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This month you were challenged to write a scene in 3-5 pages that tells a story with no dialogue. The idea is to use character intention, action, obstacles and the scene setting to tell a story.
How can you write to make the complex understandable? How can you describe a set piece that is both inventive and relatable? That is the goal for this month's Write Now Challenge!
During the Write Now Challenge, we turned the spotlight - and the microphones - back over to you during the Write Now Challenge Webcast! Using the "Breakdown Webcast: Writing True Stories" as a guide, your challenge was to find a true story or subject of a biopic that resonates with you! Write a short document that details the subject of the project - whether a historic event, historical figure, or a combination of both - including a "way into the story," principal character(s), basic synopsis, potential themes for exploration, and why it resonates with you as the writer. During the webcast, participants discussed true stories and historical figures that were either well-known or obscure, but all riveting! Participants described accounts from the US Civil War, Korean War, legal battles, pro-wrestling, and many more!
In this challenge, members were asked to tell an entire story, in one page of script, using precisely four scenes. Far too many screenwriters waste pages. Good screenwriting is about making every single sentence count. There shouldn’t be any moment of a movie or television series which isn’t important on some level. The scenes can have dialogue - or no dialogue - depending on what you choose. What is important is that it has a beginning, middle, and an end. When you are done watching the webcast, head on over to the Private Lounge and discuss your favorite submissions!
We are turning the spotlight - and the microphones - back over to you during the Write Now Challenge webcast!In this challenge, you were asked to write a scene (3 pages) in which a character anticipates the arrival of one character, but instead, an unexpected visitor shows up, and that visitor is the absolute most wrong person. Your main character then needs to come up with a creative lie to get rid of the unexpected visitor. Ask yourself, why is that person the most wrong person in that moment? What tactics does he or she use to try and get rid of the unexpected visitor? How does the tension escalate between characters? How are you conveying the differences in the characters' voices in your writing?
They say not to speak ill of the dead. What about when the dead speak ill of you? We challenged you to deftly write a 3 page scene conveying the nuances of character reactions to getting called out for being exactly who they are, but wish they weren't.
In this challenge, members were asked to pick their favorite antagonist or villain from film, television or literature and in - ONLY ONE PAGE - write a monologue from his or her point of view. The participants could frame this as an interrogation, a negotiation, a confession, or a conspiratorial conversation. Most importantly, writers has to make sure the scene had conflict, and the character's point of view in his or her voice. During the webcast we heard from some of our favorite protagonists, including Loki from the Marvel Universe, Terence Fletcher of Whiplash, Commodus from Gladiator, Jack Bynes of Meet the Parents, and Lex Luther of Superman among many others.