Write Your Professional Feature or One-Hour Script Outline in 8 Weeks
Other education that may be of interest to you:
Stage 32 4-Part Screenwriting Class: How to Write Subtext in Your Screenplay + 3 Writing Exercises
This class has a 100% satisfaction rating! Available on-demand for immediate viewing Uncover the hidden power of your characters' voices with our exclusive 4-part Stage 32 class with AZ Yeamen, Story Editor of the hit AMC ALLBLK miniseries COVENANT. Ever wondered why your favorite movies linger in your thoughts long after the credits roll? It's the layers of meaning, the unsaid messages, the subtext that adds depth and memorability. Now, you have the chance to master this crucial element of storytelling that sets your work apart. In this immersive class, AZ Yeamen will personally guide you through the art of weaving subtext seamlessly into your screenplay. Imagine honing the same tips, tricks, and techniques used by successful screenwriters to elevate your writing to a professional level - now you can through not only learning how to write subtext, but you will be challenged with 3 writing exercises to help you get better! The challenge lies in finding that sweet spot between too much and too little subtext. AZ helps you navigate this, ensuring your subtext enhances rather than overwhelms or confuses your audience. Success in the industry demands mastering subtext – it breathes life into your characters, forges deep connections, and crafts complex, resonant stories. Don't miss this opportunity to stand out in the competitive field of screenwriting. Join our 4-session on-demand course and gain functional skills to infuse subtext into your dialogue, plot, and storytelling. Walk away armed with the expertise and tools needed to make your screenplays irresistible to producers, agents, and captivated audiences. It's time to elevate your craft and make your mark – start now! Testimonials from AZ's Course: "First and foremost, AZ is AMAZING! The information provided, the examples, the illustrations, the assignments were all geared towards equipping us to become great scriptwriters. I MUST take the course again. Nothing but applause for AZ and her style of teaching." -- Chris S "Not only does AZ know her stuff, but she articulates it very well. I highly recommend working with her no matter what stage your project is at. She'll work with you to take it from good to great." -- Alyssa B.
4 Steps to Writing Your Feature Film First Draft
An essential screenwriting class with the Top Story Editor of Covenant on AMC's ALLBLK In this on-demand, four-session class exclusively through Stage 32, you’ll learn proven techniques designed for emerging writers to write your first draft with help from a professional screenwriter, teacher, and script consultant. You’ll learn how to create your logline to test the strength of your idea while brainstorming, conduct character analysis to form the emotional journey at the core of your story, break your story into sequences, run crucial reports to analyze your script’s strengths, and more. Your expert instructor, AZ Yeamen, has sold nearly every script she’s ever written. She uses the techniques in this course for her own stories and teaching emerging writers, helping them rise above the pack, selling projects to networks, and placing in many screenwriting competitions. AZ continues to hone her own skills as a writer, consultant, and founder of Bridge 17 Scriptwriters’ Studio. She has become the go-to for revisions, doctoring, whipping stories into shape, and pitch packages for Netflix, TVOne, Aspire TV, UMC Streaming, Bounce TV, and independent production companies. She most recently served as a Story Editor on Covenant on AMC's ALLBLK. AZ doesn’t just teach you how to craft a story. She teaches you how to bring your voice to the forefront, tailoring your script to your authentic voice so that it stands out. By the end of the four lessons, you’ll have functional skills to develop your script with pacing and authentic storytelling while building your writing muscles and understanding the most important screenwriting essentials. Any writer that successfully applies these lessons using their own unique voice will have the skills to write a memorable script ripe for production. Testimonials from AZ's Stage 32 Course: "First and foremost, AZ is AMAZING! The information provided, the examples, the illustrations, the assignments were all geared towards equipping us to become great scriptwriters. I MUST take the course again. Nothing but applause for AZ and her style of teaching." -- Chris S. "Not only does AZ know her stuff, but she articulates it very well. I highly recommend working with her no matter what stage your project is at. She'll work with you to take it from good to great." -- Alyssa B.
Master Screenwriting Basics Certification
"Great screenwriting is never heard, never read, it's felt." - AZ Yeamen Get Your Master Screenwriting Basics Certification Exclusively Through Stage 32 Keeping you on the cutting-edge of the entertainment industry, because we are the global online resource for creative professionals. Spots Filled, if you would like to join in 2022 please contact edu@stage32.com! Ready to master your craft? Learn elite screenwriting fundamentals, in-depth story analysis strategies, writing techniques and more. Stage 32’s online Master Screenwriting Basics Certification was designed for creative professionals looking to expand their knowledge to expert level by studying screenwriting course materials and taking our certification online. When earning a Master Screenwriting Basics Certification and becoming a certified screenwriter, choosing the right training is essential. You've found the right place. A Master Screenwriting Basics Certification from Stage 32 can help you expand your screenwriting career. In 16 weeks over this 14-session course with 2 creative weeks for your own writing, you will be using a proven technique designed for emerging writers to rise above the pack. This certification contains functional skills to develop your craft with pacing, authentic storytelling, building your writing muscle, and basics of screenwriting. You will learn not only the techniques to step ahead of the pack with your writing, but you will also be working on perfecting your own writing technique. Stage 32 is the worldwide leader in entertainment industry education and is a marketplace that connects creators with content producers. After you finish your certification you will earn an exclusive Stage 32 Certificate and Stage 32 will provide you resources to help take your new skills into the professional marketplace, including a career development meeting with an industry professional. Get certified from a leading industry expert. AZ Yeaman has sold nearly every script she's ever written. She has become the go-to for revisions, doctoring, whipping stories into shape, and pitch packages for Netflix, TVOne, Aspire TV, UMC Streaming, Bounce TV, and independent production companies. Most recently, she served as a Story Editor on Covenant on AMC's ALLBLK. AZ is passionate and focused, with a granite-hard work ethic. She focuses not only on pursuing and developing her career in script/story development but also on fostering exciting, new talent. Every day is an opportunity to do more, learn more. She's an admitted lifelong student, an absorber of sights, sounds, and sensations that make her a natural-born writer. AZ brings heart, energy, and clarity of vision to story development and screenwriting projects. Her students have created concepts in class, outlined, drafted, written, rewritten, and sold projects to networks. Ready to take the next step? Our master screenwriting certification was designed by entertainment industry professionals for entertainment industry professionals to help you succeed. For less than $100 a week you will become a certified screenwriter and be given the tools you need to enter the professional market exlusively through Stage 32. PLEASE NOTE: This exclusive Stage 32 certification course is limited to 10 people and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please book quickly. Once the spots are gone, they’re gone for good.
How to Nail the Ending of Your Horror Screenplay
Learn From A Top Horror Film Story Expert The third act of your horror movie should be an electrifying climax, delivering visceral and emotional punches and paying off all your sneaky set ups. It should thrill your audience and represent their reward for sitting through—very possibly—a lot of pain, suffering, and gross stuff. Unfortunately, too many horror screenplays fail to deliver. It’s a problem across the genre: filmmakers work hard on the set-up of their narrative ye it all falls apart in the third act of the script. If you want your horror screenplay to stand out from the crowd, then it’s time to learn how to craft an original and compelling ending that leaves your reader breathless and wanting more. It’s easy to write a creepy first act for a horror movie. A mysterious and/or bloody teaser at the top, the entry of a vulnerable protagonist into a danger zone, a few genre tropes like unresolved past traumas, dying cell phones, a gathering storm, and grizzled locals warning the main characters to “stay away” — it practically writes itself. That’s why there are a lot of horror screenplays out there with intriguing first acts. However, by the time many screenwriters get to the third act they have —literally— lost the plot. In order to write a good ending you have to know the genre, acknowledge the tropes, and understand some of the psychological mechanisms that drive human fear. Also, you may have to rethink that suspiciously easy-to-write opening. Let's explore how to make this happen. Karina Wilson is an independent story and development consultant with a specific focus in horror who has worked on many films including SECRET IN THEIR EYES with Nicole Kidman and Julia Roberts, 13 SINS, and THE CIRCLE with Tom Hanks and Emma Watson. As a story consultant, Karina has helped to shape narratives in every genre, from independent documentaries to Netflix animated series. Previously the in-house story consultant at IM Global, she is currently developing a series of Thrillers for British TV. Karina is considered an expert in the horror genre and her analysis of horror trends through the decades has been featured in the Wall Street Journal, on NPR, in medical textbooks and in documentaries alongside luminaries such as Jason Blum, Joe Dante, and Andy Muschietti. Karina is also the lead screenplay judge for niche indie horror festival, Shriekfest, and has been picking winners for them since 2007. Along with Rob Zombie, John Carpenter, Sid Haig, Tom Savini and many others, Karina can currently be seen on screen discussing horror in the documentary THE HISTORY OF METAL AND HORROR, doing the rounds of film festivals this fall. Exclusively for Stage 32 in this on-demand webinar, Karina will teach you the elements of a successful horror film ending and what you can do to make sure your own horror project has an effective and memorable third act. She’ll begin by explaining how to see your screenplay through the lens of audience expectations before going over the main types of horror endings seen in feature films. She’ll delve into upping up your story stakes and show you how to find a resolution that makes sense. Karina will also discuss how you should be reworking your first and second act in order for the third act to work better. Karina will accompany her slew of tools and strategies with notable case studies and examples of notable horror films. If you’ve been struggling to find an ending to your horror film, if you’re looking for a way to tie everything up, or if you need a way to make your script better stand out and get attention with reps, producers and execs, you’re going to want to hear what Karina has to say.
The Executive Hour with Verite Entertainment
Rene Veilleux and Donald Roman Lopez talk about how they built Verite Entertainment from the ground up, how they develop original IP, what it means to be "Glocal" and the time we worked with comedy legend Mel Brooks!
TV Writers Room Workshop: Writing Jokes for Sitcoms + Participate In a Mock TV Joke Punch Up Room
**Learn the art of TV joke writing from long time TV comedy writer Kirill Baru and participate in an actual episode punch up room, working to improve scenes from a notable TV comedy.** Jokes don’t just come out of nowhere, and their success is completely reliant on the medium. Things that are funny in conversation or in front of an audience might not be funny on a television show. This is why being “naturally funny” just isn’t enough to make a funny series with great jokes. It takes an understanding of the medium and insight into the types of jokes that work on television. It also usually takes a team of people in a punch up room setting, utilizing multiple perspectives and senses of humor to arrive at the best joke for each situation. Understanding how to find the best jokes in an episode script and learning how to operate successfully in a punch up room setting will help make your own comedy pilot funnier and can give you the tools to be a more desirable member of any TV comedy writers room. Kirill Baru is a sitcom writer and executive producer who has staffed on and sold a variety of live-action and animated comedy shows like Freeform’s BABY DADDY and the critically acclaimed animated show DAN VS. on the HUB. He’s also written and produced several comedies in the kids space, from Disney’s SYDNEY TO THE MAX to Cartoon Network’s MAD: THE ANIMATED SERIES. When Kirill isn’t staffing on shows, he’s developing projects with networks such as Disney and Netflix. He attributes his career to writing comedy that finds a way to have a lot of edge without ever losing any of its heart. Kirill is very familiar with punching up TV scripts, finding ways to make them funnier and finding success in a TV punch up room. In this special extended workshop, Kirill will teach you how to craft effective jokes for any TV comedy. He’ll break down where good jokes come from and the elements needed to make a joke work. Kirill will also lay out the main types of TV jokes you can draw from and walk you through important comedy terminology that’s used in every writers’ room and punch up room. He’ll also go through how to make jokes work with an eye towards scene construction and explain what makes a great punch up room for any TV comedy. Kirill will then lead a TV comedy punch up room, similar to how real TV comedies run them. Everyone who signs up will be able to participate in this room and work with the group to add jokes, fill in pitches, and create alt docs for two scenes of an episode of an actual notable TV comedy. Kirill will provide feedback and analysis or all of the joke pitches. If you’re interested in breaking into TV comedy, it’s so important that you know how to craft great jokes in this specific medium. This workshop is the perfect way to help you get there. Praise for Kirill's Previous Workshop "The workshop was awesome! Going through this workshop and seeing the end result produced by our team of writers (classmates), not only shed light into how the sausage is made, but also showed me that this is something I can actually do. Well worth the investment!" -Kane B. "Kirill's workshop was a great experience. He's a natural teacher, professional, insightful, and encouraging. It was not only educational but practical, allowing the attendees to punch up an actual script as if in the writer's room, followed by him, putting on his showrunner hat and reviewing what had been created by the group. I would highly recommend anyone interested in working as a professional writer, with dreams of being in the writer's room to attend one of his classes." -Dave W. "This was the best online class tv writing class I’ve ever taken. There is only so much the brain can grasp and retain in a lecture format. Kirill did an amazing job structuring the class and providing an in the moment experience — the best way to learn. Thank you." -Barbara G.
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