Hello dear filmmakers and directors,
I’m Sylvio from Cinematic Fairytale. We’re a team of composers with recording studios in the UK and Germany. Our portfolio and more than 20 years’ experience range from audio post-production for film and television to composing film scores for documentaries for the BBC and the Discovery Channel.
I have a question:
We haven’t been on Stage 32 for very long. We’d like to find out whether Stage 32 is a network where you – who could be potential clients for us – look for new composers or recording studios for the audio post-production of your films, or not really?
We’d like to find out to what extent Stage 32 is a network for us where it’s worth investing time and further expanding our network of potential clients, or whether it isn’t.
What’s your view on this? Does it make sense for us composers to be active here on Stage 32, or not?
1 person likes this
Hi Jane, hi Mercy, Thank you so much for your replies and your shared experiences! Have a wonderful day! Talk soon, Sylvio
2 people like this
Hi, Sylvio Pretsch. It definitely makes sense for composers to be active on here. I suggest building relationships in the Lounges, making posts and commenting on posts (www.stage32.com/lounge).
Check out the Browse Members section (www.stage32.com/browse) and Job Board (www.stage32.com/find-jobs).
And Stage 32's Introduce Yourself Weekend is the 3rd weekend every month (Friday-Monday). It's a great opportunity to network!
3 people like this
Stage 32 can be a valuable network for composers because there are many independent filmmakers here looking for collaborators at various budget levels. What's the most effective way you've found to introduce your work to filmmakers who might not know they need a composer until they hear your music?
1 person likes this
Samantha Rivera The most effective way is the personal contact.