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STOP SHORT

STOP SHORT
By Phil Tufi

GENRE: Comedy, Crime
LOGLINE:

When a young temp lands a job at a shady call center in New Jersey, she discovers her new colleagues make their living through phone scams—but escaping this absurd office family proves harder than becoming part of it.

SYNOPSIS:

STOP SHORT

Episode "Please Remain on the Line"

Genre: Half-hour dark office comedy

BalancePoint looks like your typical struggling outfit: old computers, a broken elevator, unpaid bills, and a boss who speaks in corporate slogans. But the employees here don't provide customer service. They call elderly people, use aliases, and convince them to "fix" major banking errors.

Maya, the new hire, doesn't realize what she’s walked into at first. The fastidious AJ teaches her how to lie properly; Nia knows how to turn a con into a friendly American chat; and management demands adherence to procedure—specifically, pulling off at least one scam—or else no one gets paid.

When Maya warns a potential victim and tries to outsmart the system, her colleagues unexpectedly expose her. By the end of the night, she realizes these people are simultaneously con artists, friends, and hostages of their own poverty.

But the woman they called recorded the conversation. That recording is sent to someone who begins gathering evidence against BalancePoint. Now, every new call could bring the employees their pay—or be the very call that destroys them all.

Quick Comparison

With the dry workplace humor of The Office, the morally compromised but strangely likable characters of The Simpsons, and the dysfunctional ensemble energy of Scrubs, STOP SHORT is a half-hour dark comedy set inside a cheap, shady call center where employees scam people while insisting they are merely “solving customer problems.”

The city is deliberately left vague: an Anytown, USA, somewhere a hop, skip, and a badly routed phone call from Scranton or Springfield. The employees study each target’s location and imitate whatever sounds local, a strategy that works beautifully until they call someone who actually knows the place.

STOP SHORT

View screenplay
Marcos Fizzotti

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Phil Tufi

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Paulo Henrique Pessoa

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