I've posted a re-draft of "The Prisoner of Zenda," if anyone would care to give it a read. I've dealt with a problem going back to the underlying novel. Specifically, the character of Antoinette and her motivation for betraying Michael. It needs to be something other than the-plot-requires-it. I'm not quite sure I got it right. The only other serious problem with the prior productions is out of my control. Bad casting. Michael should be played by an A-list actor and Hentzau by a newcomer or relative unknown, not the other way around.