Hi Joe. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
Helpful information:
- To send invites to your fellow creatives, please click here.
- For any questions on how to utilize the site, please check our HELP and GETTING STARTED sections.
- Also, I host a FREE webinar every month where I go over site features and answer user questions. You can view them here.
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Joe – the absolute answer to your question is: MAYBE. This is a point where you (writer) is directing your story (telling the Director how to shoot it.) Moving from room to room means moving the camer...
Expand commentJoe – the absolute answer to your question is: MAYBE. This is a point where you (writer) is directing your story (telling the Director how to shoot it.) Moving from room to room means moving the camera, so it's typically two scenes (a cut or cross fade is typical) HOWEVER: you can use a tracking shot to combine the two scenes into a ONESIE. This is where the CONTINUOUS transition works well. (When I see CONTINUOUS, I know I need a follow-cam operator on set.)
Also what Dan said. When shooting a master scene, sub-headings are by definition sequential/continuous time wise. In this example, when shooting I would deal with it as individual scenes because I wou...
Expand commentAlso what Dan said. When shooting a master scene, sub-headings are by definition sequential/continuous time wise. In this example, when shooting I would deal with it as individual scenes because I would have to move the camera/lights/mic although I could track Tom by the girls to the bathroom. So, you see where the absolute answer is: MAYBE?
Thanks Doug and Dan. You both make good points. Now I'll be BACK AT THE BAR.