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Allen James Roughton is the Stage 32 Script Services Coordinator, a screenwriter, reader and development researcher who has consulted on over 100 projects, scripts, books, comics and films and conducted research on life stories, exposés, professions and locations for development at major production companies. Nick Assunto is part of the Stage 32 script services team and a repped screenwriter himself. He was previously a reader for the Austin Film Festival, a writer for the 2017 CBS Diversity Sketch Comedy Showcase, co-host of the Sunday show B.Y.O.T. at UCB, and dabbled in acting, having been featured on Late Night with Jimmy Fallon, an eHarmony commercial directed by Limp Bizkit's Fred Durst (for real), and is infamously known as Tony, the annoying party member from the 'Four Friends' Elder Scrolls spots. Full Bio »
A great story starts with great characters and every great character starts with a great introduction. We challenged you to create or rewrite a scene where a major character is introduced.
This month, we challenged you to rewrite or polish a scene where a major character is introduced in one of your scripts. You had to think carefully about the characters actual description, what they do in the scene, how others react to them and their presence, their first few lines of dialogue, and anything else that impact their introduction.
We discussed character introductions on the last Breakdown webcast, so be sure to watch that if you want to see how produced screenplays achieve great character introductions, and always remember that what makes a character interesting is the subversion of expectations (creating a unique character) and giving them nuance (most great characters contain both good and bad, and have their reasons for both).
We broke down some of the best submissions received from our writers and discussed best practices on how to break through the sticking points associated with the challenge.
The Write Now Challenge
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Most Execs will toss a script if they aren't hooked in the first 5 pages. We challenged you to create or polish a teaser or opening sequence that builds a world, characters, and plot that leave us begging to read more!
They say not to speak ill of the dead. What about when the dead speak ill of you? We challenged you to deftly write a 3 page scene conveying the nuances of character reactions to getting called out for being exactly who they are, but wish they weren't.
While the scene will be heavy with exposition, disguise the exposition in dialogue and conflict as much as possible. How does the character make the complex simple? What props does the person use? How does the character who receives the info react?
This month you were challenged to write a scene in 3-5 pages that tells a story with no dialogue. The idea is to use character intention, action, obstacles and the scene setting to tell a story.
In this challenge, members were asked to write one side of a phone conversation. The challenge is to give us the full idea of the story, the conflict, the relationship between the characters, and the ultimate resolution. The key to this exercise is to make the stakes high! Can the writer phrase their character’s dialogue so that the phone call still makes sense - and give us the exposition we need? During this webcast we received a number of fantastic entries that spanned genres, including Rom Com, Thriller, Drama, and Comedy, and more!
For this challenge, members were asked to use The Breakdown Webcast: Writing Theme as a guide to look at one (or more) of their feature or television scripts and identify the themes. During the webcast, participants read their responses and discussed the ways in which they arrived at their themes. We also discussed ways in which they can do more to illuminate their themes.