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DEATH’S RIDER

DEATH’S RIDER
By Greg Lucero

GENRE: Horror, Western
LOGLINE:

When racist vigilantes led by Colonel Jack massacre his family during the Gold Rush, a young Mexican prospector sells his soul beneath Mt. Diablo and rises as Death’s Rider—a vengeful spirit riding a demonic black stallion, punishing the wicked across the lawless frontier.

SYNOPSIS:

DEATH’S RIDER is a horror Western revenge tale set in 1850s California. In a mythic prologue, Lucifer is cast down from Heaven and chained inside Mt. Diablo, the Devil’s Mountain — then loosened upon the earth to punish the wicked. Ages later, young Luciano Juárez and his family — proud charro horsemen — strike gold near the Stanislaus River as they build a new life. Luciano falls in love with Isabel, dreams of a life together, and bonds with the wild black stallion El Caballo Negro. But the racist Col. Jack Harder and his bloodthirsty posse, jealous of the “foreigners” striking it rich, slaughter Luciano’s parents in a brutal daytime raid. Devastated and burning for vengeance, Luciano rides alone into the forbidden cave on Mt. Diablo, where an ancient evil waits.

Desperate for power, Luciano sells his soul to the devil. At dawn, Jack’s men hang him. That night he rises as Death’s Rider — ash-gray skin, flaming eyes, ivory Colts at his hips — mounted on a hellish, smoke-breathing version of El Caballo Negro. Now an immortal gunslinger, he unleashes a bloody trail of retribution across the gold fields, turning the hunters into the hunted. Yet when the final confrontation ends and Isabel stands waiting on a cliff overlooking the valley, Death’s Rider can only watch. His vengeance is complete, but his humanity is already forfeit. A haunting tale of grief, racism, and damnation, DEATH’S RIDER ends with one man forever bound to the mountain that claimed his soul.

Michelle Rojas

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Abhijeet Aade

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Abhijeet Aade

Greg Lucero This is a really striking concept a supernatural Western with a revenge core always has strong cinematic appeal, but what stands out here is the emotional foundation behind it. The Gold Rush setting combined with themes of racism and loss gives the story real weight beyond the genre.

The image of “Death’s Rider” on a demonic stallion is powerful and very visual, and the internal conflict between vengeance and humanity at the end adds depth. Feels like a project that could balance spectacle with something more haunting and character-driven.

Greg Lucero

Thank you so much, Abhijeet, for your positive feedback. It’s much appreciated.

Greg Lucero

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Minh Nguyen

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Dwayne Williams

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