That is my head up there. Grannie always said God made a few perfectly shaped heads. The rest he covered with hair.
Stage 32 calls it the JFC, the July Filmmakers Club. My hillbilly brain keeps putting the G back where it belongs: JFG mayonnaise. I’ve quit fighting it.
Maybe that is appropriate. An introduction ought to tell you what is holding the whole thing together.
For me, right now, that thing is A PALE HOLLER.
I’m Adam J. Spencer, a screenwriter, novelist, and concept artist from the Blue Ridge Mountains of Virginia.
A PALE HOLLER begins with the only known living mature American chestnut, standing at the bottom of one family’s holler. It survived the blight the way anything survives: it keeps a heart. This fall, it is choosing its next one.
Two veteran producers read it and responded strongly enough to send me back into the pages. That rewrite is done. The companion novel is finished as well and circulating with literary agents.
This is a film built through image, silence, sound, ecology, and grief. The locusts, cicadas to everyone outside the holler, matter. The moments when they stop matter more. The mountain is not atmosphere around the story. It is part of the mechanism.
Behind it are several other completed features: the contained sci-fi NO THRONE ROOM, the 1983 UAP conspiracy thriller KERES THRESHOLD, and the magical-realist family drama THE SAME HAND.
This weekend, I’d especially like to meet producers, managers, and executives drawn to elevated genre, regional specificity, and films that trust an audience to listen closely.
Say hello. I promise not to bring the mayonnaise.
1 person likes this
Adam J. Spencer, this might be one of the most memorable introductions I’ve seen on Stage 32. The JFG/JFC mix-up alone tells people exactly what kind of personality and storytelling voice you bring to the table.
A Pale Holler sounds like a beautifully atmospheric project. I love the idea of the mountain, the sounds, and the environment becoming an active part of the story rather than just a backdrop. That connection between place, memory, and emotion can create some truly powerful cinema.
The combination of ecology, family, grief, and regional identity sounds like it has a strong visual and emotional foundation. Wishing you the best as you continue connecting with producers and bringing this story closer to the screen.
Looking forward to seeing where A Pale Holler goes next and don’t worry, the mayonnaise can stay home.
1 person likes this
I'm a Hellman's guy myself haha Adam J. Spencer . Happy July IYW!!!