I mentioned rhetorically that writing in the silent era found that image in terms of both setting and emotive characterizations dominated over dialogue (cards). Examples in the modern sense running from The Cabinet of Dr. Ramirez to The Artist. Film-making (video) is contracting rapidly as it shifts from entertainment to vehicles for propaganda. Our Netflics distributed Eisenstein moment? The exclusion of non-paying practitioners on social media who lacking major resources and now face to face venues recalls a mentality that Coppolla cited in the Heart of Darkness doc by his wife in which he imagined teenage girls with camcorders in the mainstream. What is the dividing point between Facebook pap and the new Bicycle Thief of our new Millennium?