Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives
Credits include: “ALPHA HOUSE,” “CURB YOUR ENTHUSIASM,” “ANCHORMAN 2,” “PERSON OF INTEREST,” and “ESCAPE AT DANNEMORA.”
Carver Diserens, Producer. Carver specializes in all genres of Feature Film and TV scripts.
Credits include: Snowden, Looper, Freeheld, Lord of War, A Walk Among the Tombstones, Elvis & Anabelle, Self/less
Producer. Kristy specializes in all genres of Feature Film and TV scripts with the exception of Period and Westerns.
Shelby White, Producer. Shelby specializes in all genres of Feature Film and TV scripts.
Wes Ambrecht, Head of Studio Partnerships. Wes enjoys all genres and is currently reading TV scripts in Adult Animation, Romance, Procedural Drama, Family Drama, and Sitcoms, as well as Feature Film Scripts that have a Canadian angle.
Credits include: MR. RIGHT, THE CALL, THE ROAD WITHIN, CAREFUL WHAT YOU WISH FOR, FEAR INC.
Nat Topping, Creative Executive. Nat specializes in all genres of Film and TV scripts and currently reading Horror, Thriller, Comedy, and Drama.
Tess McGuinness, Director of Development. Tess specializes in all genres of Feature Film and TV scripts and is currently reading Action, Sci-Fi, Fantasy, Drama, Comedy, Horror, Thriller, Romance, and Rom-Com.
Credits include: THE TERMINAL LIST" for Amazon Studios, "AMERICAN CRIME STORY" and "Y THE LAST MAN" for FX, A FUTILE AND STUPID GESTURE for Netflix, and "THE GONG SHOW"
Brittany Sterrett, Film/TV Development Executive. Brittany specializes in all genres of Feature Film and TV scripts and is currently reading Comedy, Dramedy, Rom-Com, and Animation.
Credits include: Jumanji, Runaway Bride, On the Basis of Sex, Something the Lord Made, A Year Ago in Winter, Against the Ropes
Erin Larsen, Vice President of Development & Production. Erin specializes in all genres of Feature Film and TV scripts.
Credits include: INSECURE, I MAY DESTROY YOU, A BLACK LADY SKETCH SHOW, SOMEBODY SOMEWHERE, LOS ESPOOKYS, and THE REHEARSAL
Pia Chikiamco, Creative Executive. Pia specializes in all genres of Feature Film and TV scripts and is currently reading Drama, Comedy, Action, Sci-fi, Fantasy, and Animation.
David Harris, Producer. David specializes in all genres of Feature Film scripts and is currently reading under $30MM in Action, Thriller, Horror, and Sci-Fi.
Credits include: BATES MOTEL (A&E), MET GALA HEIST (New Line), THE GARDEN (Fox Animation)
Chris Sablan, Literary Manager and Producer (former Agent at APA & Gersh). Chris specializes in all genres of Feature Film and TV scripts.
Credits include: ALL MY FRIENDS ARE DEAD
Jessica Schwartz, Head of Development. Jessica specializes in all genres of Feature Film and TV scripts and is currently reading Drama, Comedy, Horror, Thriller, Action, Sci-fi, and Fantasy.
Credits include: DIDI (Sundance Award Winning Film) and ALL THAT WE LOVE (Tribeca Film Festival)
Kendall Fletcher, Producer (Sundance Award-winning DIDI). Kendall specializes in all genres for Feature Film and TV scripts and is currently reading Drama, Comedy, Horror, Thriller, Action, Sci-Fi, Fantasy, True Story, Biopic, and Animation.
Allegra Craver, Media Rights Department. Allegra specializes in all genres of Feature Film and TV scripts and is currently reading Comedy, Romance, Action, Adventure, heartfelt Indies, and stories based on existing IP.
Josh Marks, Literary Manager & Producer. Josh specializes in Feature Film and Television Scripts and is currently reading Comedy, Horror, Sci-Fi, Thriller, Action, and Animation.
Nicholas Bogner, Head of Literary / Manager. Nicholas specializes in all genres of Feature Film and TV scripts.
Brendan Kenney. Brendan is specializes in all genres of Feature Film and TV scripts.
S.S.. S.S. specializes in all genres of Feature Film and TV scripts and is currently reading Drama, Comedy, Horror, Thriller, Action, Sci-Fi, Fantasy, Holiday, and Animation.
Credits include: CRAZY EX-GIRLFRIEND, RIVERDALE, JANE THE VIRGIN
Producer/Executive. Gaye is open to TV scripts in the Drama, Comedy, Horror, Thriller, Action, Sci-Fi, Fantasy, True Story, Biopic, and Holiday.
Producer/Executive. Henry specializes in all genres of Feature Film and TV Scripts and is currently reading True Stories, Female Leads, Diverse stories, and Dark Comedy.
Credits include: JULIE AND THE PHANTOMS
George Salinas, Manager and Executive Producer. George specializes in all genres of Feature Film and TV Scripts.
Credits include: THE REVENANT, BOHEMIAN RHAPSODY, THE GREATEST SHOWMAN, and HOUSE OF GUCCI
Jos Villegas, Creative Executive. Jos specializes in all genres of Feature Film Scripts and is currently reading Drama, Comedy, Horror, Thriller, Action, Sci-Fi, Fantasy and Holiday.
Val McLeroy, Literary Manager & Producer. Val specializes in all genres of Feature Film and TV scripts and is currently reading Female-Driven, Drama and Comedy.
If you have a script that you feel is ready to go out to the market and you've prepared a professional pitch, Stage 32 provides you a unique way to get feedback and hone your pitch (film or TV) directly with a variety of development executives, producers and managers. You will be rated by your Pitch Delivery/Format, Clarity of Pitch, Set up of Protagonist(s) & World, Obstacles & Conflict, Clarity of Tone, Originality of Concept and Strength of Voice.
You will pitch directly to the executive listed live over Zoom or phone, or by way of a written pitch, and receive feedback from them.
Guidelines
Stage 32 Pitch Sessions are for educational evaluation purposes only.
You may only pitch ONE project per reservation, NOT portfolios.
You must have a completed script available for the project you pitch.
Do not reach out to the executives unless directed by Stage 32. They do NOT accept unsolicited material or appreciate being cold-called/emailed by strangers. Doing so will forfeit your right to participate in future sessions.
Missed reservations are not refundable and will not be rescheduled.
Live Pitches
Within 15 minutes of your scheduled pitch, the executive will reach out by Zoom or Phone. Your pitch session will last approximately 8 minutes.
Written Pitches
Written Pitches will be no more than 2 pages submitted as a PDF or WORD document. Any written pitch uploaded past the deadline will not be shown to the executive and will result in a non-refundable forfeiture of your pitch.
Scorecards
Within 3-4 weeks of your pitch session, you will receive a Pitch Scorecard on which the executive you pitched will provide you ratings on the 7 categories, plus provide you written feedback on your pitch. So you understand where your pitch fits in the marketplace, you will also receive a standard industry PASS or REQUEST.
Sometimes, to give more comprehensive feedback, an executive may want to read your material. If so, you will see REQUEST on your scorecard.
If you see REQUEST, you will be notified via email with further instructions. The executives will have 2-3 months to review the material you submit. At the end of the review period, they will provide you a second set of written feedback about the material, plus an industry standard PASS or MEET. If a meeting is requested and they'd like to provide further feedback on your project, we will introduce you via email.
Please understand that these are working executives, and their schedules are subject to change at a moment's notice. We always strive to give you at least 24 hours of notice if a session has been cancelled, and we will recommend another executive for you to get pitch feedback from.
Need help with your pitch?
Download the Stage 32 Pitching Guidebook
Questions?
WriterHelp@Stage32.com