Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives
Janean Jeffries, Senior Coordinator. Janean specializes in all genres of features, particularly Comedy, Rom Com, Thriller, Action, and Faith-based scripts. She is open to all genres of Television. Please no Horror.
Sarah J. Cornelius, Creative & Production Executive. Sarah Specializes in Comedy, Drama, Crime (true and non) and Thriller/Suspense screenplays under $10MM. She's looking for material with heart!
Producer/Financier. Specializes in Financing projects with attachments for $2MM and under
Kristen Lucas, Producer & Manager. Kristen specializes in female driven/protagonist Drama, Comedy, Thriller, Horror, Docuseries, Family, Music, Shorts, Indie, Romance & Rom Com, Suspense, Mystery and Action. Please no Sci-Fi, Historical, Period Pieces, Fantasy, Western or War.
Credits include: BLACKKKLANSMAN, RODNEY KING, A HUEY P NEWTON STORY, SHE’S GOTTA HAVE IT
Management Coordinator. Meagan specializes in Supernatural, Sci-fi/Fantasy, Drama, History television pilot scripts. And is especially interested in scripts that feature global spiritualism such as Hoodoo/Voodoo/Santeria.
Credits include: "ORANGE IS THE NEW BLACK", "CRIMINAL MINDS", "SCRUBS", "ACCORDING TO JIM",
Producer. Liz specializes in Comedy, Character-Driven Dramas, and Procedural Television series.
Matthew Ozuna, International Distribution Coordinator. Matthew specializes in Drama with Award-winning potential
Credits include: Arrow, Lights Out, The Last Ship, Another Happy Day, Trust, Hart of Dixie, Political Animals, NCIS: Los Angeles, Law & Order: SVU
David Chien, Manager. David Specializes in Horror, Sci-fi, Thriller, & Comedy Features and Comedy TV Pilots.
Terhys Persad, Director's Assistant. Terhys specializes in 1-hr drama, action/thriller, and grounded sci-fi pilots with strong female leads. (Please no Procedurals, Animation, Comedies, Kids/YA, Horror) PHONE PITCHES ONLY PLEASE - NO SKYPE.
Credits include: Madame Bovary, Behind the Mask, Better Living Through Chemistry, The Hallow
Kate Sharp, Literary Manager & Producer. Kate is interested in thrillers, action, grounded sci-fi, true stories and biopics. In addition she is thrilled to consider any story that that features a strong, female protagonist. Please no broad comedy.
Private (398), Creative Executive. This exec specializes in Drama, Horror, Thriller, and Comedy Features and Television.
Private 1400, Literary Department Coordinator. This executive specializes in features and TV, including Animation, Historical, Comedy, Coming of Age, Horror, Indie, and Musicals.
Dallaslyn Lamb, Junior Manager. Dallaslyn specializes in Thriller, Horror, Sci-Fi, female and diversity-driven Feature and Television scripts.
Aaron Daniel Jacob, Script Coordinator. Aaron specializes in features and TV scripts of any genre, with an emphasis on animation, comedy, horror, and music/musicals
Credits include: “ALPHA HOUSE,” “CURB YOUR ENTHUSIASM,” “ANCHORMAN 2,” “PERSON OF INTEREST,” and “ESCAPE AT DANNEMORA.”
Carver Diserens, Producer. Carver specializes in all genres of Features & Television.
Phil Claroni, Executive Producer. True Crime Narrative or Docuseries only.
Credits include: The Expendables, The Hitman's Bodyguard, Olympus Has Fallen, Hunter Killer, Hellboy, 211, Loving Pablo
Sam Schulte, Production & Distribution Manager. Specializes in all genre features including Action, Drama and Rom-Com
Rachel Paulson, Producer/Director/Screenwriter. Rachel specializes in Comedy and Drama Features and Television.
Credits include: NIGHT SCHOOL, WHAT NOW?, and LET ME EXPLAIN, as well as the television comedy "DAVE"
Carli Haney, Producer (for Kevin Hart). Carli specializes in TV Comedy and Features.
Credits include: HIDDEN FIGURES, CHRISTOPHER ROBIN, IT FOLLOWS, DIVERGENT, AVATAR, CHILD'S PLAY
Juan He, Literary Manager.
Will Raynor, Creative Executive. Will specializes in True-story/Biopic, Elevated and Grounded Sci-fi, Prestige Drama, and overall just great material!
Liam Oznowich, Office of VENERY OF SAMANTHA BIRD Showrunner. Liam specializes in features and TV, particularly LGBTQIA+ stories. Please no sports stories or crime procedurals.
Phil Claroni, Executive Producer. Phil specializes in Feature Films of All Genres and True Crime, Reality, History, Political, and Science series.
David Harris, Producer. David Specializes in Thrillers, Action, Horror, Sci-fi Features.
Credits include: The Lion King, The Haunted Mansion, Forbidden Kingdom, Mr. Peabody and Sherman
Jonny Perl, Associate Producer. Jonny Specializes in Animated and Musical Projects for Features, Television, and the Stage.
If you have a script that you feel is ready to go out to the market and you've prepared a professional pitch, Stage 32 provides you a unique way to get feedback and hone your pitch (film or TV) directly with a variety of development executives, producers and managers. You will be rated by your Pitch Delivery/Format, Clarity of Pitch, Set up of Protagonist(s) & World, Obstacles & Conflict, Clarity of Tone, Originality of Concept and Strength of Voice.
You will pitch directly to the executive listed live over Skype or phone, or by way of a written pitch, and receive feedback from them.
Stage 32 Pitch Sessions are for educational evaluation purposes only.
You may only pitch ONE project per reservation, NOT portfolios.
You must have a completed script available for the project you pitch.
Do not reach out to the executives unless directed by Stage 32. They do NOT accept unsolicited material or appreciate being cold-called/emailed by strangers. Doing so will forfeit your right to participate in future sessions.
Missed reservations are not refundable and will not be rescheduled.
Within 15 minutes of your scheduled pitch, the executive will reach out by Skype or Phone. Your pitch session will last approximately 8 minutes.
Written Pitches will be no more than 2 pages submitted as a PDF or WORD document. Any written pitch uploaded past the deadline will not be shown to the executive and will result in a non-refundable forfeiture of your pitch.
Within 3-4 weeks of your pitch session, you will receive a Pitch Scorecard on which the executive you pitched will provide you ratings on the 7 categories, plus provide you written feedback on your pitch. So you understand where your pitch fits in the marketplace, you will also receive a standard industry PASS or REQUEST.
Sometimes, to give more comprehensive feedback, an executive may want to read your material. If so, you will see REQUEST on your scorecard.
If you see REQUEST, you will be notified via email with further instructions. The executives will have 2-3 months to review the material you submit. At the end of the review period, they will provide you a second set of written feedback about the material, plus an industry standard PASS or MEET. If a meeting is requested and they'd like to provide further feedback on your project, we will introduce you via email.
Please understand that these are working executives, and their schedules are subject to change at a moment's notice. We always strive to give you at least 24 hours of notice if a session has been cancelled, and we will recommend another executive for you to get pitch feedback from.
Need help with your pitch?
Download the Stage 32 Pitching Guidebook