This fascinating audition tape comparison shows Emilia Clarke and Claire Foy both reading for the role of Elizabeth in Belle (2013), a role that ultimately went to Sarah Gadon:
https://youtube.com/shorts/oSVkfFp93fU?si=PfBFjtFO5dsRbKo_
What’s so striking here is how different each take is, yet both are deeply compelling. Each actress brings a unique emotional tone, personality, and point of view to the same lines of dialogue, proving just how much life the performer breathes into the text.
Neither of them got the part in the end, and yet you can clearly see the caliber of their talent. It’s a perfect example of how auditioning isn’t about being “perfect,” it’s about offering a truthful, grounded, and inspired interpretation.
Rejection isn’t failure. It’s just not this one. Not this moment. But your moment is coming, and every audition is a brick in the foundation of a creative career built to last.
Have you ever had an audition you were proud of, even if you didn’t book the role? Let’s talk about it.
2 people like this
I auditioned for Macbeth and my Lady Macbeth gave the casting people chills. I didn't get a callback for the stage run, but they did call me back for the tour. I didn't get cast in that either. But I am proud of my audition, and I guarantee if I audition for another production they will remember me. My ego of course wants to know who beat me out.
2 people like this
That’s such a powerful story, Suzanne Bronson. And a perfect example of how a strong audition can leave a lasting impression, even if you don’t book the role. It’s so validating to hear casting say your performance gave them chills, and you’re absolutely right, they will remember you. The ego always wants answers (mine too!), but the artist in you showed up and made your mark. That’s the part that builds the path forward.
1 person likes this
Asking you veterans if there is an audition you are proud of, even if you didn't get the role?