CROWN ROSE

Crown Rose: A Love Story Screen-Play Written By: J. Aaron Voreck Directed By: Robert Redford & J. Aaron Voreck [I Hope,....lol ;)] Nspired By Life v1.1.26 Synopsis: Crown Rose is a Movie, 2:00 hours long. This film is A Love Story, A Love Affair. A movie that starts out with the wind swirling through the tree’s in New York’s Central Park. Soon After The Characters meet. Madonna is to be one of the Main Characters in the film, acting her usual arrogant self, doing things left better to a cheap romance novel. She carefully hides this side of her though in her public life as well as her private life. Mike Myers, her husband is a diligent worker, an architect living in New York, whose company is in charge of building the new Freedom Tower. Courtney Love and Keanu Reeves are another couple with big roles in the film. Keanu Reeves is second in charge under Mike Myers at the architectural firm building the Freedom Tower. Courtney on the other hand is a free spirit, who works as an interior designer. Our third set of characters are Aaron Voreck and Julie Bond. Julie is an employee at Tiffany’s Jewelry Store, a location that has a few scenes in the movie, with Robert Redford as manager and Angel as chief associate, as the main characters in that location. Aaron Voreck is a male striper working at a club, named Club Hell. He works there with other strippers such as 50 cent, and Laird Hamilton. Mickey Rourke also plays a role, that of the over aged stripper on his last dance. Our final character is Oded Fehr, a book writer who wins an award for his novel “Subterfuge in Hell”. His part in the film will be made clear later. Our film, all in all, is a film filled with lust, greed, power and fresh hope. Scenes: 1. CENTRAL PARK, NYC - AFTERNOON, EXT. 2. TIFFANIES JEWELRY STORE, NYC - AFTERNOON, EXT. 3. TIFFANIES JEWELRY STORE, NYC - MADONNAS ENTRY - AFTERNOON, EXT. 4. MADONNA & MIKES CONDO, NYC - AFTERNOON, EXT. 5. COURTNEY & KEANU’S CONDO - EVENING, INT. 6. CLUB HELL - NIGHT, INT. 7. GREECE, EXT. VILLA - MORNING, INT. 8. GREECE EXT. TAXI, AIRPORT - MORNING, EXT. 9. MIKE & MADONNA’S APT. - MORNING, INT. 10. MIKE & KEANU’S OFFICE - MORNING, INT. 11. TIFFANY’S - MID MORNING, INT. 12. AIRPLANE - MID-DAY, INT. 13. MADONNA’S APT. - MID-MORNING, INT. 14. BARCELONA - NOON, INT. 15. COURTNEY’S CONDO. - NOON, INT. 16. ODED @ HOTEL - MIDDAY, INT. 17. MADONNA - AIRPLANE, INT. 18. AARON’S APT. - NOON, INT. 19. COURTNY’S CONDO - MID-DAY, INT. 20. MADONNA - ARAVACA - MID-DAY, EXT. 21. MIKE’S OFFICE, INT. 22. KEANU LEAVING OFFICE, INT. 23. AARON’S APT. - AFTERNOON, INT. 24. HOTEL - BED, INT. 25. KEANU’S SUV – AFTERNOON, EXT. 26. TIFFANY’S - EVENING, INT. 27. SPAIN, MADONNA & ODED, AWARDS DINNER - EVENING, INT. 28. DUCK HOUSE - NIGHT, EXT. 29. SPAIN - AWARDS SHOW, INT. 30. CLUB SOHO - PIANO BAR - NIGHT, INT. 31. GRAND CENTRAL STATION - NIGHT, EXT. 32. FREEDOM TOWER - EARLY MORNING, EXT. 33. AARON’S APT. - MID-MORNING, INT. 34. STARBUCKS - MID-MORNING, INT. 35. MIKES OFFICES - MID - MORNING, INT. 36. MID-MORNING MIKE & KAENU IN SUV, EXT. 37. ODED’S HOTEL ROOM, EARLY AFTERNOON, INT. 38. CENTRAL PARK - FOUNTAIN, EXT. 39. POMPALONA - MID-WAY THROUGH THE RUNNING OF THE BULLS, EXT. 40. COURTNEY & KEANU’S APT. - NIGHT, INT. 41. CLUB HELL - NIGHT, INT. 42. MIKE & MODONNAS APT - NIGHT, INT. *Real actors’ names are used to show character development & style. Scene List Notes: FADE IN: Scene 1 CENTRAL PARK, NYC – AFTERNOON, EXT. COURTNEY LOVE, Woman early 40’s, artist, interior design, sitting on bench reading a book. [Wind blowing through trees, mild amount of passers by. Courtney sitting on a bench reading a book. Courtney looks just like any other New Yorker. Wearing a nice business suit, purse on the bench next to her, Courtney seems the way of a good life in Manhattan. Court Cobain Walks past in the distance, turns his head and looking at Courntey frowns, turns away and continues on past Francis Bean without noticing, only to Smile.] KEANU REEVES: Male mid 40’s, charming, handsome swaggers up to Courtney like he owns the place. KEANU: [Comes up from behind Courtney, cupping Court’s nape, chewing on her ear…. ending in a kiss. He gives her flowers. Roses.] COURTNEY: [Courtney puts the book down in to her purse.] KEANU: [Keanu sits next to her, they have small talk… about anything [1:45 minutes] Both get up hand in hand passing a Crown Rose Poster at a cab stand and catch a cab back home to SoHo.] First Scene Notes: Scene 2 TIFFANIES JEWELRY STORE, NYC – AFTERNOON, EXT. ROBERT REDFORD Senior aged, Manager, Well Dressed. [Robert Redford reaches for the door, but Angel opens it first for him from the inside.] Robert: Hi, [Inside door] How is the day going? [Playing with cuffs] ANGEL, Late 30’s, Gay, dresses well, clean shaven, Salesman Angel: [Awesome suit, close cut hair, acting coy] Good we’ve had a few small sales …. No stones though. Robert: [Talking, looking at all employees] Alright let’s do inventory, it’s almost the end of the month, no sense not getting started if no one’s coming to buy. Angel: [nods] ADAM, [ Adam Levine {Rent} - Salesman, reddish brown hair, clean cut Adam: [Folded hands] Hello, how’s your day been? Robert: [Eying Julie] Good, [Eyes back] How have you been…? Adam: Good, Good. JULIE BOND, Early 30’s saleswoman, black mini dress, ex-stripper, Laird’s sister Julie: Hi Robert: [Smiles,… Looks at a picture of Audrey Hepburn. Chuckles. Walks behind the counter] RHIANNA – Flowing Hair in Royal & Brown, Brown Eye w/Boyfriend – Couple, Together playing together. Looking at Players Club Diamnods, trying on a few pairs of earrings, looking at 4 or 5 sets] Camera - Close in on couple, ect… 61 seconds or so Scene 2 Notes: Scene 3 TIFFANIES JEWELRY STORE, NYC - MADONNAS ENTRY - AFTERNOON, EXT. MADONNA, Woman early 50’s dressed up, pulls up in a single Lincoln Towncar slyly pulls of her wedding band and puts it in her Prada Purse, looking at showcase of Inspiration diamonds. Angel: [See’s her and waits at the door, opens the door for her when her hand comes out to open it] Hello madam. Madonna: Oh hello, how are you? Angel: Fine mam, and how is your day? Madonna: [Saying it with airs] Fine, thank you. [Walks around the store ending in front of the center showcase of Crown Rose Diamonds] Angel: [Walks back behind the counter, pauses… 30 seconds while Madonna looks around] May I help you try a piece on? Madonna: I was thinking about this set. [Pointing out a set of diamonds worth over 3 million dollars] Angel: Then Let me help you. [Angel takes out a full bouquet set of Crown Rose Diamonds, he takes the necklace earring and wedding band from the showcase and sets them on the counter. He walks around the counter. Madonna pulls her hair up as Angel puts on the necklace. Putting her hair down Madonna takes the earring from Angel’s outstretched hand.] Madonna: [Smiling, acting Coy] You know I’ve loved these since they first came out, but never thought I could afford them. [Robert peaks from behind the doors, then closes the door.] Angel: That’s hard to imagine from a woman of your beauty. [Angel hands Madonna the wedding band still in its box.] Madonna: I wish I had a man to buy these for me. Angel: [Lightly coughs] Madonna: [Walks to the mirror] You know I almost can’t stand how beautiful these are. Angel: … Mmmm Madonna: Thank you,… Angel, you said? Angel: Yes ma’am Madonna: You might as well take them back, I know I can’t get them. [Madonna pulls back her hair, Angel takes off the necklace, Madonna takes out the earrings and off with the wedding band.] [Angel puts back the set.] Madonna: You know, that may be the only time I get to wear them …. Thank you. . [Turn and walks outside] Angel: [Puts the set away.] Scene 3 Notes: Scene 4 MADONNA & MIKES CONDO, NYC - AFTERNOON, EXT. Madonna: [Gets into a cab, slips ring back on finger, blah, blah and blah, Madonna return to her apt in SoHo, Upstairs] Mike, I’m home … Mike: [Smiling] Hey honey, how you are…? Madonna: Fine, the girls and I went out for coffee and a little shopping. Mike: How was Mary? Madonna: She seemed fine but you never know. The divorce is defiantly taking a toll on her. Mike: I’m sorry to hear that… Have you talked to Stephanie [Mike and Madonna’s college daughter] today? Madonna: Yeah she’s having trouble with her girlfriend again, but she said school is going well Mike: When’s she ganna learn ..? Madonna: [grunts.] [Possible 2 more minutes of talk] Scene 4 Notes: Scene 5 COURTNEY & KEANU’S CONDO, INT. Courtney: [Courtney in only white panties, Blouse and Bra, sitting on the edge of the bed.] Where are you hun?, not staying up watching basket ball are you..? Keanu: Just turning it off [the TV.], I gatta take a shower … Courtney: [ [Teasing] Aww but I wanna Fuk, I want you to FUK me … NOW! Keanu: [Keanu walks into the bedroom seeing court in only underwear bra and panties.] Grrrrrr [growling] you know just what I need. [Unbuttons blouse, pulls panties down 2 inches, growling, and rips off her underwear thong bra and all, shot from the side/ back, no pussy, pushing court on to the bed Keanu takes off his belt and unbuttons his pants. Scene 5 Notes: Scene 6 CLUB HELL, NIGHT, INT. Opening at bar, Club Hell, male strip club RYAN RENOLDS, Mid 30’s, male bartender, fresh faced. Ryan: .. sure [Mixes drink] SUSAN SURANDON, Mid 50’s, tight white t-shirt, Bra Back dESIGN; “HORNY”… A woman at the bar in Club Hell talking to Mickey Rourke, Aged male striper, “Sweat” by S. Dogg playing in the background. Susan: What’s wrong Ryan your acting all off it tonight, did you break up or something? Ryan: Does it show…? She said I’m not her type, that I’m not going anywhere. Susan: I told you, you gatta watch out, [slyly] women are EVIL…! [Faces back to Mickey Rourke, The Rock front door, span to stage…] MILA KUNIS Late 20’s, a regular long brown hair, dressed like she just got off work \ Mila: [At the front center table, getting a lap dance from 50 & I.] Look who’s here NICOLE KIDMAN Woman, looks to be in the mid forties, Flys into the club swinging her channel handbag wearing her Prada Sunglasses at night and a set of Crown Rose Diamonds (Red) like she ownes the place and sáches to the front of the club taking the center table and plops down, gives a bad look ad Mila Kunis. [50 and I going at it, I back off when Nicole enters] [A few other dancers around the room. Nicole gives Mila a bad “horid” look saying leave me and my man alone…Nicole pulls out a wad, thousands of dollars in hundreds waving them at 50. 50: [50 bends down to Mila’s ear, biting it] I’ll be right back, you know I gatta go [Nicole gives Mila the smile of Death, saying not outloud with her eyes raised I always get what I want.50 begins his grind.] AARON VORECK, Mid 30’s Dancer, in G-Thong w/ Spikes and Bow-Tie, Julie’s Boyfriend Aaron: [Backing from Mila, walks over to a table and takes a seat to rest] CAMERA: Span back over the bar, Ryan and the rock talking. Backstage: Laird getting ready, Julie Julie: [Talking with Laird.] So are you coming,....? [Over-Joy’d] You gatta go with us, it’s ganna be a GREAT Night. There are like three D.J’s Spinning. LAIRD HAMILTON, Dancer, early 40’s, fit, getting dressed Laird: You know I wouldn’t miss it for the wourld Sis. Julie: Dayum right, I love ya Brother [Julie comes from backstage to the main room] Aaron: [Seeing Julie, moves up in my chair] What’s up, you’re here? I thought you had too much homework this week studying for midterms. Julie: I just wanted to see you, plus I have to give 50’s music player back … I copied a few songs… Aaron: Sounds good, You say hi to yer brother? Julie: Yeah Aaron: You wanna get a bite to eat, I get dinner break in 30 minutes …? Then later we can play with my horns? Julie: No…, yer right I can’t,... Hmmm..................... Well mabye if you wanna play w/ your Horns over in the Lounge Aaron: Yeah [Julie toying with my thong now …I take a kiss & a Bite of her] You rock my world. [ghetting up, we head to the Lounge] HARRISON FORD, male early 60’s well dressed in a suit or khackies [Enters and says hi to Ryan, heads over to Susan] Hi, Hon… [Says querly, Mickey gets up smiles, says hi to Harrison and goes back to the dance floor.] What are you still doing here, I’ve had some important stuff to talk with you about and you’ve turned off your cell phone. Susan: Im sorry about that [rubbing her hand around his face and grabbing her man’s crotch] Let me grab my purse and we’ll go. [Grabs her no name purse from the bar and gets up to leave, Harrison puts his arm around her and heads to the door] Good by, Rock … See you later. [Susan hugs and kissed The Rock, leaves] Scene 6 Notes: Scene 7 GREECE, VILLA - MORNING, INT. ODED FEHR, Mid- 40’s, Writer, tall dark, handsome, long hair. Oded: [Opening in a bright room in home, Oded stretching. Just out of bed…] Michele: I’ve been waiting for 30 minutes… [pouty] breakfast is getting cold. Oded: I’m almost awake, let me wash my face. [Washing , walking to kitchen] Michele: I hate for you to leave, but I know [sarcastically] you have to go. Oded: People and books are my living without them where would we be? Michele: I know, but I still hate to see you go. Oded: This is good sausage, did you get from the old man Demopolis? Michele: Yeah I thought I would treat you… [Smiles slyly, moves to sit on Oded's lap] Oded: I’m going to miss you. They say it should be a big turnout thou. Upwards of a couple hundred for every stop. Michele: I know. Bring me back a turlip[something/anything, (foof)] will you? Oded: No problem,..[Oded getting up] I’ve got to get going or I’m going to miss my flight. Michelle: I still wish you didn’t have to go … Oded: [smiles sympathetically, goes back to bedroom and gets suitcase] Scene 7 Notes: SCENE 8 GREECE EXT. TAXI, AIRPORT - MORNING, EXT. [Outside, Oded gets into taxi… camera, pan to sea and buildings as taxi drives away,...] TAXI DRIVER: Male, mid 60’s balding overweight Taxi driver: To the airport right? Oded: Yeah, but I have to go to a flower shop on the way, do you know Gallardo’s? Taxi driver: No, where’s that…? Oded: Over on monopoles [directions, 20 seconds of silence and panning] Oded: [Getting out of taxi] I’ll be right back.[closes door...,inside] I need a bouquet of roses. Florist: What can I help you with [looking at ring finger 2 seconds] for your wife? [questioningly] Oded: Yeah for my wife… to be delivered. [passes over money]… walks back outside Taxi driver: You all good? Oded: Yeah [Taxi pulls away, 30 seconds later, pulls up to airport, gets out of taxi, pays driver,… walks into terminal] Scene 8 Notes: Scene 9 MIKE & MADONNA’S APT. - MORNING, INT. Mike: [Gets up for work, dresses, perfectly, straightens tie] Madonna: I’ll only be gone for 3 days, then when we come back I promise well go see that new play & out to eat. Mike: Sounds like a good time, be sure to bring something back for Stephanie, she always loves what you get her. Madonna: Its winter time ill look for a nice cardigan. Mike: How’s Oded doing btw? Madonna: Good, his numbers for the new book are really looking good. Mike: Good to hear I hope you all sell millions. …I gatta run or ill be late. [Leaves building, walks to subway…, off subway into empire state building, camera shot- atrium, Mike in elevator, Keanu runs for doors mike holds them open] Scene 9 Notes: Scene 10 MIKE & KEANU’S OFFICE, MORNING, INT. Keanu: You know I almost never got up today… Mike: That good huh? Keanu: [Snickers…] Yeah I feel like I’m 17 again … [Both step out of elevator… saying high to everyone as the got there offices/coffee] Keanu: [20 seconds gets coffee] Mike: [Mike’s big office, enough to afford a CR Diamond. Keanu in door way.] You know I can’t tell if were falling behind or making up time. Those solar panels put us behind 3 months redesigning the building. Keanu: I know but the project master, said he is getting the workers to get to it. I think the 20% bonuses are doing all the walking, but yer right their coming along. Mike: All I know is that Walter told me if we go over budget on this well both be losing out bonus, and if I’m going to be able to afford one of the crown rose necklaces for Dona, I need that bonus. Keanu: I bet she’s all hot for that huh? Mike: She won’t tell me but I know that’s where she’s been going, looking at her stones while she tells me she’s out with her friends. Keanu: So that it huh she wants one of those Crown Rose stones? Mike: I’m sure of it. By the way do we have the final numbers for the saving by using the solar panels? Keanu: [Sipping more coffee] … Dave has them, he’s getting the engineering papers signed off this week. He’ said he have them to me by Thursday so we can have them for our board meeting next Monday. Mike: Well when you go through them this weekend make sure you study them hard… It’s going to be good P.R for us. Keanu: Well I’m going to see what Donald’s going to do about the numbers, I thought I’d give them to him to study over, at least the preliminaries for now. Mike: Ok sounds good Keanu: [leaves] Scene 10 Notes: Scene 11 TIFFANY’S - MID MORNING, INT. Julie: I Talked w/ my Bro last night, he said he was comming. Adam: Yeah I Think I can make it too. What did Aaron Say? Julie: He was just like I’m ganna take two days off to make sure I can still party,.... Angel: You havn’t Invited Me yet ,... ;R Julie: [Smirk] Of Course your invited, I didn’t mean to overlook you,... Red: Is there something I can help you with sir? Julie: [Julie leans against the wall or counter] Red: [Coughs, whispers] Robert’s coming … [Everyone moves to their sales positions] Robert: [Opens door] Nothing I should know is there? [Smartly, everyone looks at each other] [Front door opens] DELIVERY GUARD: Male mid 30’s, Huge briefcase cuffed to arm. Delivery guard [Mark]: How is everyone today? Angel: Fine and how are you Mark? Mark: Good good are these going in the back or right on the shelf? Angel: New policy all deliveries, esp. these go straight to the vault. Mark: Sounds good. Red: I have the key, I’ll be right there. Scene 11 Notes: Scene 12 AIRPLANE -MID-DAY, INT. Passenger: [Looking at book cover, reading title: Subterfuge in Hell.] Thanks again for the copy of your work, I truly loved your other titles and I can’t wait to read this one. Oded: [Smiling, Sincere] No problem, I’m glad you liked them. Passenger: [Looking nervous] I always have hated landings, takeoffs are ok to me, and it feels like your floating, but landing tend to hit me hard. Oded: [Reacts] Scene 12 Notes: Scene 13 MADONNA’S APT. - MID-MORNING, INT. Madonna: [packing her bags, 30 seconds film, opens door to bell hop for luggage, now in taxi] To Kennedy airport, please. TAXI DRIVER, Any nationality, New Yorker look. Taxi driver: Aright mam, any specific route? Madonna: Just get me there with no wrecks, but be quick about it. Taxi driver: Aye, ok mam. Scene 13 Notes: Scene 14 BARCELONA - NOON, INT. Oded: [Exits airport, gets into a cab] To the business center Malaga please. Taxi driver: Ok Oded: Actually to my hotel why don’t we… I’m staying at the Hotel Aravaca. Taxi driver: You’re the boss. [Meter on] Scene 14 Notes: Scene 15 COURTNEY’S CONDO. - NOON, INT. Courtney: [Still in bed] [Thought, says softly] What the hell have I got going on for today,… [looks at alarm clock] God I have to get up … [Panties and bra all white …” who notices the panties are torn and grabs a new set” ..?] Still in panties picks up a muffin and begins eating, muffin in the left hand she picks up a brush and strokes the canvas, not liking the art she throws her orange juice on the canvas, moves to couch and sits.. turning on the news …, the new tower is being built, with a mention of Walter and company, listens to news talking about all the new building technologies, once over court changes to dance channel and goes back to her art… Scene 15 Notes: Scene 16 ODED @ HOTEL - MIDDAY, INT. Oded: [2-3 minutes of Oded checking in, going to hotel room.] [Thanks the bell hop, tips him, in his hotel, unpacking his luggage, running hands through hair, brushing teeth, leaves hotel for offices.] Scene 16 Notes: Scene 17 MADONNA - AIRPLANE, INT. Madonna: [In the air, first class] I’ll have a Cosmo please Flight Attendant: Sure mam, I’ll have that right up. Madonna: Thank you Flight Attendant: [Walks away, 30 seconds, Madonna looking around] Here you go man, is there anything else I may get you? Madonna: No thank you, I already have my pillow. You may tell me how much longer the flight is though. Flight Attendant: About 3 more hours’ mam. Madonna: Thank you Scene 17 Notes: Scene 18 AARON’S APT. - NOON, INT. Aaron: [Apartment, going out the door, walking down the street listening to walkman 15 seconds or so, entering the dojo, locker room, changing into gi] Luke: Was sup, anything going on? Aaron: Not much, Made about $450 last night, about average., you? Luke: How the hell do you it, my pecker would shrivel up if I had your job… Aaron: It isn’t so bad, especially if you take a little roll before you first few dances… Dance class at Julliard also didn’t hurt anything, … [lol] Luke: Yeah I bet., Have you seen your father yet, I heard he’s mad about you missing the last few classes, he wanted to know what was so important that you missed them. Aaron: It was nothing I was just tired, Scarlet hasn’t wanted to fuck either these midterms are getting to her. Luke: Yeah I remember them. Aaron: Well time to practice looks like your heading out how was day. Luke: Pretty good your father worked me hard. Aaron: Great he’s going to take the last of his fight out on me. [Dressed, walks into dojo] Luke: [leaves, I fully change, walk into the dojo, start stretching] Father: So how have you been partner, you missed my last 3 classes. Aaron: I know I’ve been a little sick, a cold I think. Father: [coughs] Aaron: [Begins workout, sparing] Scene 18 Notes: Scene 19 COURTNY’S CONDO - MID-DAY, INT. Courtney: [On the phone] I gatta run, I’m ganna be late for my new clients first meeting, I’ll never get the deal if I’m late bye. [Quickly runs to bedroom, pulls on some clothes, running out the door, franticly pushing the elevator button] Get me a taxi please… Stan Doorman: Right away mam. Courtney: [In Taxi] Make a right, now now,… [Tires screeching, Courtney jumping (cabbie yelling at her) out, almost forgetting to pay, Courtney opening building doors, walks into office] Secretary: Your almost late, we got her some coffee, but she looks pissed that you were not here before her. Courtney: I know, thanks for covering for me…. [Walks around corner] HILLARY CLINTON, Bass & Rubies, Interior Design Co. Owner Hillary: You better hurry up, she’s been waiting awhile. Courtney: [Court nods sharply and goes to move to her office] I know [Enters office] Hello, Mrs. Stafford, how are you this afternoon? CHER, Hot tempered, dressed well Mrs. Stafford (Cher): I thought I was going to have to walk out and go with the Sampras firm, Courtney: No, no I’m fine, I’m sorry to be late, I promise it won’t happen again. Mrs. Stafford (Cher): Well let’s get started I have a dinner reservation at 5:45 across town. Courtney: Yes yes right away. For the window covering I was thinking of…[pan out] Scene 19 Notes: Scene 20 MADONNA - ARAVACA - MID-DAY, EXT. Madonna: To the Hotel Aravaca .. and take me str8 away I have someone waiting. Taxi Driver: Yes’ mam Madonna: [Gets out cab] Thank You… [Walks into building…, elevator walks out, publishers office] Is he here? Has he landed yet? Secretary: Yes ‘mam, arrived about half hour ago… Madonna: Thanks [Walks to meeting room.] Oded: Good to see you, how have you been doing baby doll? Madonna: I told you not to call me that where someone can hear us. How’s the hotel, have you been there yet? Oded: Yeah, I knew your schedule so I dropped of my luggage before I came here. Madonna: Good, I’m starved what do you say we get some fish and chips, I could eat a whole plate right now. Were you able to get any powder? Oded : I was thinking of Westheimer’s but if all you want is chips, ok, and yes I took care of you. Madonna: You know what I want but we have to play it safe, we have no idea who anyone could be around here. Oded: The paranoid mother Madonna: Don’t be too short you could be a father any day now, I can tell by what you tell me she’s off the pill, and she’s trying to get pregnant. Oded: I’m not here to talk about my wife I’m here to [mouthed] FUK Madonna: [Shyly] So am I. Scene 20 Notes: Scene 21 MIKE’S OFFICE, INT. Mike: [Calling Keanu on the phone] Keanu: [Speakerphone] Yeah… Mike: Its mike, why don’t you go down to the site and see if you can get those papers a day earlier on Wednesday, I know I’m hurrying them but I’m not so sure as you about (blah blahs name) fully being able to come up with a proper presentation. Keanu: No problem, I won’t tell him though that’s his first big gig on his way to a promotion. Mike: I know I know I just have a gut feeling I should go over them so I can answer any questions myself. That’s all, and tell me how things have gone when you get back. If I’m gone call me at home. Keanu: Sounds good. [Hangs up] Scene 21 Notes: Scene 22 KEANU LEAVING OFFICE, INT. Keanu: [In company explorer, leaving garage, listening to music, dancing to music,30 seconds,pulls up to job site, calls to worker] Hey do you happen to know where Dave is…? Worker: I think he’s up on the top, seems he’s has been having some troubles with the crane and the wind … it’s getting to windy to carry the heavy loads. Keanu: Just when I think were ahead of schedule… thanks for the news. [Parks truck, heads to elevator, reaches top floor] Dave, I heard the news about the crane, are you sure there isn’t anything we can do about it. ? Dave: Not much were pushing our engineering limits, and that’s nothing to say what OSHA would do if we put more weight on. Keanu: Ok, Ok I’m sure your doing your best… Mike wanted to know if you I could get the numbers for the solar cells a day early. Dave: [Shaking his head] It’s cutting it tight but I’ll see what I can do. [Blah blah isn’t going to be happy] Keanu: Tell him ill take his crew out for lunch if he gets them to me by tomorrow noon. Dave: Sounds good Keanu: Ok thanks gatta run, I don’t know how you can stand it up here, it scares the shit out of me. Dave: [Chuckles] Scene 22 Notes: Scene 23 AARON’S APT. - AFTERNOON, INT. Aaron: [Back at apt., eating old, cold pizza, texting Julie] r u up for dinner b4 work? Julie: Sure I get off in an hour text me back were you want to go. Aaron: [Getting into shower nude from the butt, singing like crazy, 45 seconds, drying off] [Calling Ryan] Hey you want to go to dinner with Julie and I we were going to get Szechwan tonight. Ryan: I don’t have the money for it, rents almost due, gatta count the pennies. Aaron: You sure, I can cover you, I’ll be able to make it up tonight. Ryan: If you don’t mind I need something to get my mind of Nicole. Aaron: Yeah that’s what I’m here for. See ya in a few. Ryan: Yeah see ya Scene 23 Notes: Scene 24 HOTEL - BED, INT. Madonna: [Getting dressed] That was good. [Fresh] I haven’t been fucked like that in awhile. Oded: [Nude] Yeah talk back to me again like you did and see if I don’t make you go harder next time. Madonna: You defiantly know how to turn a woman on. Let’s get ready we have our dinner to get to. Scene 24 Notes: Scene 25 KEANU’S SUV – AFTERNOON, EXT. Keanu: [On phone] Yeah, I’m almost done for the day. I just have to call Mike and tell him he’ll get his papers by tomorrow. I shouldn’t have to go back to the office, unless something comes up. What do you say we go to (blah blah restaurant) for dinner tonight? Courtney: Sounds good. I just got done with the preliminary look and feel for Mrs. Stafford’s new condo, nothing to outrageous but boy is she a piece of art to work for. Keanu: I don’t doubt it; you know how those rich, upscale older women are. Courtney: Yeah, I just wish I had some other types of clients, it seems like their all that way. Well I’m on my way home; they shouldn’t need me back at the office today. Let me quickly give them a call to make sure though. Keanu: O.k., I’ll be home in about 20 minutes, I have to shower before we go. Courtney: Alright, I’ll be right behind you, see you in a minute. Keanu: O.k., see you then. Love You. [Hangs up phone] Scene 25 Notes: Scene 26 TIFFANY’S - EVENING, INT. Angel: So, what are you doing tonight? Anything special? Julie: Just going out for some Chinese, you want to come? Angel: I’m sure you want to be alone with your man. Julie: No, I’m serious, if you want to come let me know, we could always use one more. Angel: Well, I was only going to have a TV dinner, you sure you don’t mind me tagging along. Julie: Not at all, it’ll be a great time. Do you have to go home or do you just want to come with me to Aaron’s apt., and we’ll leave from there. Angel: That’s fine there’s nothing I need to get. Back to business, is your counter locked? I don’t think anyone else will be coming by today, only 15 minutes till we close. Julie: Yeah I’m already to go, everything’s locked up and ready to be checked. Angel: [Checks that cabinet is locked, gives a pull] O.k. looks good. Look smart, Robert’s still here. Scene 26 Notes: Scene 27 SPAIN, MADONNA & ODED, AWARDS DINNER - EVENING, INT. Madonna: [Entering dining hall. Elegant space, chandlers ECT…] Here we go. Oded: We’ve got this. Madonna: You better hope so, those two chapters you wrote before the last almost had you knocked out of contention for the award. Oded: [Coughs] Madonna: Don’t give me that, [John Mellencamp walks up.] oh hello John. How are you doing? Haven’t seen you in ages. John: Good, Good, Dona… And Mr. Fehr, Congratulations on the award, how are you? Oded: Well, thank you. BILL MURREY, 60’s Comiedian, A little Bit Maniacle, With a Slight Comedic Snarl. Bill: Let me in here, How are you Modonna, Oded, John right? I haven’t been around in a while, the suns been eating me up. Modonna: [Modonna gives a little look out of the corner of her eye around the room] Really, how have you been, it’s been ages hasn’t it. Oded: [Oded a sincerly, shaking bills hand] How have you been, I heard you had another divorce . Bill: Yeah happens. How have you and Modonna been, You haven’t been going at each other have you?. Madonna: [Smirks] I’ll be right back, the little girl’s room is calling. ROBERT DENERO, 60’S, Sharp, The GodFather Look, On the Podium. Robert DeNiro: [Stands & Taps on wine glass, says with a Spaniards accent] Here here, how is everyone? Let’s get this event started. We would like to thank Blah blah for hosting us tonight. [Awards show. 30/45 seconds talking.] Scene 27 Notes: Scene 28 DUCK HOUSE - NIGHT, EXT. Julie: How you been Ryan? Getting along ok? Ryan: [Opens door for all] Yeah, pretty much I’ve been dumped before; I know how hard I take it. Aaron: Yeah, he’ll get over it, he’s a big boy. Hostess: May I show you to a table? Aaron: Yes, thank you mam. [Move, and take seats.] Ryan: You know I never know what I’m getting here… What do you all normally get? Julie: We’ll order for you what do you like? [2 more minutes of small talk] Scene 28 notes: Scene 29 SPAIN - AWARDS SHOW, INT. Speaker: And our next award goes to Oded Fehr for his work entitled, ‘Suffrage in hell’. Oded: [Walks to stage, podium, takes a moment for composure. Speech time] You know, you’re never quite ready for one of these. I’d like to start out by saying thank you to everyone who helped me in this process…ect ect ect… [2 more minutes, walks back to the table] Madonna: [Whispers] That was good, now all we have to do is suffer through 2 more hours of this. Scene 29 Notes: Scene 30 CLUB SOHO - PIANO BAR - NIGHT, INT. [Louis Armstrong look alike /cg playing piano singing softly in the corner, Johnny Depp, Bartender, takes orders from the table and waitress] Keanu: Have you heard of these new diamonds? Crown Rose Diamonds? Courtney: I think so why? Keanu: Dona’s wanted some of them, and I think Mikes ganna break down and buy her some. Courtney: She gets what she wants doesn’t she. [Overhearing the next table a large party with my dad, Voreck, Woody Allen, George Noorey, Tommy Lee Jones, Steve Becheme, Art Bell, Thom Hartman, talking loudly, Boisterously; 30 seconds] Courtney: [Whispers] I think we should have some of what their drinking. [1 minute more of small talk] Scene 30 Notes: Scene 31: GRAND CENTRAL STATION - NIGHT, EXT. [Scarlet, Me, Aaron, And Ryan going through Grand Central Station, Ny.30 seconds looking around small talk, now down in the terminal, hanging around the tracks.] Julie: So, you ganna be ok Ryan? Ryan: Yeah, I’ll be fine, and thanks for tonight. You know how to help someone out in need. Aaron: You’ll be fine. [Fast Train Approaches, train # 4278!] Ryan: [When train is almost passes by a group of what look to be gang members look at Ryan and bush him on front of the train.] Julie & Aaron: Oh my God!!!! [cop comes running over, 1 minute of panic, scene ends with both under blanket, talking to many cops] Scene 31 Notes: Scene 32 FREEDOM TOWER - EARLY MORNING, EXT. Keanu: [Getting food from lunch truck] Eh Dave, So you got the report? Dave: Yeah, in my office, you want to come with me to get it? Keanu: Yeah, Do you have a table to eat this at? Dave: Sure. [Pan around freedom tower construction while walking to office, 1 minute small talk, and then ...Robin Meade on the T.V] Well, gatta run to get these back to Mike before he has a shit fit. Scene 32 Notes: Scene 33 AARON’S APT. - MID-MORNING, INT. Julie: [Hasn’t slept yet, Bleary eyed, still crying] You know I still can’t believe it. [pause] Aaron: I know. I don’t know what to say. Julie: [Crying harder now, wiping tears away] Aaron: It’s going to be hard. He meant a lot to all of us. [Hugs Julie] Let me make you some breakfast, we’ve been up all night. Do eggs and toast sound o.k.? Julie: Yeah, I’m not up for anything more than that. [2 more minutes of talk] Scene 33 Notes: Scene 34 STARBUCKS - MID-MORNING, INT. Courtney: [Waiting in line, her turn] Can I get a Carmel Vente Macchiato, please? Barrister: Certainly mam, is there anything else I can get you? Courtney: Yes please a cinnamon bagel please. Barrister: Certainly Courtney: [30 seconds, delivered coffee & bagel, Moves to table with the arts & leisure section, Nina from Al Herschfeld on the front page] Scene 34 Notes: Scene 35 MIKES OFFICES - MID - MORNING, INT. Mike: Eh Shirley, can you get messages for all my calls, I have someplace to go. Shirley: Sure, Should I tell them when you will be back? Mike: Just a few hours, I should be back by 2 or so. Shirley: Sounds good, Keanu: [Walks up] So, what’s going on? You going to go get those diamonds? Mike: Yeah, Do you want to come along for the ride? Keanu: Yeah sure, When we leaving? Mike: Right now, common then let’s get going, get your jacket. Scene 35 Notes: Scene 36 MID-MORNING MIKE & KAENU IN SUV, EXT. Keanu: [Both in SUV] So how long has she been wanting these diamonds? Mike: Basically since they came out a year or so ago, She has some friends who went to the actual Ball party, I think all the ladies want them, huh? Keanu: Yeah Courtney hasn’t said anything, but she’s not really into a lot of sparkle. In fact I think if she could dress up in her grunge clothes from high school she would. Mike: We’ll when she gets back from Spain were going out to dinner, plus I picked out a special spot to give them to her. Keanu: So where is this special spot? Mike: Over by the lake in Central Park. You know I haven’t thought about it, do you think that would be the right place or just at home? Keanu: I would probably just give them to her at home., You would’t want one of these diamonds to come aprt in the grass and loose them. Mike: Ever my voice of reason. Scene 36 Notes: SCENE 37 ODED’S HOTEL ROOM, EARLY AFTERNOON, INT. Oded: [In shower] I am fully out, I tell you. [chuckling] Madonna: Yeah that was good though. You do me like im a 18 year old girl. Oded: Only the best for you. [Shit, shower, shave,] Madonna: [Getting dressed, buttoning blouse] Well we’ve got 2 more of these then we’ll be done. Oded: How long do you think they’ll last? Madonna: Not too long about one hour, to one hour 30 minutes. Oded: Great, you know I’m going to miss you but I miss home already. Madonna: You better, with how I pamper you. Oded: [Holding Madonna] Scene 37 Notes: SCENE 38 CENTRAL PARK - FOUNTAIN, EXT. [Central Park Fountain, Mid-Morning, the day after the accident. Sitting on Fountains edge.] Aaron: Nothing’s going to bring him back, for us or anyone, his family especially. Julie: [Scooping water in her hands] I know,.... I Know, I know. I never even really had a thing for him, you know. I just can’t belive people would do that, I mean to someone they don’t even know. Aaron: This may sound selfish, but I’m glad it wasn’t you or me,... I don;t know what I would’da done. [Holding her] Julie: I know [Lauging, Crying, letting go and then splashing him] Scene 38 Notes: SCENE 39 POMPALONA - MID-WAY THROUGH THE RUNNING OF THE BULLS, EXT. Modonna: [Looks at Oded, looking serious] Common there, common. Oded: [Grunts, like this has got to be the crazies thing I’ve ever done, running ahaid of the bulls. 30/45 seconds of running of the bulls. Scene is over and they walk to the bull fight stadium and get their seats, Madonna is wearing a flowey dress, Oded is is a pair of ivory Chino’s with a hawian shirt, white flowers on white embroidered] Mike: [Calls on mobile phone, Modonna picks up] Hey Honey, how are you? Mike: Good, Good, where are you theres a lot of noise? Modonna: Ivan took the group of us out to a bull fight. It’s’ just about to start I don’t have a lot of time to talk. Mike: That’s ok, Don’t forget to call tonight, you forgot last night. Modonna: I won’t dear, we got back from the award show late last night. Mike: Aye, well I miss you it’s good to hear you. Modonna: I love you to, gatta run its about to start. Mike: I love you to, call me later. [Both hang up, Cheers erupt as the matadors take the field the bull fight begins about 2 minutes.] Scene 39 Notes: SCENE 40 COURTNEY & KEANU’S APT. - NIGHT, INT. Courtney: [Finishing putting the food on the table from takeout] So, do you think Dona is getting any from Oded, over in Spain? Keanu: You know, I wouldn’t doubt it, but your the one who can sniff those thing’s right out. [Digging into the Chineese food] Courtney: Yeah I think there doing it. the last few times we’ve had dinner with Mike & Her She seemed real aloof and always wanted to talk about Oded & his New Book. Keanu: I don’t remember. Then again, I’m just your typical guy. Isn’t that what you love about me. Scene 40 Notes: SCENE 41 CLUB HELL - NIGHT, INT. Aaron: [Talking to the new bartender, about to leave] L8r, Have fun cleaning up,.… [Both Smirk, Opens door for Julie, walking and talking for 31 seconds … pass over train grate, blowing up blouse like Maryln Manroe dress, both smile & start laughing; moving to the wall, Kiss & Tell 1 minute 26 seconds, Autum comes by and flings my pony tail, Out of breath, we leave walking down the block] Scene 41 Notes: SCENE 42 MIKE & MODONNAS APT - NIGHT, INT. [Adele playing softly in the background, ‘Someone Like You’] Modonna: [In bed with Mike holding him watching T.V. the News Is Playing comes on the Large flat screen T.V. , A crown Rose diamond on the sidewalk, wedding band is found outside Macy’s department store.] Love You Mike: Love You too Honey … THE END.