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Jason Mirch is Stage 32's Director of Script Services and host of the Writers' Room. Outside of this role, he is a feature film, television, branded entertainment, and digital content producer and executive with over 15 years experience. Most recently, he produced a 3D animated feature film starring Jacob Tremblay, Christopher Lloyd, Mel Brooks, and Carol Kane. Full Bio »
While the scene will be heavy with exposition, disguise the exposition in dialogue and conflict as much as possible. How does the character make the complex simple? What props does the person use? How does the character who receives the info react?
The Write Now Challenge
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Using the Breakdown Webcast: Writing Horror you are challenged to scour the internet, libraries, news articles, folklore, mythology, or your own personal experiences to find a core of an idea to develop into a Horror, Thriller, Mystery, or Suspense.
How can you write to make the complex understandable? How can you describe a set piece that is both inventive and relatable? That is the goal for this month's Write Now Challenge!
In this challenge, members were asked to pick their favorite antagonist or villain from film, television or literature and in - ONLY ONE PAGE - write a monologue from his or her point of view. The participants could frame this as an interrogation, a negotiation, a confession, or a conspiratorial conversation. Most importantly, writers has to make sure the scene had conflict, and the character's point of view in his or her voice. During the webcast we heard from some of our favorite protagonists, including Loki from the Marvel Universe, Terence Fletcher of Whiplash, Commodus from Gladiator, Jack Bynes of Meet the Parents, and Lex Luther of Superman among many others.
We're back in the Writers' Room this afternoon for the Write Now Challenge Webcast: Your Goals for the Remainder of 2021 For this challenge, using the Breakdown Webcast: Goal Setting Worksheet as your guide, write down three screenwriting goals you have for the remainder of 2021.
For this challenge, members were asked to use The Breakdown Webcast: Writing Theme as a guide to look at one (or more) of their feature or television scripts and identify the themes. During the webcast, participants read their responses and discussed the ways in which they arrived at their themes. We also discussed ways in which they can do more to illuminate their themes.
Whether it’s epic battles between giant robots, a street fight, or someone chasing after the love of their life at the airport, the vast majority of movies and television use at least a bit of action writing. So we are challenged you to write an original or polish a scene with action, and really focus on making those moments of movement pop!