Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives
Credits include: Super Size Me, Rats, The Pistol Shrimps, A Day In the Life, Mansome
Creative Executive (398), Creative Executive. This Exec Specializes In Drama, Horror, Thriller, And Comedy Features And Television
International Distribution Coordinator. Matthew specializes in all genres of feature film except Horror.
Credits include: "ORANGE IS THE NEW BLACK", "CRIMINAL MINDS", "SCRUBS", "ACCORDING TO JIM",
Producer. Liz specializes in Comedy, Character-Driven Dramas, and Procedural Television series.
Rachel Paulson, Producer/Director/Screenwriter. Rachel specializes in Comedy and Drama Features and Television.
Drew Gatto, Film & TV Development Coordinator. Drew specializes in Action, Comedy, Horror, Young Adult projects in both TV or features.
Janean Jeffries, Senior Coordinator. Janean specializes in all genres of features, particularly Comedy, Rom Com, Thriller, Action, and Faith-based scripts. She is open to all genres of Television. Please no Horror.
Credits include: Arrow, Lights Out, The Last Ship, Another Happy Day, Trust, Hart of Dixie, Political Animals, NCIS: Los Angeles, Law & Order: SVU
David Chien, Manager. David Specializes in Horror, Sci-fi, Thriller, & Comedy Features and Comedy TV Pilots.
Aaron Daniel Jacob, Script Coordinator. Aaron specializes in features and TV scripts of any genre, with an emphasis on animation, comedy, horror, and music/musicals
Terhys Persad, Director's Assistant. Terhys is looking for family dramas, character studies, and thrillers with non-traditional leads.
Credits include: Rosewell, Jem and the Holograms, Lincoln Heights, Abby Normal, Operation: Endgame, Kickin' It,
Andrew Kersey, Manager. Andrew looks for Sci-Fi and Comedy Features
Credits include: The Merchant Of Venice, Head In The Clouds, Perfect Creatures, I Melt With You
Jason Piette, Producer/Founder. Jason specializes in all genres of feature film and television.
Credits include: Madame Bovary, Behind the Mask, Better Living Through Chemistry, The Hallow
Kate Sharp, Literary Manager & Producer. Kate is interested in thrillers, action, grounded sci-fi, true stories and biopics. In addition she is thrilled to consider any story that features a strong, female protagonist. Please no broad comedy.
Chayah Masters, Head of Motion Picture and TV Literary. Chayah works in film and television and specializes in Thriller, Horror, elevated Comedy, Sci-fi, Family, and Action.
Dallaslyn Lamb, Junior Manager. Dallaslyn specializes in Thriller, Horror, Sci-Fi, female and diversity-driven Feature and Television scripts.
Credits include: 13 REASONS WHY for Netflix and DEFENDING JACOB with Chris Evans for Apple+
Kaleb Tuttle, Director of Development. Kaleb specializes in Drama, grounded Horror, Sci-Fi, Comedy, New Adult/Young Adult, and Espionage/Mystery TV Pilots.
Phil Claroni, Executive Producer. Phil specializes in Feature Films of All Genres and True Crime, Reality, History, Political, and Science series.
Credits include: “ALPHA HOUSE,” “CURB YOUR ENTHUSIASM,” “ANCHORMAN 2,” “PERSON OF INTEREST,” and “ESCAPE AT DANNEMORA.”
Carver Diserens, Producer. Carver specializes in all genres of Features & Television.
Becca Lonngren, Film Coordinator. Becca specializes in drama, comedy, romance, period piece, and true-stories with inspirational and diverse narratives.
Credits include: HIDDEN FIGURES, CHRISTOPHER ROBIN, IT FOLLOWS, DIVERGENT, AVATAR, CHILD'S PLAY
Juan He, Literary Manager. Specializes in high concept Sci-Fi, Thriller, Horror, Family Adventure, Action/Adventure, Dark Comedy, Coming-of-Age, and heart-warming stories. Please no War, Crime, or Cop stories.
Will Raynor, Creative Executive. Will specializes in True-story/Biopic, Elevated and Grounded Sci-fi, Prestige Drama, and overall just great material!
Creative Executive. Marina specializes in Young Adult content, prestige Drama, as well as international Television and Film. Please no Christmas/Holiday projects.
If you have a script that you feel is ready to go out to the market and you've prepared a professional pitch, Stage 32 provides you a unique way to get feedback and hone your pitch (film or TV) directly with a variety of development executives, producers and managers. You will be rated by your Pitch Delivery/Format, Clarity of Pitch, Set up of Protagonist(s) & World, Obstacles & Conflict, Clarity of Tone, Originality of Concept and Strength of Voice.
You will pitch directly to the executive listed live over Skype or phone, or by way of a written pitch, and receive feedback from them.
Stage 32 Pitch Sessions are for educational evaluation purposes only.
You may only pitch ONE project per reservation, NOT portfolios.
You must have a completed script available for the project you pitch.
Do not reach out to the executives unless directed by Stage 32. They do NOT accept unsolicited material or appreciate being cold-called/emailed by strangers. Doing so will forfeit your right to participate in future sessions.
Missed reservations are not refundable and will not be rescheduled.
Within 15 minutes of your scheduled pitch, the executive will reach out by Skype or Phone. Your pitch session will last approximately 8 minutes.
Written Pitches will be no more than 2 pages submitted as a PDF or WORD document. Any written pitch uploaded past the deadline will not be shown to the executive and will result in a non-refundable forfeiture of your pitch.
Within 3-4 weeks of your pitch session, you will receive a Pitch Scorecard on which the executive you pitched will provide you ratings on the 7 categories, plus provide you written feedback on your pitch. So you understand where your pitch fits in the marketplace, you will also receive a standard industry PASS or REQUEST.
Sometimes, to give more comprehensive feedback, an executive may want to read your material. If so, you will see REQUEST on your scorecard.
If you see REQUEST, you will be notified via email with further instructions. The executives will have 2-3 months to review the material you submit. At the end of the review period, they will provide you a second set of written feedback about the material, plus an industry standard PASS or MEET. If a meeting is requested and they'd like to provide further feedback on your project, we will introduce you via email.
Please understand that these are working executives, and their schedules are subject to change at a moment's notice. We always strive to give you at least 24 hours of notice if a session has been cancelled, and we will recommend another executive for you to get pitch feedback from.
Need help with your pitch?
Download the Stage 32 Pitching Guidebook