Amir Sadeghi I rather think the challenge is more in the writing. A void is an empty space and we work with that visual concept all the time. But the mind of a god is not something humans can relate to, unless one is going to reduce that to a more or less trivial entity. In that aspect it sounds like an experimental exercise to me.
Void with some light so it's not too dark on screen, Amir Sadeghi.
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I don't understand. Are you talking about a void or are you talking about God?
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Shadow Dragu-Mihai
Great question.
In this case, I’m exploring both —
the void as environment, and a conscious presence within it.
The tension between “nothingness” and awareness is actually the core of the scene.
So the directing challenge becomes:
Do we visualize the void as empty space — or as a reflection of the being inhabiting it?
Curious how you’d interpret that.
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Maurice Vaughan
That makes sense — pure darkness can disconnect an audience visually.
I like the idea of introducing subtle light, almost as if awareness itself generates illumination.
Would you treat that light as natural — or symbolic of consciousness emerging?
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I would treat the light as both, Amir Sadeghi.
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Amir Sadeghi I rather think the challenge is more in the writing. A void is an empty space and we work with that visual concept all the time. But the mind of a god is not something humans can relate to, unless one is going to reduce that to a more or less trivial entity. In that aspect it sounds like an experimental exercise to me.