Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives
Credits include: INTERSECTION, STRANGER THINGS & THE WALKING DEAD
Karen Ceesay, Actor, Writer, Producer (Emmy-nominated). Karen is open to Family, Holiday, and True Story/Biopics in Film and TV, specifically Female-driven/Over 50 Female-driven stories, Comedies, and African-American work. Please no Horror/Thriller or Action/Sci-Fi/Fantasy.
Taylor Nichols. Taylor specializes in Indie Feature Dramas and Horrors, as well as, Television Dramas and Comedies.
Credits include: SUPERSTORE, HOLIDAZED, UNTOLD HOLLYWOOD
Screenwriter/Professor (Works with NBC, Hallmark, TCM). Brianna is open to Film and TV in the Comedy and Horror/Thriller space, specifically, with a unique perspective. Please no Faith or Unscripted/Reality/Game Show.
Chelsea Matthews, Producer (worked on over 30 films & TV shows). Chelsea is open to Features, TV and Shorts in the Grounded Sci-Fi, Drama, Psychological Horror, Psychological Thriller, and Mystery space.
Credits include: Arrow, Lights Out, The Last Ship, Another Happy Day, Trust, Hart of Dixie, Political Animals, NCIS: Los Angeles, Law & Order: SVU
David Chien, Manager. David Specializes in Horror, Sci-fi, Thriller, & Comedy Features and Comedy TV Pilots.
Nick Oleksiw, Producer. Nick looks for Features and Series in the Horror, Thriller, and Comedy/Rom-Com space.
Sofia Rovaletti, Director of Development. Sofia is open to Film and TV, specifically, Steamy Romance/Thrillers, Franchise Potential Actions, Low-Budget Actions, Heists Films, Adventure, and Elevated Holiday films. Please no Historical, Western, Sci-Fi.
Credits include: Prisoners, Blade Runner 2049, Free Guy, Underwater, Fear Street Series, Gambit, US, Ford Vs. Ferrari
Alexandria T., Producer. Alexandria is open to Film and Television in the Comedy, Horror/Thriller, Sci-Fi/Fantasy, Action, and Historical/True Story/Biopic space. Please no Drama, Faith, Animation, or Unscripted/Reality/Game Show.
Stephan Dubreuil, Manager. Stephan is open to all genres of Film and TV, specifically in the Horror/Thrillers, Drama, Comedy, Western, and Sci-fi spaces. Please no Faith or Unscripted/Reality/Game Show.
Michael Wormser, Co-Founder & Producer, Cinemand Films. Michael specializes in Comedy, Horror, Sci-Fi, Thriller, and Action features and series.
Credits include: JOHN WICK, HUNGER GAMES, UNBEARABLE WEIGHT OF MASSIVE TALENT
Jorge Alfaro-Silva, CEO/Partner/Producer. Jorge is open to all genres in Film and TV, specifically Actions. Please no Faith.
Maia Glikman. Maia is open to TV and Feature scripts of all genres: Horror, Action, Drama, Comedy, Romantic Comedy, Coming of Age, Sci-Fi, Thriller, Romance, and Kids and Adult Animation.
Thunder Levin, Writer/Director/Producer. Thunder specalizes in Features and TV, specifically, Sci-Fi, Action/Adventure, Fantasy, and Thrillers with comedic elements. Please no straight comedies.
Ewan Dunbar, Producer. Ewan is open to all genres of feature film and television but is especially interested in Female Led Action.
Cindy Villarreal, Producer. Cindy is open to all genres of Film and Television but specializes in Sci-Fi, YA, Sports and unscripted Content.
Scott Schulman, Literary Manager. Scott specializes in all genres of Features and Television except Comedy. He is particularly interested in Drama and Horror.
David Tilson, Creative Development Manager. David is open to all genres of Features and Television especially Murder Mysteries, Thrillers, Comedies, Unscripted pitches, Supernatural and Adaptations.
Peter McDonough. Peter looks for Television scripts including Comedy, Sci-Fi, Mystery, and Adventure. Please no Legal Procedurals or Family Drama.
David Harris, Producer. David Looks For Action Features Over $10MM, Thriller and Near-Future Sci-Fi Features of Any Budget, and Horror Features in the $3MM-$10MM.
Dallaslyn Lamb, Literary Manager. Dallaslyn specializes in most genres of film and television including Thriller and Young Adult Features.
Brandon Gale. Brandon is open to all genres of Film and Television but specializes in projects in genre and comedy, and character-driven stories.
Olivia M., Independent Finance & Sales Agent. Olivia is open to Features in the Thriller, Action, Comedy, Sci-Fi, Rom-Com or any combination of the previous genres.
Credits include: I Know This Much Is True, Holler The After Party, The Boardroom and a yet unreleased feature comedy film
Rachel Halilej, Creative Executive. Rachel is open to reading ALL genres of features and television scripts.
If you have a script that you feel is ready to go out to the market and you've prepared a professional pitch, Stage 32 provides you a unique way to get feedback and hone your pitch (film or TV) directly with a variety of development executives, producers and managers. You will be rated by your Pitch Delivery/Format, Clarity of Pitch, Set up of Protagonist(s) & World, Obstacles & Conflict, Clarity of Tone, Originality of Concept and Strength of Voice.
You will pitch directly to the executive listed live over Skype or phone, or by way of a written pitch, and receive feedback from them.
Guidelines
Stage 32 Pitch Sessions are for educational evaluation purposes only.
You may only pitch ONE project per reservation, NOT portfolios.
You must have a completed script available for the project you pitch.
Do not reach out to the executives unless directed by Stage 32. They do NOT accept unsolicited material or appreciate being cold-called/emailed by strangers. Doing so will forfeit your right to participate in future sessions.
Missed reservations are not refundable and will not be rescheduled.
Live Pitches
Within 15 minutes of your scheduled pitch, the executive will reach out by Skype or Phone. Your pitch session will last approximately 8 minutes.
Written Pitches
Written Pitches will be no more than 2 pages submitted as a PDF or WORD document. Any written pitch uploaded past the deadline will not be shown to the executive and will result in a non-refundable forfeiture of your pitch.
Scorecards
Within 3-4 weeks of your pitch session, you will receive a Pitch Scorecard on which the executive you pitched will provide you ratings on the 7 categories, plus provide you written feedback on your pitch. So you understand where your pitch fits in the marketplace, you will also receive a standard industry PASS or REQUEST.
Sometimes, to give more comprehensive feedback, an executive may want to read your material. If so, you will see REQUEST on your scorecard.
If you see REQUEST, you will be notified via email with further instructions. The executives will have 2-3 months to review the material you submit. At the end of the review period, they will provide you a second set of written feedback about the material, plus an industry standard PASS or MEET. If a meeting is requested and they'd like to provide further feedback on your project, we will introduce you via email.
Please understand that these are working executives, and their schedules are subject to change at a moment's notice. We always strive to give you at least 24 hours of notice if a session has been cancelled, and we will recommend another executive for you to get pitch feedback from.
Need help with your pitch?
Download the Stage 32 Pitching Guidebook
Questions?
WriterHelp@Stage32.com