SYNOPSIS:

After a stronger than normal hit of heroin, Emily Grant, 22, drug addict, homeless, finds herself in restraints in a white tile room with nothing but a two-way mirror, toilet and bed. She‘s hooked up to IV tubes and finds that she is a prisoner of Speaker, an emotionless digital voice who wants to rehabilitate her and make her able to contribute to society. Jane, a middle-aged doctor, is Speaker. She gives her patient - her son - the bad news that the donor isn‘t compatible. Jane’s husband tells her to find a donor, whatever the cost, or their marriage is over. Jason, Emily‘s boyfriend and drug addict, overcomes his agoraphobia to search for Emily but is led up dead ends. He even asks his enemies for help – the people to whom he owes money. Days later, Emily has detoxed enough to progress through to the next room – recovery. As a matter of course, he takes her blood. She cooperates, knowing full well there is no way out and that her warders hold the key to her survival. She is made to believe she will be released at the end of her program. Jason gets closer to finding Emily, but now the police want to interview him over an outstanding warrant for shoplifting. He‘s running out of places to hide. When Jane tells her husband he‘s found a donor match in Emily, she has more pressure put on her when she finds Emily‘s blood results show she‘s pregnant. Not only that but their conversations lead her to doubt she is homeless and in fact is from a rich family who may be missing her. The facility boss wants Jane to proceed regardless, but when Jane investigates Emily’s past, she finds her mother is her old friend’s (from their university days), who had fallen pregnant and who‘d put her child up for adoption. Jane finds her old friend after 22 years and is told she doesn‘t know exactly but that she was adopted out to a rich family in Rhode Island – the Grants. Jane tracks them down and knows from their demeanor that they are hiding deep secrets and are the cause for Emily‘s drug dependency and homelessness. Pictures on the mantle are of Emily as a girl. Meanwhile, Emily meets Susan, another prisoner in an adjacent room. Susan convinces Emily the people are as they say: benevolent; there to improve their lives be-fore releasing them back into society. Jason spies their drug dealer acting suspiciously with a large bundle that he throws in a boot. He follows him to the facility, but the dealer knows he‘s been followed and abducts Jason for the program. Emily manages an escape through the air ducts and reaches Susan but she is too fat to fit through the vent so stays behind. A silent witness, Emily watches as they take away a compliant Susan, put her asleep then surgically harvest her body for her organs. Knowing what‘s in store, she rescues a few other people but each of them (excepting Emily) is killed by safety devices placed inside the ducts. Jane battles her boss, her husband and her conscience about harvesting Emily and decides to take a stand. Learning she‘s escaped, she knows the facility‘s next step. Jane makes her way to the hospital‘s morgue and steals a Jane Doe, 20s, cadaver and gets it to the facility in a van. There, she makes her way to the electrical distribution system. Emily is captured when sleeping gas is injected into the ducts. Prepped for dissection, Jane turns off the power and in the dark (with night vision goggles) switches the bodies. Emily wakes in her bed in her house with Jason next to her. Three months later, Jane is shopping when Emily appears in front of him. But she‘s a diversion: Jason, in back, injects her and places her unconscious body in the trunk of a car. Jane wakes at a cemetery where she is beckoned to a grave: Emily‘s adopted sister. As Jane cries, Emily says she will donate her kidney for her son.