Anyone here got any good tips on how to really get your foot in as a starting cinematographer? Let's use a hypothetical: say I'm a PA, bottom entry-level on set. I really wanna move into the camera department as a long-term goal and work to be a cinematographer. So in order to network, do I approach the camera guys or the DP and chat with him/them? And when do you think would be the best time to approach them on the subject during a shoot day? (Obviously not while everyone's hot at work, that's a given). I know the answer may seem pretty obvious, but I'm just interested in opinions. Thanks, everyone.
Cinematography : How to Start? by Kevin Scott Finkbeiner
How to Start?
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Ultimately, it serves no purpose to talk to cinematographers as they have no need to hire a cinematographer. Just beginning though, you should probably try to talk to a grip or 2nd AC who can teach you the basics of lighting and/or camera. Then you just try to get on sets as a grip or 2nd AC and really get acquainted with what cinematography is about. Then you go back to other contacts who may be writing or producing anything who may want to hire a cinematographer.
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Definitely talk to everyone in the camera department. Ask questions, lots of questions in order to show interest. Be forewarned that we are assessing your questions and how you handle yourself. Do not “sell” yourself, have actual questions that can start a discussion. During the shoot might be hard but at lunch or any breaks get in there. Responses you get will be different: some will only answer the questions asked, some may join into a discussion, others may end up asking you questions to guide you to your answers. On long shoots I have been known to assign homework if I think the search for the answer will be beneficial. If the person asking comes back demonstrating they tried to solve whatever the question was, they get noticed. If they do not approach again or have obviously not done the homework, that is also noticed and no, there are no second chances. All of us were beginners, and we remember what it was like when everyone else seemed to know so much. It may not mean that I can or will pull you onto a shoot, but if you made a good enough impression, it means at the very least you will have a real source to get questions answered which ultimately may be very helpful. As a DP, I love what I do. Somebody that honestly shares that interest will always get my attention. Becoming a Cinematographer is not about taking a title, it is an achievement you can hope to arrive at once you have about 20 years of professional experience. Be patient and learn.
Andrew, thank you for the very insightful comment. Great advice I will definitely heed.
Franz- actually it serves a major purpose speaking to cinematographers- and they DO hire cinematographers ( never heard of Second Unit or Additional Photography ?).. more often than that, cinematographers need to refer people to a colleague when unavailable or replace themselves on a job. All of this supposes you are a working professional. To to that point, Kevin, you chat up the camera crew at lunch or breakfast. And keep it light. If the interest is expressed and you prove yourself as a solid crew member, you can ease your way into that direction.