THE STAGE 32 LOGLINES

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DISPLACEMENT

DISPLACEMENT
By Daniel Doble

GENRE: Mystery
LOGLINE:

A lonely man begins inexplicably teleporting across state lines based entirely on his unacknowledged emotional choices, forcing him to face his deepest regrets before his fracturing reality destroys his relationships and his sanity.

SYNOPSIS:

ACT ONE

Sam Summers, a successful 47-year-old story consultant in Denver, lives a polished but emotionally solitary life. He works from his immaculate home, dates casually, watches classic films alone, plays piano in an empty house, and maintains a warm, joking bond with his daughter, Sloane. During a walk through Washington Park, an elderly woman touches his arm and reacts with sudden sorrow, telling him his story is sad and that God loves him.

That night, after watching Laura, Sam goes to sleep in his bedroom. He wakes in a kindergarten classroom in Hoboken, New Jersey, wearing pajamas and lying on a child’s Bob the Builder towel. Stunned, he leaves the school and goes to the police, where he lies about a client’s private jet to make his situation sound believable. With help from his neighbor, Mrs. Henderson, Sam gets his wallet FedExed to Hoboken and returns home.

Back in Denver, he finds his house exactly as he left it. Shaken, he pours out the previous night’s wine, opens another bottle, and calls Sloane simply to hear her voice. The next night, while awake in the shower, Sam is displaced again—this time into the bathroom of Sloane’s college apartment in Tempe, Arizona, terrifying her roommates before Sloane finds him. Sam pretends it was a surprise visit, but he is unraveling. He seeks help from Dr. Weinberg, his former therapist, but Weinberg understands “displacement” as a psychological condition, not a literal event. Sam leaves, now truly alone with the impossible.

ACT TWO

Sam tries to defeat the phenomenon logically. He stays awake all night with Monster drinks, slapping himself and taking a client call while fishing for clues. Exhaustion wins, and he collapses into bed fully dressed, wallet and phone in his pockets. He wakes in another dangerous situation: in bed beside a married woman and her large husband. He barely escapes.

Stranded in Minnesota, Sam walks to Long Lake and rages at the universe, demanding to know why this is happening. With no answer, he goes to MSP Airport, buys a ticket to Denver, and waits at the gate. A news alert appears: police seek a brazen hooded assailant, with a sketch resembling him. Sam dumps his college hoodie, buys a Minnesota “State Bird” mosquito sweatshirt, and tries to stay alert. Exhausted, he closes his eyes. When he wakes, the gate is empty and he thinks he missed his flight—until he sees a sign welcoming him to Denver International Airport. For the first time, the displacement appears to have followed his true desire: home.

Believing he can control it, Sam tries to force a trip to Paris. He surrounds himself with French food, French music, French wine, a French film, and badly spoken French, then sleeps in a suit with his wallet and phone. He wakes in a luxurious suite overlooking the Eiffel Tower, briefly believing he succeeded—until he realizes he is in the Napoleon Suite at Paris Las Vegas. The displacement obeyed him literally, but not truthfully.

Afterward, Sam moves through a series of emotional thresholds: Brooklyn Bowl becomes Target, Target becomes Hoboken Elementary, where he sees Helen, his estranged wife; Hoboken becomes Coachella, where he sees Sloane happy with her friends; and finally he arrives back in Washington Park, where the Old Woman waits. She asks what he decided. Sam admits he is afraid to go back. She reminds him that fear keeps people frozen, and that the other side was not greener for Helen either. Sam finally says he is done running.

ACT THREE

Back home, Sam sits quietly at the piano and texts Sloane, asking what she is doing next weekend. She is free.

Sam and Sloane travel to Hoboken and walk to Helen’s home. Sloane rings the doorbell. Helen opens the door and freezes at the sight of them. No one explains.

Marcos Fizzotti

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