Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives
Credits include: SILK ROAD (Lionsgate), JOHN AND THE HOLE (IFC Films), WINDFALL (Netflix)
Ronald Santos, Mutressa Movies (works with Lionsgate, IFC Films, Netflix). Ronald is open to all genres of film and television and specifically looks for personal and unique stories. Please no Faith or Unscripted/Reality/Game Show.
Ewan Dunbar, Producer. Ewan specializes in all genres of feature film and television but is especially interested in Female Led Action.
Karolina B.. Karolina specializes in all genres of features and television, especially those that have strong female characters.
Credits include: MAZE RUNNER, THE MORTALITY DOCTRINE, FOREVER MY GIRL, BEFORE I'M GONE, DREAM JUMPER SERIES, WILD AMERICA
Micah Brocker, Jr. Literary Manager. Micah is open all Genres of Film and Television especially Dramas, YA, Limited Series and Unscripted Content. Please no Faith.
Jake Martin, Head of Scripted Development. Jake looks for all genres of Features and Television - especially Horror, Thriller, stories for a pop culture audience, and projects with a musical element (though not necessarily musicals).
Credits include: Duran Duran with David Lynch, Lazarus Rising, American Fango, Citizen Hacked, Blue Pearl
Alexia Melocchi, International Producer. Alexia is open to all genres of Film and Television, especially Action, Adventure, Family, Rom-Com, Edgy Crime/Mystery, as well as Unscripted/Reality in the Travel/Food/Lifestyle space.
Credits include: Supergirl, The Winchesters, Covert Affairs
Jessica Kardos, Producer / Screenwriter. Jessica is open to TV pilots in the Drama, Comedy, Horror/Thriller, and Action/Sci-Fi/Fantasy spaces and is specifically interested in genre pieces. Please no Unscripted/Reality/Game Show.
Credits include: Borat 2, Who is America?
Austin Sokol, Executive / Producer. Austin is open to Film or Television in the Drama, Family, Horror/Thriller, Holiday, Unscripted/Reality/Game Show, Animation and is specifically interested in Comedy/Docu-Comedy material. Please no Western.
Chris Sarfin, Producer. Chris is open to ALL Genres and Formats, but is especially interested in prestige Drama and Comedy.
Brandon Gale. Brandon is open to all genres of Film and Television but specializes in projects in genre and comedy, and character-driven stories.
Joe Wiggins, Head of Development. Joe is looking for high-concept Comedy, contained Thriller, grounded Sci-Fi & Horror in both television and features.
Credits include: Mr. Right, The Call, Fear Inc., The Road Within, Careful What You Wish For
Josh Sathre, Head of Production. Josh is open to all genres of Film & Television but especially Horror, Thriller, Comedy, Sci-Fi, and Drama. Please no Faith or unscripted.
Nicholas Bogner, Head of Literary / Manager. Nicholas is open to all genres of Film and Television but is especially interested in Horror, Action, and Sci-Fi.
Henry Hereford, Producer/Executive. Henry is interested in True Stories, Female Leads, Diversity, and Dark Comedy.
Nelson Cole. Nelson specializes in Comedy, Biopics, Adaptations, Action-Comedy, Thrillers, character-driven material, Mystery, Horror, Romance and Indie features and TV series. Please no YA, Animation, or material set in Space.
Patrick Callan, Executive Producer. Patrick is open to all genres of Film and TV, but is especially interested in stories that explore worlds and characters we haven't seen on screen before.
Joel Ehninger, Head of Development. Joel specializes in all genres for television and feature film scripts. (please no multi-cams)
Tatiana Kelly, Producer. Tatiana specializes in Biopics, Dark Comedies, Romantic Comedies, Thrillers, Sci-fi, and projects based on books.
Jon Hersh, Literary Manager. Jon looks for All Genres, with the exception of Comedy and Fantasy, including Diversity-driven and Female-driven Television & Features.
Producer and Development Executive who's worked with Amazon, Apple, A24, and Netflix. Sabrina is interested in features of all genres. Specifically a fan of historical fiction, sci-fi, romantic comedies and action but open to all genres.
Credits include: GHOSTS, THE BOLD TYPE, and DEGRASSI
Julia Harter, Producer / TV Writer. Julia is open to all genres of Films and Series and specifically those in the Dark Comedy/Comedy, Mystery/Thriller, and Character-Driven space. Please no Unscripted/Reality/Game Show.
Katharina Suckale, Veteran Producer, Creator of Indian Series BETWEEN OUR WORLDS (Disney +). Katharina specializes in all genres with a preference for Romantic Comedy, Comedy, Thriller, Crime, Detective, Historical films, Alternative Reality, Science Fiction, Fantasy and Fairy Tales.
If you have a script that you feel is ready to go out to the market and you've prepared a professional pitch, Stage 32 provides you a unique way to get feedback and hone your pitch (film or TV) directly with a variety of development executives, producers and managers. You will be rated by your Pitch Delivery/Format, Clarity of Pitch, Set up of Protagonist(s) & World, Obstacles & Conflict, Clarity of Tone, Originality of Concept and Strength of Voice.
You will pitch directly to the executive listed live over Skype or phone, or by way of a written pitch, and receive feedback from them.
Stage 32 Pitch Sessions are for educational evaluation purposes only.
You may only pitch ONE project per reservation, NOT portfolios.
You must have a completed script available for the project you pitch.
Do not reach out to the executives unless directed by Stage 32. They do NOT accept unsolicited material or appreciate being cold-called/emailed by strangers. Doing so will forfeit your right to participate in future sessions.
Missed reservations are not refundable and will not be rescheduled.
Within 15 minutes of your scheduled pitch, the executive will reach out by Skype or Phone. Your pitch session will last approximately 8 minutes.
Written Pitches will be no more than 2 pages submitted as a PDF or WORD document. Any written pitch uploaded past the deadline will not be shown to the executive and will result in a non-refundable forfeiture of your pitch.
Within 3-4 weeks of your pitch session, you will receive a Pitch Scorecard on which the executive you pitched will provide you ratings on the 7 categories, plus provide you written feedback on your pitch. So you understand where your pitch fits in the marketplace, you will also receive a standard industry PASS or REQUEST.
Sometimes, to give more comprehensive feedback, an executive may want to read your material. If so, you will see REQUEST on your scorecard.
If you see REQUEST, you will be notified via email with further instructions. The executives will have 2-3 months to review the material you submit. At the end of the review period, they will provide you a second set of written feedback about the material, plus an industry standard PASS or MEET. If a meeting is requested and they'd like to provide further feedback on your project, we will introduce you via email.
Please understand that these are working executives, and their schedules are subject to change at a moment's notice. We always strive to give you at least 24 hours of notice if a session has been cancelled, and we will recommend another executive for you to get pitch feedback from.
Need help with your pitch?
Download the Stage 32 Pitching Guidebook