Anything Goes : THE THREE DECISIONS THAT DETERMINE WHETHER A SCORE CAN CARRY A STORY A clean upstream sequence that orients composers before they write a single cue. by Baron Rothschild

Baron Rothschild

THE THREE DECISIONS THAT DETERMINE WHETHER A SCORE CAN CARRY A STORY A clean upstream sequence that orients composers before they write a single cue.

PART 1 — BEFORE THE FIRST NOTE: WHAT FORCE IS THE SCORE RESPONSIBLE FOR REVEALING?

Most composers begin with musical ideas.

Upstream composers begin with narrative force.

Every story contains a force the audience must feel but cannot see:

- the protagonist’s internal engine

- the world’s governing pressure

- the emotional truth beneath the dialogue

- the threat that never speaks

- the longing that shapes behavior

The score is often the only department capable of revealing that force.

When the force is undefined, the music becomes decorative.

When the force is upstream, the music becomes structural.

Upstream clarity question:

What invisible force must your score reveal so the story can function?

This is the decision that gives the score purpose.

Other topics in Anything Goes:

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