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Stage 32 Screenwriting Lab: Write Your 1 Hour Pilot for A Major Streamer in 10 Weeks

Taught by Charlie Osowik
$999

On Demand Class - Available for immediate viewing and unlimited access.

Sorry. This lab is fully sold out.

Who Should Attend:

All levels of screenwriters (advanced, intermediate and beginner) looking to write their one-hour television pilot for a major streaming service.

All levels of screenwriters (advanced, intermediate and beginner) looking to add a marketable TV drama pilot script to their portfolio.

All levels of screenwriters (advanced, intermediate and beginner) looking to learn the craft of TV pilot writing from an experienced literary manager who has sold projects in the marketplace.

Producers who want to better understand the one-hour television drama genre and what represents a marketable one-hour television drama script.

Actors who want to take control of their careers by writing a one-hour television drama TV pilot script.

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Class hosted by: Charlie Osowik

Literary Manager at Charles Osowik Management

Charlie Osowik is an independent literary manager and native to Toledo, Ohio. He began his career interning at top international sales companies such as FilmNation, Sierra/Affinity and Voltage, amongst others. His first full-time entertainment job was working as an assistant to the CEO of MGM. After two years there, he went on to work for a partner in the feature literary department at Gersh, where he stayed for another two years. It was there that he realized his passion for guiding writers and directors could be turned into a career. In June 2018 he established his own company, Charles Osowik Management. He quickly secured deals for his clients with Warner Bros, DC, HBOMax, Comedy Central, Gunpowder & Sky and many others. Charlie loves all genres and is thankful to have clients working in all formats and tones. He is a firm believer in quality over quantity and surrounds himself with people who deeply connect with what they do. He most recently secured a Co-Executive Producer level staffing position for his client writing a new series for Netflix and landed a tentpole franchise feature writing assignment with Macro.   Full Bio »

Summary

Only 4 Spots Left - Grab Your Spot Now

Get one-on-one mentoring from Charlie Osowik, a top Hollywood literary manager, as you write your one-hour television pilot for a major streaming platform!

***Flexible Learning: if you cannot attend any of the sessions live don't worry - you will be sent the links to the recordings of each session within 48 hours of the live session and you will have direct access to Charlie on email to ask him any questions so you can keep up at your own pace and schedule.***

Payment plans available - contact edu@stage32.com for details

 

Disney+, Netflix, Amazon Prime, Max, Apple TV, Paramount+...

Do you want to write for them?

Their audiences want amazing new shows every day. But the bar is set high. That's where Stage 32 comes in.

Whether you want to sell a show or be staffed on a series, the first step is writing a great one-hour pilot script.

In this exclusive Stage 32 10-part screenwriting lab, you’ll work one-on-one with top Hollywood manager Charlie Osowik to craft your pilot script over 10 interactive sessions.

Professional screenwriters work with managers like Charlie to develop their ideas, pitch concepts, and get feedback on drafts. This relationship ultimately leads to a stronger script that executives are more likely to get excited about, and that is the exact process you’ll be going through in this lab. At the end of 10 intensive weeks, you’ll have a completed script, vetted and developed by an industry professional.

Charlie is a literary manager who built a successful international sales career at FilmNation, Sierra/Affinity, Voltage, and MGM, so he knows what buyers are looking for. Since establishing his own company, he’s had numerous writers staffed (like on the HBO Max series DOOM PATROL and DEAD BOY DETECTIVES) and helped them develop and sell original material (DUST).

In addition to your five one-on-one meetings with Charlie, you will also have access to him via email for the entire duration of the class, and you'll be connected with the other writers in the lab through a private Stage 32 Lounge.

With limited spots available for this lab, you’re guaranteed specialized attention for your script and the time to build relationships with your fellow writers. But don’t wait too long to sign up.

***Only 4 Spots Left - Spots to work one-on-one with Charlie are limited and once they are gone, they are gone for good.***

Take advantage of this incredible opportunity to work with an industry pro and write your pilot script for a major streamer now!

Praise For Charlie's Previous Stage 32 Teaching:

"Charlie is amazing! I learned so much from working with him and feel like my script is in a good spot to shop around. Thank you!" -- Morgan H.

"Charlie is such an inspiration. The way he teaches is really helpful because it is interactive, so you're always learning something valuable." -- Krista M.

"I've taken a handful of courses with Stage 32 and this has been my favorite one. There's no way I would have finished my script with this much attention to detail without Charlie's help." -- Christopher U.

 

What You'll Learn

WEEK 1: Introduction, Elements of a TV Series

This week we will cover the syllabus, your goals for this lab and launch into a discussion of what elements you have to create for a successful pilot/sample. Some of the topics discussed will be:

  • Story Engine
  • Setting
  • Research
  • Likable vs. Relatable Characters
  • Effective Antagonists
  • Themes
  • Ensembles vs. Star Vehicles
  • Finding your "template show"
  • Q&A with Charlie

Assignments:

  • Write a half-page description of the concept of the pilot you intend to write.
  • Find a template for your pilot
  • Write a detailed description (around half a page) on each of your series' regular characters

 

WEEK 2: Pilot Concept Consultations (Writers will meet virtually one-on-one with Charlie)

This week will consist of one-on-one consultations regarding the concept you plan on writing for the course. Each writer will send in their pilot concept or a list of concepts that they are open to developing for the course and will receive guidance on which would be best to develop.

 

WEEK 3: Pilot Structure and Story Mapping

This week we will discuss the function of a beat outline. Topics that will be covered:

  • Pilot Structure
  • Plot and Subplots
  • Episodic vs. Serialized Pilots
  • Pacing
  • Stakes
  • Mystery/Suspense/Anticipation
  • The reason to use act breaks even for a streaming sample
  • Page Counts
  • Appropriate number of characters
  • Budget and production considerations
  • Q&A with Charlie

Assignment: write a beat outline for your pilot.

 

WEEK 4: Pilot Outline Consultations (Writers will meet virtually one-on-one with Charlie)

This week will consist of one-on-one consultations regarding the pilot structure. Each writer will send in their pilot outline in advance and will have a remote consultation to discuss what works and what doesn’t.

The assignment for the week is to address any notes given on the outline before proceeding

 

WEEK 5: Acts One and Two

This week we will go over all the necessary story beats that exist in Acts 1 and 2 of a drama pilot. Topics that will be covered:

  • World-building
  • Rules of the universe
  • Establishing character
  • Setting tone
  • Creating a launch point for your pilot
  • Elements of a stronger teaser
  • Creating high stakes and tension
  • How and when to draw out the most unique elements of your pilot in the first 10 pages
  • Q&A with Charlie

Assignment: complete Acts 1 & 2 of your pilot.

 

WEEK 6: Writing Effective Scenes

We will discuss how to craft dense, efficient scenes. Topics that will be covered:

  • Structure of a scene
  • Building stakes
  • Multi-function scenes that move the plot forward, reveal character, and build the world
  • Avoid "dead" scenes
  • How to enter and leave scenes
  • Moving from scene to scene using character motivations
  • Writing visually
  • Nuanced dialogue and the value of subtext
  • The assignment this week will be to continue writing
  • Q&A with Charlie

 

WEEK 7: Pilot Acts One and Two Consultations (Writers will meet virtually one-on-one with Charlie)

This week will consist of one-on-one consultations regarding the first half of your pilot. Each writer will send in their draft in advance and will have a phone consultation to discuss what works and what doesn’t.

Assignment: address any notes given.

 

WEEK 8: Acts Three, Four, and Five

We will cover the necessary story beats that traditionally exist in acts 3 – 4 or 5 of a drama pilot. Topics that will be covered:

  • Building subplots
  • Increasing layers and complexity
  • Making sure every character has a place in the puzzle and begins an arc
  • Writing dense scenes that move the story forward as well as reveal character
  • How to create a series launch point at the end of your pilot
  • Common pilot writing mistakes
  • Q&A with Charlie

Assignment: complete the first draft of the entire pilot.

 

WEEK 9: Pilot Acts Three, Four, and Five Consultations (Writers will meet virtually one-on-one with Charlie)

This week will consist of one-on-one consultations on acts three, four, and five of your pilot. Each writer will send in their draft in advance and will have a phone consultation to go over notes.

Assignment: address and notes submit the completed first draft of your pilot script.

 

WEEK 10 – Finished Pilot Consultations (Writers will meet virtually one-on-one with Charlie)

This week will consist of one-on-one consultations on your first draft. Each writer will send in their first draft in advance and will have a phone consultation to go over notes.

What To Expect

PLEASE NOTE: This exclusive Stage 32 lab will be booked on a first-come, first-served basis. The opportunity to work this closely and for this long with an executive and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please book quickly. Once the spots are gone, they’re gone for good.

  • This lab is designed for beginner, intermediate, or advanced writers interested in writing a one-hour television pilot for a major streaming service.
  • **Charlie will be available on email during the 10 sessions to answer any questions you have about your craft or career.**
  • By the end of this 10-week lab, you will have a completed pilot script that has been vetted by an industry executive.
  • This is an in-depth, practical, and detailed lab with one-on-one time with the instructor and significantly more content than a standard 90-minute webinar.
  • You will be held accountable to take the lessons from each week and move your work forward.
  • Plus, to stay motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the length of the lab.

Payment plans are available - please contact edu@stage32.com for more information

About Your Instructor

Charlie Osowik is an independent literary manager and native to Toledo, Ohio. He began his career interning at top international sales companies such as FilmNation, Sierra/Affinity and Voltage, amongst others. His first full-time entertainment job was working as an assistant to the CEO of MGM. After two years there, he went on to work for a partner in the feature literary department at Gersh, where he stayed for another two years. It was there that he realized his passion for guiding writers and directors could be turned into a career.

In June 2018 he established his own company, Charles Osowik Management. He quickly secured deals for his clients with Warner Bros, DC, HBOMax, Comedy Central, Gunpowder & Sky and many others. Charlie loves all genres and is thankful to have clients working in all formats and tones. He is a firm believer in quality over quantity and surrounds himself with people who deeply connect with what they do. He most recently secured a Co-Executive Producer level staffing position for his client writing a new series for Netflix and landed a tentpole franchise feature writing assignment with Macro.

 

Schedule

Sunday November 12th – 11am-1pm PST

Sunday November 19th – 11am-1pm PST

Sunday December 3rd – 11am-1pm PST

Sunday December 10th – 11am-1pm PST

Sunday December 17th – 11am-1pm PST

Sunday January 7th, 2024 – 11am-1pm PST

Sunday January 14th, 2024 – 11am-1pm PST

Sunday January 21st, 2024 – 11am-1pm PST

Sunday January 28th, 2024 – 11am-1pm PST

Sunday February 4th, 2024 – 11am-1pm PST

 

 

FAQs

Q: What is the format of a lab?
A: Stage 32 Next Level Classes are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.

Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the class.

Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live class. Upgrade your Windows computer / Upgrade your Mac computer

Q: What if I cannot attend the live lab class?
A: If you attend a live online class, you will be able to communicate directly with your instructor during the class. If you cannot attend a live class, you will have access to the entire recorded broadcast, including the Q&A. Plus, your instructor will be available via email throughout the lab.

Q: Will I have access to the lab afterward to rewatch?
A: Yes! After the purchase of the lab, you will have on-demand access to the video recording, which you can view as many times as you'd like!

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Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.

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