A queer man crumbles into childhood regression over one night (through lipstick, cartoons, and a final unraveling dance), until a final dance forces viewers to confront why we associate softness with womanhood, and punish it in men. An experimental, POV-driven short about perception, shame, and identity collapse.

SYNOPSIS:

> Top 14% of all Coverfly projects (2025)

> Ranked Top 20 of projects this year in this format (2025)

> Ranked Top 50 of projects in this format of all time (2025)

WOMAN is a 10-minute, POV-driven experimental drama about perception, shame, and who’s allowed to fall apart in public. Across one night, we inhabit a protagonist who regresses into childhood rituals (cartoons, lipstick on a poster, karaoke, baby food spiked with booze) until the coping turns violent. The evening spills into the street, where a raw, unrehearsed “white-girl-music” dance becomes a public unravelling. Only in the final shot does the camera pull back to reveal a thin, trembling man in smeared makeup, nothing about the behavior has changed, yet the audience’s reading of that vulnerability does. That shift is the film’s true arc: a confrontation with our reflex to gender softness as feminine and to punish it in men. WOMAN turns the viewer into the character until the reveal forces self-examination. It’s a cultural horror about misrecognition, not a twist but an accountability check on empathy.