Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives
Nick Oleksiw, Producer. Nick looks for Features and Series in the Horror, Thriller, and Comedy/Rom-Com space.
Henry Hereford, Producer/Executive. Henry is looking for female lead television or feature scripts.
Marcos Sotelo, Creative Executive. Marcos looks for Feature and Television of all Genres. Please no Periods or Westerns.
Nicholas Bogner, Head of Literary / Manager. Nicholas is open to all genres of Film and Television but is especially interested in Horror, Action, and Sci-Fi.
Katharina Suckale, Veteran Producer, Creator of Indian Series BETWEEN OUR WORLDS (Disney +). Katharina specializes in all genres with a preference for Romantic Comedy, Comedy, Thriller, Crime, Detective, Historical films, Alternative Reality, Science Fiction, Fantasy and Fairy Tales.
Credits include: THE HORROR OF DOLORES ROACH (Amazon)
Julian De La Paz, Producer / Creative Executive. Julian is open to all genres of Film & Television, but is specifically interested in Rom-Coms.
L.T. Verrastro, Development Executive and Producer. L.T. is open to Features and Television in the Drama, Comedy, Family, Holiday, and True Story/Biopic space. He's especially interested in Family content, and projects based on true stories.
Credits include: EVERYONE WORTH KNOWING, NUTCRACK'D, RED CARD
Rachel Rovner, Producer. Rachel is open to all genres of Film & TV especially character driven material, adaptions, comedies and dramas. Please no Faith or Westerns.
Michael Wormser, Co-Founder & Producer, Cinemand Films. Michael specializes in Comedy, Horror, Sci-Fi, Thriller, and Action features and series.
Daniel Capuzzi, Senior Content Producer. Daniel is open to all genres of Film and Television but is specifically interested in Science Fiction and Comedy.
Credits include: "Grey's Anatomy", "The Blacklist", "Law & Order: SVU", "Brooklyn Nine-Nine", "The Vampire Diaries", "Sons of Anarchy", "It's Always Sunny in Philadelphia", "Psych", "Bones", "Mad Men", "House M.D.", "That '70s Show", "Chicago P.D.", "Family Guy", "Castle", "Community", "Buffy the Vampire Slayer", "The Brave", "24", "Californication", "Friday Night Lights", "Veronica Mars"
Audrey Knox, Literary Manager. Audrey looks for Television comedy, high concept drama pilots, lighthearted procedurals, romantic comedy features, romantic adventure features, four-quadrant action adventure features, grounded sci-fi features, and anything with a big, splashy hook.
Credits include: The Lion King, Iron Man, Breaking Bad, Game of Thrones, ER, Star Trek, The West Wing
Dustin Lee, Director of Story. Dustin is open to all genres of Film and Television.
Peter McDonough. Peter looks for Television scripts including Comedy, Sci-Fi, Mystery, and Adventure. Please no Legal Procedurals or Family Drama.
Christina Pickworth, Agent. Christina specializes in all genres of Features and Television.
Gaby Hart, Producer. Gabby looks for Feature and Television Horror, Drama, Action, Thriller, Romance, True Story, True Crime, and scripts based on Books. Please no Animation or Comedy.
Bernie Stern, Producer. Bernie specializes in feature films of all genres.
Collin Lieberg, Creative Executive. Collin specializes in Sci-Fi, Fantasy, Horror, Historical, and Bio-Pic Features or TV for Streamers or Premium Cable.
Kevin Christoffersen, Development Executive / Producer. Kevin is open to all genres of film and television but specializes in Lower-budget, Art-house Features in the Drama, Dark-Comedy, and Sci-fi Genres.
Vivek Singhania, Producer. Vivek is open to all genres of Film and Television especially those in the Spy/Espionage, Thrillers, Capers, Heists, and Cyber Crimes space. Please no Faith or Unscripted.
Film Executive & Script Editor. Susan specializes TV and Features in the Rom-Com, Comedy, Thriller, Fantasy, Coming-of-Age, Historical Fiction, Documentary/Docu-Series, Musicals, Biopics, and Drama genres. Please no Sci-Fi or Horror.
James L., Creative Executive. James looks for television pilots of all genres.
Mike Griffin, Manager/Producer. Mike Looks for comedy feature film scripts and 30 minute comedy TV scripts in both the live action and animation space. Please no period drama films or one hour tv shows.
If you have a script that you feel is ready to go out to the market and you've prepared a professional pitch, Stage 32 provides you a unique way to get feedback and hone your pitch (film or TV) directly with a variety of development executives, producers and managers. You will be rated by your Pitch Delivery/Format, Clarity of Pitch, Set up of Protagonist(s) & World, Obstacles & Conflict, Clarity of Tone, Originality of Concept and Strength of Voice.
You will pitch directly to the executive listed live over Skype or phone, or by way of a written pitch, and receive feedback from them.
Guidelines
Stage 32 Pitch Sessions are for educational evaluation purposes only.
You may only pitch ONE project per reservation, NOT portfolios.
You must have a completed script available for the project you pitch.
Do not reach out to the executives unless directed by Stage 32. They do NOT accept unsolicited material or appreciate being cold-called/emailed by strangers. Doing so will forfeit your right to participate in future sessions.
Missed reservations are not refundable and will not be rescheduled.
Live Pitches
Within 15 minutes of your scheduled pitch, the executive will reach out by Skype or Phone. Your pitch session will last approximately 8 minutes.
Written Pitches
Written Pitches will be no more than 2 pages submitted as a PDF or WORD document. Any written pitch uploaded past the deadline will not be shown to the executive and will result in a non-refundable forfeiture of your pitch.
Scorecards
Within 3-4 weeks of your pitch session, you will receive a Pitch Scorecard on which the executive you pitched will provide you ratings on the 7 categories, plus provide you written feedback on your pitch. So you understand where your pitch fits in the marketplace, you will also receive a standard industry PASS or REQUEST.
Sometimes, to give more comprehensive feedback, an executive may want to read your material. If so, you will see REQUEST on your scorecard.
If you see REQUEST, you will be notified via email with further instructions. The executives will have 2-3 months to review the material you submit. At the end of the review period, they will provide you a second set of written feedback about the material, plus an industry standard PASS or MEET. If a meeting is requested and they'd like to provide further feedback on your project, we will introduce you via email.
Please understand that these are working executives, and their schedules are subject to change at a moment's notice. We always strive to give you at least 24 hours of notice if a session has been cancelled, and we will recommend another executive for you to get pitch feedback from.
Need help with your pitch?
Download the Stage 32 Pitching Guidebook
Questions?
WriterHelp@Stage32.com