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For this challenge, members were asked to use The Breakdown Webcast: Writing Theme as a guide to look at one (or more) of their feature or television scripts and identify the themes. During the webcast, participants read their responses and discussed the ways in which they arrived at their themes. We also discussed ways in which they can do more to illuminate their themes. Full Bio »
For this challenge, members were asked to use The Breakdown Webcast: Writing Theme as a guide to look at one (or more) of their feature or television scripts and identify the themes. During the webcast, participants read their responses and discussed the ways in which they arrived at their themes. We also discussed ways in which they can do more to illuminate their themes.
The Write Now Challenge
For this challenge, members were asked to use The Breakdown Webcast: Writing Theme as a guide to look at one (or more) of their feature or television scripts and identify the themes. During the webcast, participants read their responses and discussed the ways in which they arrived at their themes. We also discussed ways in which they can do more to illuminate their themes.
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"Really enjoy PB's read. He brings his story to life with the way he delivers his action and dialogue." - Jill H.
"Love your story idea. Bravo, Ariadne! Muy interesante." - Chaun L.
"Really love this piece Martha. Every time you share it, it lingers with me." - Louisa K.B.
They say not to speak ill of the dead. What about when the dead speak ill of you? We challenged you to deftly write a 3 page scene conveying the nuances of character reactions to getting called out for being exactly who they are, but wish they weren't.
Using Laurie Ashbourne's fantastic Breakdown Webcast as your guide, take a scene (up to 2 pages) - existing or new - and 1) show us the beats of rising action within the scene, 2) explain what happened in the scene before that caused this, and 3) what it will lead to in the next scene.
Write Now Challenge: Antihero Character Bios, in which we will hear more about the characters you have created! This month you were challenged to write a character bio for an antihero of your creation. This is unlike any other challenge you've tackled here if you need any last minute inspiration, just revisit the Breakdown Webcast on antiheroes here! As part of this challenge, I will be turning the microphone over to you! If you have submitted your pages and would like to read them for the group, you are more than welcome.
It's like 10,000 spoons when all you need is a knife...well, actually it's more like the Write Now Challenge Webcast: Isn't it Ironic coming at you this afternoon at 4pm (Pacific)! In this challenge, members were asked to write a short scene (no more than 5 pages) using one of the examples of irony from the Breakdown Webcast: Dramatic Irony. As a reminder the examples for irony are below: Dramatic Irony: A literary and theatrical device in which the reader or audience knows more about a situation, complication, or conflict than the characters they are following. Classical Irony: This term describes irony as it was...
Flashbacks Make sure your flashback scenes drive the plot forward, are not more dramatic than the present, reveal information about your character or situation, have a specific point of view.
Sarah Cornelius is an Actor, Screenwriting Coach, and Executive at Whitewater Films. She made her screen debut in the acclaimed short film LEAVE YOU IN ME. Her vulnerably raw work in the film garnered her Best Actress Award wins at the NYC PictureStart Film Festival and LA's Show Off Your Short Film Festival. She's guest starred on numerous television series and recently appeared in a supporting role in the Lifetime TV movie DESPERATE WIDOWS. On the producing side, Whitewater Films recently released their latest film, SMALL ENGINE REPAIR with Jon Bernthal, which was produced by Rick Rosenthal and...
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