Composing : The Cost of a Memory: Composing for "Paradise Glitch" by Mohamed Qabeel

Mohamed Qabeel

The Cost of a Memory: Composing for "Paradise Glitch"

I am proud to share a project that pushed my boundaries as both a composer and a storyteller. "Paradise Glitch" (خلل الفردوس), directed by Mohamed Farid, is a deep dive into a future where our most sacred memories are commodified.

The Concept

Imagine a world where you can live new moments with a lost loved one in the Metaverse—but only if you can afford the subscription. The film follows a man forced into a devastating moral crossroads: Lose access to his deceased wife forever or agree to make her digital persona "Public Domain" to keep seeing her.

The Sound of Two Worlds

For the score, I wanted to create a "dual-identity" sonic landscape:

The Physical World: Grounded, organic textures representing the weight of grief and reality.

The Metaverse: Pulses of electronic life—shimmering, synthetic, and "perfect," yet cold.

Exploring the friction between these two lives through music was a fascinating challenge. It’s about more than just sci-fi; it’s about the ethics of technology and the price of love.

Listen to the Score

As we work toward bringing this film to streaming platforms, I invite you to listen to the soundtrack I’ve developed for this world.

Stream the album here: https://on.soundcloud.com/n8zB0shPxZlUt75BCa

I’m curious to hear from my fellow creators—how do you think AI and the Metaverse will change the way we preserve human legacy?

#FilmScoring #MusicComposition #VortexStudios #SoundDesign #Metaverse #FilmIndustry #SciFi #MohamedQabeel #Soundtrack

Glitch paradise
Glitch paradise
Mohamed Qabeel is an accomplished Egyptian film and TV music composer born on November 24, 1996. He graduated from the prestigious Higher Institute of Arabic Music, honing his skills in traditional an
Colin Hussey

I heard a couple of the tracks. While I get the contrast in sonorities, what's missing--at least to my ears--is dissonance, a clash of tonalities. It'd be more interesting to me for there to be a clash between tonality in the one world with atonality in the other. A classic illustration of that contrast can be found in the Charles Ives piece, "The Unanswered Question": https://www.youtube.com/watch?v=kkaOz48cq2g . The strings play a serene chorale in G-Major, while the trumpet and woodwinds play a call and response that don't adhere to that diatonic grounding.

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