Opposing the queer community, inspectors struggle to find the ethics required to catch a killer who sketches closeted men on cocktail napkins.

SYNOPSIS:

Based on the true crime, this neo-noir screenplay was purposed for an American exploitation thriller of the late-seventies. George A. Romero's MARTIN and William Friedkin's CRUISING were influential in the creation of this screenplay.

The screenwriter is a mixed-race homosexual male within the LGBTQ+ community of San Francisco.