Stage 32 Screenwriting Lab: Write Your 1 Hour Pilot for A Major Streamer in 10 Weeks

Taught by Charlie Osowik

$999

On Demand Class - Available for immediate viewing and unlimited access.

Sorry. This lab is fully sold out.

Who Should Attend:

All levels of screenwriters (advanced, intermediate and beginner) looking to write their one-hour television pilot for a major streaming service.

All levels of screenwriters (advanced, intermediate and beginner) looking to add a marketable TV drama pilot script to their portfolio.

All levels of screenwriters (advanced, intermediate and beginner) looking to learn the craft of TV pilot writing from an experienced literary manager who has sold projects in the marketplace.

Producers who want to better understand the one-hour television drama genre and what represents a marketable one-hour television drama script.

Actors who want to take control of their careers by writing a one-hour television drama TV pilot script.

Stage 32 Next Level Education has a 97% user satisfaction rate.

Projects:

Class hosted by: Charlie Osowik

Literary Manager at Charles Osowik Management

Charlie Osowik is an independent literary manager and native to Toledo, Ohio. He began his career interning at top international sales companies such as FilmNation, Sierra/Affinity and Voltage, amongst others. His first full-time entertainment job was working as an assistant to the CEO of MGM. After two years there, he went on to work for a partner in the feature literary department at Gersh, where he stayed for another two years. It was there that he realized his passion for guiding writers and directors could be turned into a career. In June 2018 he established his own company, Charles Osowik Management. He quickly secured deals for his clients with Warner Bros, DC, HBOMax, Comedy Central, Gunpowder & Sky and many others. Charlie loves all genres and is thankful to have clients working in all formats and tones. He is a firm believer in quality over quantity and surrounds himself with people who deeply connect with what they do. He most recently secured a Co-Executive Producer level staffing position for his client writing a new series for Netflix and landed a tentpole franchise feature writing assignment with Macro.   Full Bio »

Summary

Only 4 Spots Left - Grab Your Spot Now

Get one-on-one mentoring from Charlie Osowik, a top Hollywood literary manager, as you write your one-hour television pilot for a major streaming platform!

***Flexible Learning: if you cannot attend any of the sessions live don't worry - you will be sent the links to the recordings of each session within 48 hours of the live session and you will have direct access to Charlie on email to ask him any questions so you can keep up at your own pace and schedule.***

Payment plans available - contact edu@stage32.com for details

 

Disney+, Netflix, Amazon Prime, Max, Apple TV, Paramount+...

Do you want to write for them?

Their audiences want amazing new shows every day. But the bar is set high. That's where Stage 32 comes in.

Whether you want to sell a show or be staffed on a series, the first step is writing a great one-hour pilot script.

In this exclusive Stage 32 10-part screenwriting lab, you’ll work one-on-one with top Hollywood manager Charlie Osowik to craft your pilot script over 10 interactive sessions.

Professional screenwriters work with managers like Charlie to develop their ideas, pitch concepts, and get feedback on drafts. This relationship ultimately leads to a stronger script that executives are more likely to get excited about, and that is the exact process you’ll be going through in this lab. At the end of 10 intensive weeks, you’ll have a completed script, vetted and developed by an industry professional.

Charlie is a literary manager who built a successful international sales career at FilmNation, Sierra/Affinity, Voltage, and MGM, so he knows what buyers are looking for. Since establishing his own company, he’s had numerous writers staffed (like on the HBO Max series DOOM PATROL and DEAD BOY DETECTIVES) and helped them develop and sell original material (DUST).

In addition to your five one-on-one meetings with Charlie, you will also have access to him via email for the entire duration of the class, and you'll be connected with the other writers in the lab through a private Stage 32 Lounge.

With limited spots available for this lab, you’re guaranteed specialized attention for your script and the time to build relationships with your fellow writers. But don’t wait too long to sign up.

***Only 4 Spots Left - Spots to work one-on-one with Charlie are limited and once they are gone, they are gone for good.***

Take advantage of this incredible opportunity to work with an industry pro and write your pilot script for a major streamer now!


Praise For Charlie's Previous Stage 32 Teaching:

"Charlie is amazing! I learned so much from working with him and feel like my script is in a good spot to shop around. Thank you!" -- Morgan H.

"Charlie is such an inspiration. The way he teaches is really helpful because it is interactive, so you're always learning something valuable." -- Krista M.

"I've taken a handful of courses with Stage 32 and this has been my favorite one. There's no way I would have finished my script with this much attention to detail without Charlie's help." -- Christopher U.

 

What You'll Learn

WEEK 1: Introduction, Elements of a TV Series

This week we will cover the syllabus, your goals for this lab and launch into a discussion of what elements you have to create for a successful pilot/sample. Some of the topics discussed will be:

  • Story Engine
  • Setting
  • Research
  • Likable vs. Relatable Characters
  • Effective Antagonists
  • Themes
  • Ensembles vs. Star Vehicles
  • Finding your "template show"
  • Q&A with Charlie

Assignments:

  • Write a half-page description of the concept of the pilot you intend to write.
  • Find a template for your pilot
  • Write a detailed description (around half a page) on each of your series' regular characters

 

WEEK 2: Pilot Concept Consultations (Writers will meet virtually one-on-one with Charlie)

This week will consist of one-on-one consultations regarding the concept you plan on writing for the course. Each writer will send in their pilot concept or a list of concepts that they are open to developing for the course and will receive guidance on which would be best to develop.

 

WEEK 3: Pilot Structure and Story Mapping

This week we will discuss the function of a beat outline. Topics that will be covered:

  • Pilot Structure
  • Plot and Subplots
  • Episodic vs. Serialized Pilots
  • Pacing
  • Stakes
  • Mystery/Suspense/Anticipation
  • The reason to use act breaks even for a streaming sample
  • Page Counts
  • Appropriate number of characters
  • Budget and production considerations
  • Q&A with Charlie

Assignment: write a beat outline for your pilot.

 

WEEK 4: Pilot Outline Consultations (Writers will meet virtually one-on-one with Charlie)

This week will consist of one-on-one consultations regarding the pilot structure. Each writer will send in their pilot outline in advance and will have a remote consultation to discuss what works and what doesn’t.

The assignment for the week is to address any notes given on the outline before proceeding

 

WEEK 5: Acts One and Two

This week we will go over all the necessary story beats that exist in Acts 1 and 2 of a drama pilot. Topics that will be covered:

  • World-building
  • Rules of the universe
  • Establishing character
  • Setting tone
  • Creating a launch point for your pilot
  • Elements of a stronger teaser
  • Creating high stakes and tension
  • How and when to draw out the most unique elements of your pilot in the first 10 pages
  • Q&A with Charlie

Assignment: complete Acts 1 & 2 of your pilot.

 

WEEK 6: Writing Effective Scenes

We will discuss how to craft dense, efficient scenes. Topics that will be covered:

  • Structure of a scene
  • Building stakes
  • Multi-function scenes that move the plot forward, reveal character, and build the world
  • Avoid "dead" scenes
  • How to enter and leave scenes
  • Moving from scene to scene using character motivations
  • Writing visually
  • Nuanced dialogue and the value of subtext
  • The assignment this week will be to continue writing
  • Q&A with Charlie

 

WEEK 7: Pilot Acts One and Two Consultations (Writers will meet virtually one-on-one with Charlie)

This week will consist of one-on-one consultations regarding the first half of your pilot. Each writer will send in their draft in advance and will have a phone consultation to discuss what works and what doesn’t.

Assignment: address any notes given.

 

WEEK 8: Acts Three, Four, and Five

We will cover the necessary story beats that traditionally exist in acts 3 – 4 or 5 of a drama pilot. Topics that will be covered:

  • Building subplots
  • Increasing layers and complexity
  • Making sure every character has a place in the puzzle and begins an arc
  • Writing dense scenes that move the story forward as well as reveal character
  • How to create a series launch point at the end of your pilot
  • Common pilot writing mistakes
  • Q&A with Charlie

Assignment: complete the first draft of the entire pilot.

 

WEEK 9: Pilot Acts Three, Four, and Five Consultations (Writers will meet virtually one-on-one with Charlie)

This week will consist of one-on-one consultations on acts three, four, and five of your pilot. Each writer will send in their draft in advance and will have a phone consultation to go over notes.

Assignment: address and notes submit the completed first draft of your pilot script.

 

WEEK 10 – Finished Pilot Consultations (Writers will meet virtually one-on-one with Charlie)

This week will consist of one-on-one consultations on your first draft. Each writer will send in their first draft in advance and will have a phone consultation to go over notes.


What To Expect

PLEASE NOTE: This exclusive Stage 32 lab will be booked on a first-come, first-served basis. The opportunity to work this closely and for this long with an executive and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please book quickly. Once the spots are gone, they’re gone for good.

  • This lab is designed for beginner, intermediate, or advanced writers interested in writing a one-hour television pilot for a major streaming service.
  • **Charlie will be available on email during the 10 sessions to answer any questions you have about your craft or career.**
  • By the end of this 10-week lab, you will have a completed pilot script that has been vetted by an industry executive.
  • This is an in-depth, practical, and detailed lab with one-on-one time with the instructor and significantly more content than a standard 90-minute webinar.
  • You will be held accountable to take the lessons from each week and move your work forward.
  • Plus, to stay motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the length of the lab.

Payment plans are available - please contact edu@stage32.com for more information

About Your Instructor

Charlie Osowik is an independent literary manager and native to Toledo, Ohio. He began his career interning at top international sales companies such as FilmNation, Sierra/Affinity and Voltage, amongst others. His first full-time entertainment job was working as an assistant to the CEO of MGM. After two years there, he went on to work for a partner in the feature literary department at Gersh, where he stayed for another two years. It was there that he realized his passion for guiding writers and directors could be turned into a career.

In June 2018 he established his own company, Charles Osowik Management. He quickly secured deals for his clients with Warner Bros, DC, HBOMax, Comedy Central, Gunpowder & Sky and many others. Charlie loves all genres and is thankful to have clients working in all formats and tones. He is a firm believer in quality over quantity and surrounds himself with people who deeply connect with what they do. He most recently secured a Co-Executive Producer level staffing position for his client writing a new series for Netflix and landed a tentpole franchise feature writing assignment with Macro.

 

Schedule

Sunday November 12th – 11am-1pm PST

Sunday November 19th – 11am-1pm PST

Sunday December 3rd – 11am-1pm PST

Sunday December 10th – 11am-1pm PST

Sunday December 17th – 11am-1pm PST

Sunday January 7th, 2024 – 11am-1pm PST

Sunday January 14th, 2024 – 11am-1pm PST

Sunday January 21st, 2024 – 11am-1pm PST

Sunday January 28th, 2024 – 11am-1pm PST

Sunday February 4th, 2024 – 11am-1pm PST

 

 

FAQs

Q: What is the format of a lab?
A: Stage 32 Next Level Classes are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.

Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the class.

Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live class. Upgrade your Windows computer / Upgrade your Mac computer

Q: What if I cannot attend the live lab class?
A: If you attend a live online class, you will be able to communicate directly with your instructor during the class. If you cannot attend a live class, you will have access to the entire recorded broadcast, including the Q&A. Plus, your instructor will be available via email throughout the lab.

Q: Will I have access to the lab afterward to rewatch?
A: Yes! After the purchase of the lab, you will have on-demand access to the video recording, which you can view as many times as you'd like!

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.

Other education that may be of interest to you:

Stage 32 Screenwriting Lab: Write Your 1 Hour Pilot for A Major Streamer in 10 Weeks (April 2024)

Get one-on-one mentoring from Charlie Osowik, a top Hollywood literary manager, as you write your one-hour television pilot specifically for a major streaming platform! ***Flexible Learning: if you cannot attend any of the sessions live don't worry - you will be sent the links to the recordings of each session within 48 hours of the live session and you will have direct access to Charlie on email to ask him any questions so you can keep up at your own pace and schedule.***   Disney+, Netflix, Amazon Prime, Max, Apple TV, Paramount+... Do you want to write for them? Their audiences want amazing new shows every day. But the bar is set high. That's where Stage 32 comes in. Whether you want to sell a show or be staffed on a series, the first step is writing a great one-hour pilot script. In this exclusive Stage 32 10-part screenwriting lab, you’ll work one-on-one with top Hollywood manager Charlie Osowik to craft your pilot script over 10 interactive sessions. Professional screenwriters work with managers like Charlie to develop their ideas, pitch concepts, and get feedback on drafts. This relationship ultimately leads to a stronger script that executives are more likely to get excited about, and that is the exact process you’ll be going through in this lab. At the end of 10 intensive weeks, you’ll have a completed script, vetted and developed by an industry professional. Charlie is a literary manager who built a successful international sales career at FilmNation, Sierra/Affinity, Voltage, and MGM, so he knows what buyers are looking for. Since establishing his own company, he’s had numerous writers staffed (like on the HBO Max series DOOM PATROL and DEAD BOY DETECTIVES) and helped them develop and sell original material (DUST). In addition to your five one-on-one meetings with Charlie, you will also have access to him via email for the entire duration of the class, and you'll be connected with the other writers in the lab through a private Stage 32 Lounge. With limited spots available for this lab, you’re guaranteed specialized attention for your script and the time to build relationships with your fellow writers. But don’t wait too long to sign up. ***Spots to work one-on-one with Charlie are limited and once they are gone, they are gone for good.*** Take advantage of this incredible opportunity to work with an industry pro and write your pilot script for a major streamer now! Praise For Charlie's Previous Stage 32 Teaching: "Charlie is amazing! I learned so much from working with him and feel like my script is in a good spot to shop around. Thank you!" -- Morgan H. "Charlie is such an inspiration. The way he teaches is really helpful because it is interactive, so you're always learning something valuable." -- Krista M. "I've taken a handful of courses with Stage 32 and this has been my favorite one. There's no way I would have finished my script with this much attention to detail without Charlie's help." -- Christopher U.    

Micro-Webinar + Extended Q&A: The Road to the Oscars: How You (Yes, You!) Can Qualify Your Film For an Academy Award and Actually Score an Oscar Nomination

It’s the dream of almost every filmmaker to one day get nominated for and win an Academy Award. It’s the gold standard that everyone strives for—from burgeoning film students to Leonardo DiCaprio. Yet this goal can also feel utterly unattainable. It’s The Oscars after all. Awards go to Meryl Streep and Martin Scorsese, not to me. Believe it or not, you absolutely have a path to the Oscars. It’s more possible than you think, and countless talented independent filmmakers find their way through the nomination process without big money, without big celebrities, and without big studio backing, but instead with just a really fantastic project. Don’t throw that dream away. There’s a road to the Oscars that you can take. Finding your way into the Oscars Ceremony is possible, but that doesn’t mean it’s easy or just happens organically. The Academy Awards are a competition, and like any competition, they come with rules and regulations, procedures, and strategies to win. If you want to one day see Oscar gold, you need to make a fantastic film, but you also have to understand the ins and outs of the awards, the politics that surround it, and where you can best fit in. Let’s explore. Daniel Sol is the co-founder and co-director of the Oscar-qualifying Hollyshorts Film Festival and has helped multiple filmmakers through the Oscar qualification process, including the short film SKIN which won the Academy Award after premiering and qualifying at his festival. Daniel was formerly a theatrical sales executive before he founded HollyShorts as a response to seeing that young filmmakers had little access to industry professionals and few options for screening their films. Now in its 17th year, HollyShorts has quickly become the most influential short film festival in Los Angeles, with Daniel guiding it as Festival Director and lead programmer for the festival. Daniel is also the co founder of the premium Roku, Amazon Fire TV, and Apple TV content channel BITPIX. Daniel’s long experience at the helm of an Academy-qualifying film festival has given him a unique perspective on what it actually takes for filmmakers to find their way to an Oscar nomination. Exclusively for Stage 32, Daniel is going to break down exactly what it takes to qualify your film for an Academy Award and the steps you can take to score a nomination or even become an Oscar winner. He’ll lay out how the Academy nomination process works and will dive into current trends, explaining what sort of themes and genres are more likely to ultimately get nominated. He will then break down the qualification process and the different ways you can get your own project qualified, including through qualifying festivals and other avenues. Daniel will finally talk about steps you can take and what to expect after your film is qualified, including strategies to better your chances of hopefully getting nominated. Becoming an Oscar-nominated filmmaker is not as out of reach as you may think, and Daniel will break down what you can do to better make this dream a reality.

How to Master Query Letters & Cold Calls to Get Past the Gatekeepers (With Examples)

Learn From Wendy Kram, A Producer and Executive Who Has Worked With Disney, Universal and Sony Studios, HBO, Showtime, Lifetime, NBC, ABC, CBS YOU WILL SEE EMAIL EXAMPLES AND HEAR MOCK COLD-CALLS SO YOU KNOW EXACTLY HOW YOU SHOULD APPROACH YOUR QUERIES! Talk to any executive and they'll tell you that they receive dozens if not hundreds of query letters a day. Because most of them don't have an attention grabbing subject line or little to no personalization, almost all end up in the trash. But, any executive will also tell you that if a subject line grabs them, or if the query letter shows the recipient that this was a personal, non-mass, attempt to get their attention, you have a very real shot of doing just that. The same holds true for cold calls. Having a solid, wise approach and knowing exactly what to say will give you the best chance of breaking the ice and securing the conversation you were hoping for. It's all about creating intrigue, interest, and value while approaching your subject from a place of selflessness and thoughtfulness. So, where do you even start and how do you even know if what you send will grab their attention?  Wendy Kram has over 20 years of experience as an entertainment industry executive, consultant, and producer, developing and producing projects for Disney, Universal and Sony Studios, HBO, Showtime, Lifetime, NBC, ABC, CBS and USA Networks. Her credits include Mad Money with Diane Keaton, Queen Latifah, and Katie Holmes, the award-winning miniseries Sally Hemings: An American Scandal for CBS with Sam Neil, and current projects she's producing with Anonymous Content (the company responsible for True Detective, Mr. Robot, The Revenant, and Spotlight). With longstanding industry relationships, Wendy understands buyer and creative talent needs, and has direct access to principals at the major studios, networks, streaming providers and agencies. Throughout her storied career Wendy has knocked down many doors and she will teach you exactly how you can do the same!   Wendy will show you how query letters and cold calling can become powerful tools in your arsenal + she will go through actual examples of letters and do mock cold-calls for you. You will walk away feeling confident the next time you query or call for your project! PRAISE FOR WENDY'S TEACHINGS: Wendy was really excited to be involved which was great! - Brent B. Very interesting and engaging. I loved it. - Jason A. Wendy was terrific, on point, and insightful. The Q&A was incredible. Thanks again. - Maria L. One of the most generous presenters imaginable; outstanding! - Virginia Y.

The Executive Hour with Special Guest Pixar Screenwriter Lorien McKenna

In this Executive Hour we speak with screenwriter Lorien McKenna! Lorien is a former Pixar Story Manager who worked on such features as Oscar-winning UP, Oscar-winning BRAVE, Oscar-winning INSIDE OUT, and THE GOOD DINOSAUR. She also served as a producer for Paramount Animation where she oversaw development for WONDER PARK. Lorien, along with Oscar-nominated writer Meg LeFauve, sold their romantic comedy anthology, THIS THING CALLED LOVE to Hulu with Dan Lin producing; as well as a half hour sitcom, POOG to NBC and WBTV. Lorien also wrote HOW TO SET A FIRE AND WHY, based on the book of the same name by Jesse Ball, for Straight Up Films. Previously, she served as the Co-EP for Hulu's CURIOUS GEORGE series, and has developed projects for Disney Jr., Funko, and Netflix. She is the co-host of the podcast The Screenwriting Life with fellow screenwriter Meg LeFauve. During the webcast, Lorien discusses her unusual career trajectory, working in the "Brain Turst" on Oscar-Winning animated films at Pixar, battling "Imposter Syndrome", tackling adaptations, writing for television vs. features, how hard it is to take notes even as an established writer, and much more!

Choosing the Right Screenwriting Software For You: Final Draft, WriterDuet, and Fade In

There was once a time when screenwriters solely used typewriters to tell their stories. Obviously that time has since passed, and the tools writers use to create their scripts have drastically evolved. Software like Final Draft, Writers Duet and Fade In has been created to optimize a writers’ experience, help with formatting, and ideally aid writers through their various obstacles and make the process easier. Yet this doesn’t always work out as intended. Too often, technophobia - the tendency to be intimidated by technology - limits writers’ ability to work with efficiency and speed and makes these programs more overwhelming and burdensome than helpful. And with so many different types of writing software out there, how can you know which one is the best fit for you? We all know that writing is hard enough on its own without the extra burden of navigating difficult technology. The tools you use to write shouldn’t get in the way of creativity. Instead, gaining confidence and proficiency with technology can allow it to fade into the background, allowing you to focus on the task of great screenwriting. Knowing how best to use the tools available to you—and which ones to use in the first place—can serve as a powerful boon to your writing process and overall career. Whether it’s software, hardware, or workflow, moving past the technophobia and embracing the tools that are right for you can allow you to write with more ease, speed and efficiency than might be otherwise possible. First, it’s important to know what’s out there and how to actually use it. Jon Stahl is a writer, producer and script coordinator, who has served on HBO’s DGA, SAG, WGA and Emmy Award-winning comedy series VEEP. Jon began his career in production, working on projects like Jason Reitman’s YOUNG ADULT starring Charlize Theron, Showtime’s THE BIG C, and IFC’s MARON. He also produced Season 1 of the Emmy-nominated series EASTSIDERS, before getting his first high-profile writers’ room position on the NBC network sitcom MR. ROBINSON with Universal Television. Jon went on to work in the writers' room at Nickelodeon on their show GAME SHAKERS. He’s currently on the upcoming FOX animated series HOUSEBROKEN starring Lisa Kudrow and Will Forte. Jon’s career has hinged on writing quickly and efficiently by using various software and technologies and knows better than most how to use the tools available to enhance your own writing career. Jon will give you the tools to embrace good technology and use all the technological tools at your disposal to tell an amazing story. He’ll begin with a rundown of the different tools you should have to write, including keyboards, monitors, ergonomics and software. He’ll then delve explain why you need screenwriting software in the first place. Jon will delve into the lay of the land of screenwriting software, including a run through of the main players, free and affordable options, and what the standards and expectations are in the industry. Next he will show you how you know what screenwriting software is the best fit for your specific needs. He’ll go through the strengths and weaknesses of the leading programs and show you what paid software can offer that free versions do not. Jon will then go through a live demonstration of Final Draft. He’ll walk you through Final Draft’s interface and main features, how to start a script on the software, how to set up your workflow through Final Draft, and keyboard shortcuts you need to know to save you time. He’ll also go through other tricks Hollywood writers use to optimize Final Draft, how to write safely and back up your work, and how to use templates. Jon will then do the same live demonstration for both WriterDuet and Fade In. Next he will discuss other types of software to consider, including general purpose writing software, miscellaneous writing tools, and system software. Finally, he will provide you with additional resources you should consider. Expect to leave feeling a lot more confident and a lot less overwhelmed in bringing in good technology to help your writing. "Screenwriting software is a necessary tool for anyone who wants to write for film and TV. I'm so excited to lead this webinar and help anyone who wants to gain proficiency with these widely-used tools, so you can focus on the craft of storytelling." -Jon Stahl

Avoid Stock Characters: How To Create Memorable, Compelling Characters

Learn directly from Melissa Daykin Cassill, VP of Development and Production at State Street Pictures (Faster, Beauty Shop, Barbershop, Notorious, Nothing Like The Holidays)! You hear it again and again: “We’re looking for character driven drama/comedy/action/name your genre.” You may have a great plot, amazing action sequences, or the most hilarious idea for a comedy set piece but without great characters, you’ll be dead in the water. Why? Because everything should be motivated by your characters. What would The Godfather be without Michael’s change from the good man who served his country to a vengeful and tyrannical ruler? What would Star Wars be without the father son drama? Creating memorable characters is such an essential aspect of creating a compelling, sellable story, yet so many writers struggle with doing it correctly and fail to avoid the trap of stock characters that leave their scripts lifeless and weak. The Stage 32 Happy Writers is thrilled to bring you a 3-week online course Avoid Stock Characters: How To Create Memorable, Compelling Characters so you can learn how to create the memorable characters your story deserves. This class is taught by Melissa Daykin Cassill, VP of Development and Production at State Street Pictures, a production company with a first look deal at Fox 2000 Pictures. What Melissa loves most about her job is working with writers and developing exciting, compelling projects and she’s excited to be here teaching with Stage 32 to help you develop compelling characters in your story! In this class, you will learn how to set up a character arc so the character’s change is compelling, how to develop supporting characters who support the story and compliment your protagonists, how to avoid stock characters and scenes and how to adjust what you already have to make your work better. With interactive lectures and weekly homework assignments directly geared toward strengthening your characters, you will leave this class knowing exactly how to create memorable characters for your stories. “The class was very helpful and gave practical and process-related information. It was also encouraging to hear insider information and positivity in terms of breaking into the business.” PRAISE FROM MELISSA'S TEACHINGS: “I see it better now how to use structure and character take good to great” “Very, very helpful! Enough notes to continue on my script and make it even more interesting.” “Answered so many questions and opened my eyes as to how to gage what is wanted and what is not.” “First of all, thank you. I appreciate the notes about focus on character rather than a one trick (one joke) pony. I can apply this to my scripts.”

register for stage 32 Register / Log In