Hi everyone — looking for feedback on two prestige‑drama loglines (pilot + feature)
I’m Aaron, a NYC‑based writer working in psychological drama and character‑driven thrillers. I’m currently refining two samples — a pilot (ARSONIST) and a feature (PENNY) — and would love thoughts on the loglines as I prepare them for queries and potential coverage.
ARSONIST — Pilot (Prestige Psychological Thriller)
A brilliant but emotionally impenetrable suburban mother quietly manipulates the surveillance systems around her community to control the people in her life — until one night of bad decisions, captured on a dozen cameras, sets off a chain reaction of lies, leverage, and escalating danger she can no longer contain.
PENNY — Feature (Prestige Trauma Drama)
After surviving 9/11 with a head injury that fractures her memory and perception, a woman struggles to reconstruct the missing hours of the day and the life she had before it — forcing her to confront the trauma, identity, and long‑buried truths she’s spent years trying not to see.
Happy to return feedback on others’ work as well. Appreciate any thoughts or reactions.
— Aaron
