In this wide-ranging conversation, cinematographer Autumn Durald Arkapaw ASC sits down with Panavision Senior Vice President of Optical Engineering Dan Sasaki to break down the visual language of Sinners — from early format experiments to shooting large-format IMAX film with lenses designed to have personality, texture, and what Autumn calls “steez.”
Cinematography : Why Cinematographer Autumn Durald Arkapaw shot Sinners in 65mm by Pat Alexander
Writer Liaison at Stage 32 ♦ Screenwriter, Producer
2 months ago
Why Cinematographer Autumn Durald Arkapaw shot Sinners in 65mm
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The cinematography in Sinners is phenomenal, Pat Alexander! I'm looking forward to rewatching it (I watched it twice) and paying more attention to the cinematography! Thanks for sharing the video.
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Love the use of texture in this film - this is a great share Pat Alexander Thank you!
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I've seen so many interviews with her and why she and Coogler chose 65. Such a smart and fantstic choice for such a brilliant movie.