Ian Diaz's Reel

A tiny bit on how we shot this fight, it's always safety first.

Here's a short clip from Rebecca Gold, paired with the music Neil Myers composed for the film. I was genuinely thrilled with what Neil brought to it. Film music should add emotion, not just fill space. Too often these days it's treated like background noise.

Having an actress who understands the fundamentals of fake fighting is a godsend on a micro-budget film. Being able to sell the physicality convincingly makes a huge difference on screen. Ella was exactly that. She could throw punches and kicks properly, which meant we didn't need a stunt double.

Out take on Rebecca Gold the movie.

In-camera effects work most of the time. And the rest of the time...

Uploaded by Rebecca Gold on 2026-02-10.

She can heal any wound, except her own heart. Created as an enhanced assassin, Rebecca was engineered to feel nothing, until she meets the one person who makes her human again, forcing her to choose between the organisation that made her and the love that could destroy her.

Having an actress who understands the fundamentals of fake fighting is a godsend on a micro-budget film. Being able to sell the physicality convincingly makes a huge difference on screen. Ella was exactly that. She could throw punches and kicks properly, which meant we didn't need a stunt double.

She can heal any wound, except her own heart. Created as an enhanced assassin, Rebecca was engineered to feel nothing, until she meets the one person who makes her human again, forcing her to choose between the organisation that made her and the love that could destroy her. A loner assassin with a hidden past goes rogue when she unexpectedly crosses paths with her high school crush, forcing her to confront long-buried emotions and risk everything for a love she never thought possible. COMING SOON