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We're back in the Writers' Room for the Breakdown Webcast: Tackling Tone. Tone is the most elusive element of screenwriting. Particularly because much of the tone of a project is conveyed by much more than just the script. Tone is really the culmination of every artistic and aesthetic choice made during the production process from the screenplay, the angles of the camera, the choices the actors make, cinematography, pacing of a scene, music, costume design, and more. During this webcast, we discuss how to capture tone on the page in ways that you are able to convey a vision that can be interpreted by the other artists who will come to work on the project. We examine some of our favorite films and television series to see how tone was captured on the page and then realized on the screen. We also discuss tips on how you can achieve balance and clarity in your tone. Full Bio »
We're back in the Writers' Room for the Breakdown Webcast: Tackling Tone. Tone is the most elusive element of screenwriting. Particularly because much of the tone of a project is conveyed by much more than just the script.
Tone is really the culmination of every artistic and aesthetic choice made during the production process from the screenplay, the angles of the camera, the choices the actors make, cinematography, pacing of a scene, music, costume design, and more.
During this webcast, we discuss how to capture tone on the page in ways that you are able to convey a vision that can be interpreted by the other artists who will come to work on the project. We examine some of our favorite films and television series to see how tone was captured on the page and then realized on the screen. We also discuss tips on how you can achieve balance and clarity in your tone.
The Breakdown
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"Thank you Jason. This helped me so much!" - Corrine P.
"JASON, thanks so much, this was so needed! Thanks for the extra time! You almost went DOUBLE time *gasp*!" - Petula M.
"Thank you - really enjoyed this!" - Marianne G.
Dramedy is a compelling genre to write because many argue it best captures the realities of life. There are comedic moments in some of the most tragic of times and dramatic moments that give way to levity. During the webcast, we examine some of the most critically and commercially successful dramedies - including "FLEABAG", PARENTHOOD (1989), THE BIG SICK, and SILVER LININGS PLAYBOOK to understand why they work so well. We also discuss ways in which you can develop your characters and narratives so that your dramedy is as authentic as possible.
Whether musical biopics like Rocketman, historical dramas like Extremely Wicked, Shockingly Evil and Vile or The Irishman from Netflix, or films loosely based on historic events like 1917 or Once Upon a Time in Hollywood... audiences are fascinated by true stories. During this super-sized 90-minute webcast, we explore films and series including Chernobyl, The Social Network, Munich, Molly's Game, Charlie Wilson's War, and more to find out what makes a good script based on true events or real people work.
We're back in the Writers Room this afternoon for The Breakdown with Erin Conley. Erin Conley is a television producer and writer who works with Brillstein Entertainment Partners and Gersh and was most recently staffed on an unannounced Netflix drama series, working 27 weeks in the room and writing a solo episode. Prior to that, Erin worked on Netflix’s Season 2 of SHADOW AND BONE (21 Laps Entertainment) and co-wrote an episode with Oscar-nominee Eric Heisserer, which aired in March 2023. Before Netflix, Erin worked closely with the showrunner for Fox’s SLEEPY HOLLOW (20th Century TV) and Marvel’s IRON FIST (Disney-ABC). Erin started off as an agency assistant before working on scripted television dramas as a production assistant. In addition to her television work, Erin founded the website On Stage & Screen, which quickly gained recognition in the theater community. She produced the Los Angeles Drama Critics Circle 50th annual awards gala at the historic Pasadena Playhouse. She has also written three multi-part podcast series for Wondery Media’s hit show Business Wars, exploring corporate rivalries in the worlds of makeup, fast fashion, and art auctions. Erin attended Boston University’s College of Communication, majoring in Film and Television.
We're back in the Writers Room this afternoon for The Breakdown Webcast with Tim Ogletree Tim Ogletree is a producer and screenwriter. Most recently, his original screenplay FANTASY FOOTBALL was acquired by Lebron James’ SpringHill Entertainment and produced alongside Nickelodeon and Genius Entertainment. Shot on a budget of $26M, Fantasy Football stars Marsai Martin, Kelly Rowland, and Omari Hardwick, and is currently streaming on Paramount+. Tim wrote the sci-fi action film DEAD ZONE for Automatic Entertainment, now streaming as a Tubi Original. Previous to that, he produced the award-winning independent rom-com BREAKING THEM UP, starring Kelen Coleman and Stephen Schneider, which received a domestic theatrical release and is now available on streaming. Tim and producing partner Bennett LeBarre were Executive Producers on the supernatural thriller BECOMING, starring Toby Kebbell and distributed by Gravitas Ventures. To kickstart his career, Tim produced his first feature film based on his original screenplay, zombie comedy THE WALKING DECEASED, directed by Scott Dow. Shot for a budget of $130,000, the independent movie was released theatrically nationwide grossing over $1.3M worldwide. The success of The Walking Deceased led to his inspirational family movie ROUND OF YOUR LIFE, starring Richard T Jones and Katie Leclerc, released theatrically in over 20 US cities, followed by releases in Australia, Asia, and Latin America across all platforms.
We will be discussing why conflict among your allies is essential! When we typically think of "Conflict" in story it is usually Protagonist vs. Antagonist. But in this Breakdown, using scripts and clips from our favorite films, we will explore conflict between allies and how it can help make your screenplay stronger.
We're kicking off the final month of 2020 in the Writers' Room with a another member-inspired Breakdown Webcast! This month we will be talking about writing Theme in your feature scripts. Every well-conceived and executed story will have a theme, which is the "controlling idea", underlying essence, or deeper meaning of film script. And yet, because themes are often buried deep within a story’s structure, it can be hard to articulate or even recognize them. That is why we will be breaking down story structure to find out exactly which scenes typically explore theme. As always, we will be utilizing scenes from some of our favorite films to discuss how they handle theme. We pull clips from classics such as Jurassic Park, Shawshank Redemption, The Exorcist, Saving Private Ryan, and more!