developed and was the showrunner of MELROSE PLACE 2.0. Other television credits include NO ORDINARY FAMILY, ALPHAS, DEFIANCE, DOMINION and GUILT. He began his career in features, penning DARK REFLECTION and CONTROL, starring Ray Liotta, Willem Dafoe and Michelle Rodriguez. PLUS! Todd will provide you with exclusive handouts from an episode of his hit series SHADOWHUNTERS to help guide you as a showrunner. Downloads include: Episode Outline Episode Script Shooting Schedule Prep Memos Casting Memos Set Drawings Location Images Post-Production Schedule And More! This class will teach you the creative and practical aspects of the job of showrunning as well as the necessary psychology needed to manage both artists and executives while keeping yourself creatively anchored and inspired. It’s not an easy task, but through in depth learning and real-world examples you will walk away from this class with the knowledge to effectively showrun your own series. The best way to learn showrunning is from a showrunner and this is a rare opportunity for you to do just that. Praise For Todd's Teaching "Todd's experience and expertise shine through. If you've ever wanted to be a showrunner on a TV series then learn all you can from him." -- Rahime B. "I never realized how much fell on the showrunner before working with Todd. He's a fantastic educator!" - Meg L.
Showrunning 101: Everything You Need To Know From A Showrunner Who Has Worked With ABC, NBC, FOX and The CW
Learn the fundamentals of television series showrunning from a showrunner/writer/director who has worked on projects for ABC, NBC, FOX and The CW! You’ve heard the term “showrunner.” You know the showrunner is the most essential and complex role when making a television show. But what does a showrunner actually do? A television showrunner is like a writer/director/producer all rolled into one. All creative decisions for the show go through them. It’s exciting, exhilarating and creatively fulfilling in a deep, meaningful way - a job every television writer dreams of. It’s also frustrating, exhausting and totally overwhelming, especially if you’ve never done it before. Working as a first time showrunner is often a trial by fire - you’re thrown into the mix and have to figure out the job as you go. That’s why Stage 32 created this comprehensive exclusive webinar, now available immediately on-demand, to teach you all you need to know about the process and responsibilities of showrunning - what it entails from the creative, business, and logistical perspectives! This webinar will take you behind the scenes with veteran showrunner/writer/director Todd Slavkin, who will guide you through the step-by-step creative and practical process of being a showrunner, from getting your greenlight to production through the final delivery of your show, and all the essential steps in between. Todd will also share many of his personal anecdotes along the way. With over 35 years of experience in both television and film, Todd has been the showrunner on SMALLVILLE, SHADOWHUNTERS, and most recently THE MYSTERIOUS BENEDICT SOCIETY. Todd has written pilots for ABC, NBC, FOX and The CW and has a wealth of knowledge to share with you on everything a showrunner does to make a TV series. This webinar is a must for any person who dreams of running their own TV show, who wants to work for a showrunner on a series or simply wants to know what the job of a showrunner really entails. PLUS! Todd will provide you with exclude downloads to help on your showrunning journey! Downloads include: Call Sheet Template Script from SHADOWHUNTERS This webinar will prepare you to work in television in ways only an experienced showrunner can and illuminate what you should and shouldn’t do in your career to become a showrunner yourself! PRAISE FOR TODD'S TEACHINGS: "Todd Slavkin was excellent to cover so much information in so little time. In fact, the Q&A was very informative too." --Sydney S "Todd's experience and expertise shine through. If you've ever wanted to be a showrunner on a TV series then learn all you can from him." -- Rahime B.
Stage 32 4-Part Writing Class: A Showrunner’s Guide To A Writing Career In Television
Learn the craft of writing for television and how to build and navigate a successful career as a television writer from a veteran showrunner who has worked with Disney, The CW, ABC, and more! PLUS! You'll receive exclusive handouts including series pitch documents, outlines screenplays, and screenplays from real television series including MELROSE PLACE, HE MYSTERIOUS BENEDICT SOCIETY, SHADOWHUNTERS, ADJUSTMENT BUREAU, and the pitch document for Fox's SOAR! Millions of people dream of becoming a television writer in Hollywood. You want to write the next hit television show and have high hopes of seeing your stories come to life on the screen. Sharing your creative vision with the world is one of the most rewarding experiences there is. However, becoming a Hollywood television writer is hard. Very hard. There is a craft and technique to writing a dramatic television series and working in writer's room that take time and hard work to acquire. Not to mention, navigating a career as a writer. How can you sustain your life as a writer when you don't know what you'll be working on next? How can you stay creative over years of writing and hard work? And during all of this, how can you consistently create good material that studios and networks want to buy? Stage 32 is here to help you answer all of this and more. In this exclusive Stage 32 4-part class, you will learn the craft and process of writing for scripted drama television and how to navigate a career as a television writer. Taught by veteran television/film writer and showrunner Todd Slavkin, you will learn the creative and practical aspects of writing and producing a television pilot, writing and producing on the staff of a television show where most of the work happens in the writers room, and navigating a long, illustrious career. Todd's experiences showrunning series for Disney, The CW, ABC, and more have provided him with an arsenal of showrunning tools that he will share with you to prepare you for your own career as a showrunner. Todd has worked in all different kinds of genres and has been involved with many popular television shows, including SMALLVILLE, SHADOWHUNTERS and most recently THE MYSTERIOUS BENEDICT SOCIETY, for which he was nominated for two Emmys. He has written pilots for ABC, NBC, FOX, FREEFORM and The CW, where he developed and was the showrunner of MELROSE PLACE 2.0. Other television credits include NO ORDINARY FAMILY, ALPHAS, DEFIANCE, DOMINION and GUILT. He began his career in features, penning DARK REFLECTION and CONTROL, starring Ray Liotta, Willem Dafoe and Michelle Rodriguez. Each session of this 4-part class will include industry guests, mainly successful writers with high levels of experience, all sharing their own stories and tips for success. You will have the rare opportunity to learn from a handful of industry experts how to navigate a television writing career in Hollywood so that you can make the best decisions for yourself and your career. Trust us, you don't want to miss this! PLUS! Todd will provide you with exclusive handouts to help you with the craft and business of television writing in Hollywood. Downloads include: Pitch document for SOAR Fox Pilot & Series Document for MELROSE PLACE Pilot Outline and Teleplay for ADJUSTMENT BUREAU Pilot, Outline and Teleplay for SOAR FoxPilot, Teleplay for MELROSE PLACE Pilot Outline and Teleplay for an episode of SHADOWHUNTERS & Story Area, Outline andTeleplay for an episode of THE MYSTERIOUS BENEDICT SOCIETY You will walk away from this class with a treasure trove of knowledge about the art and craft of writing professionally for television, and the insight into how you can build a sustainable career for yourself as a successful television writer. Praise For Todd's Teaching "Todd's experience and expertise shine through. If you've ever wanted to be a showrunner on a TV series then learn all you can from him." -- Rahime B. "I never realized how much fell on the showrunner before working with Todd. He's a fantastic educator!" -- Meg L. "You brought to the zoom screen the qualities I’m sure you excel at as a showrunner – humour, vulnerability, candidness, insight, patience, wisdom, respect, humility, confidence, inclusion. Each of these words have been selected specifically!" -- Jan R. "I just wanted to send a quick note to say THANK YOU for the wonderful showrunner class! The amount of information given in the 4 classes was incredible and you can tell by the stellar guest speakers that Todd you are truly admired for not only your work, but also for being a kind, thoughtful human :)" -- Sage P "Todd is an absolute angel! This was the most wonderful class I’ve ever taken! If we ever does another class, I’d love to join." -- Lauren M. "I loved Todd's class. Todd is so enthusiastic and informative, he has a true love of teaching. I would take future classes with him, no question. I really came away with an understanding of how showrunning works and the responsibilities and career paths." -- Allyson M.
Introduction to Assistant Directing & Production Management
Can you imagine finally getting your project up on it's feet to shoot and not having a plan or a schedule for the whole process? What if you showed up each morning and there was no organization around how you were going to make your wildly important production day? That's why you need to know the fundamentals of assistant directing and production management. Assistant directing and production management are the heartbeat of every physical production. These are the skills you need to properly plan, budget and execute a shoot. Whether you want to be a professional production manager or assistant director (which can get you into the DGA), or you're a producer, director, filmmaker, executive or any part of the content creation process, having a working knowledge of these tools and how to communicate properly with these departments is essential. In this exclusive Stage 32 webinar, you’ll learn an overview of the critical thinking, problem-solving, and communication skills needed to be a great assistant director and how to best manage a production, from an expert who has worked on countless films and television shows. Korey Pollard is a DGA first assistant director. He’s worked on films including STAND BY ME, THAT THING YOU DO, WATERWORLD, and SPY KIDS 2, among others, and hit TV shows like DEADWOOD, MONK, GREY’S ANATOMY, Stephen Bochco’s MURDER IN THE FIRST, HOUSE, CSI, BOOMTOWN, SALEM, KEVIN FROM WORK, and many more. Korie also holds a position on The First Assistant Director/Unit Production Manager Committee of The Directors Guild of America. In this webinar, you’ll cover: What your responsibilities as an assistant director are What questions to ask the director and producer How to read a script with other departments and their needs in mind The different department meetings What crew you need How to create a pre-production calendar How to create a production schedule And so much more. Miscommunication, misunderstanding, and reaching for too much work are all missteps that you’ll inevitably face during production. But by learning these skills and tools from Korey, you’ll have the keys to creating an achievable plan, working with your team to problem solve, and know how to plan and execute a shoot at the highest levels.
How to Find Investors and Secure Financing for your Feature Film- With a Mock Investor's Closing Call
Learn How to Find Investors and Secure Financing for your Feature Film PLUS! See a Mock Investor's Closing Call As the landscape of independent film continues to evolve, a clear funding path has developed for films budgeted between high-six figures and $10MM. Indeed, it’s become an effective “sweet spot” for investors. At this budget you can typically attract and secure some star power, one important step toward increasing the odds that your investors will see a return on their investment. But this is just one reason why this budget range is attractive to many investors. There are many more variables at play which will help you raise money for a film or project in this price range. But first, you must understand some tried and true principles that will help you find investors, present your project in the proper fashion and lock them down for an investment. Knowing how to raise money intelligently for films and projects within this budget range can be your calling card toward a powerful career in the independent producing space. Simply put, those who understand the strategies and methods that can help your investors see a return get to keep those investors time and time again. And those investors can, and usually do, bring along more investors if they're happy. While everyone says that raising financing is the hardest aspect of filmmaking, there are smart ways to find money that you may not have thought of, and there are also ways you can expand your dollars once you start raising funds for your project. In addition, there is a well-known group of professionals and creatives that have been working on films in this budget range for years and it's important that you know who they are, how to approach them and what the expectations are once you do. Founded by Elsa Ramo, one of the top entertainment attorneys in the industry today who has been named to Variety’s “Dealmakers List,”, Ramo Law PC provides comprehensive legal services to its clients in the entertainment industry with a specialized focus in representing financiers, producers, directors, distributors, studios and production entities in all transactional aspects of film, television and digital content. The firm provides experienced legal services to optimize its clients’ financial, legal and business position in the financing, production, and exploitation of their content. Ramo Law has represented hundreds of films and television series both scripted and unscripted series, including Emmy award-winning shows. Clients include Imagine Entertainment, FOX, Balboa Productions (Sylvester Stallone’s production company), Scout Productions (creators and EPs of QUEER EYE), Boardwalk Pictures (EPs for CHEF’S TABLE) and Skydance. Elsa and her associates are bona fide experts when it comes to the nuts and bolts of finding financing for your independent film. Elsa and her senior associates Zen Raben and Sean Pope will join forces to demystify the film financing process so that producers, writers, directors, and financiers can understand the basic yet crucial components of how independently financed films are funded. They will begin by discussing entity formation. They will explain why you need to form an entity for your production and what type of entity you should form, as well as what state you should form it in. They will go over the information you will need to form the entity, the forms that need to be filled out with the state, and how operating agreements work. They will also teach you what a waterfall is and why you should include one in your operating agreement. Next, Elsa, Zev, and Sean will delve into important things to keep in mind specifically for your LLC formation, including the state of formation, deciding if it will be member-managed or manager-managed, who should be in control of creative decisions and who should be in control of business decisions. They will then talk about equity investment and go over who exactly provides equity investment, what investors get out of it, where the investment gets placed and why investors are motivated. Next, Elsa and her associates will explain debt financing. They will teach you the four common types of collateral in debt financing, and four types of debt you will be dealing with. They will go over the key terms and considerations you should know, and just like equity investment, they will explain who provides debt investment, what the investor gets out of it, where the investment gets placed and why investors are motivated. Elsa, Sean, and Zev will even stage a mock closing call between a producer and senior lender to demonstrate what it looks like to lock in funding from an investor. Finally, Elsa, Sean, and Zev will give you an invaluable closing checklist, walking you through everything you need to keep in mind when going after funding. Expect a thorough, comprehensive and undeniably helpful guide to give you the tools you need to find the funding for your next project. This is designed for all levels but particularly effective for those that are currently producing and/or packaging a feature film. Praise for Elsa's, Zen's and Sean's Stage 32 Webinar: "It was absolutely brilliant! One of the best webinars I've attended yet! Loved the mock call. That was so educational!" --Becca G. "They are all knowledgeable and had a great presentation" --Carlos B. "Great webinar financing. Will be watching again." --Martin R. "AMAZING WEBINAR!!!" --Stephanie D.
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