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This webinar had a live screening session recently and has not yet been converted into a video format.
Chase Whale is a graduate of the University of North Texas' Creative Writing B.A. program. He's a film critic and crime fiction writer, and you can find his work on Out of the Gutter, ScreenAnarchy, Indiewire, MTV, Flaunt Magazine, and other places. Chase co-founded the popular independent film website, GordonandtheWhale.com where he remained Editor-in-Chief until August 2011. On behalf of GATW, he covered Cannes, Sundance, SXSW, the Toronto International Film Festival and Comic-Con, along with junkets in London, Toronto and other parts of the world. Throughout his career as a journalist, Chase has interviewed Harrison Ford, Philip Seymour Hoffman, Mark Wahlberg, Joseph Gordon-Levitt, Julianne Moore, Guillermo del Toro, Danny Boyle, Will Ferrell, Jason Reitman, Academy Award® Winner Davis Guggenheim, Andrew Garfield, Mark Romanek, Zach Galifianakis, Matt Reeves, Carey Mulligan, Simon Pegg, Harmony Korine, Sam Rockwell, Richard Linklater, Michael Shannon, Bill Murray, Sissy Spacek, Robert Duvall, Jean-Claude Van Damme (twice!), Jesse Eisenberg, Jane Lynch, “Tim and Eric”, Ashton Kutcher, Nicolas Winding Refn and dozens of other prominent actors, directors and filmmakers in the industry. In 2009, NBC named him one of the 25 most interesting people in Dallas, along with Erykah Badu and Nolan Ryan. Later that year, The Wrap listed him as one of 30 Movie Insiders to Follow Right Now On Twitter, with Peter Travers and the late, great Roger Ebert. Since GATW’s departure, he’s programmed for the Alamo Drafthouse, Fantastic Fest, Rooftop Film and the Sundance Film Festival, worked in film distribution for Cinedigm in New York, and his reviews, interviews, and editorials have been featured on websites including Twitch, Film.com, MTV’sNext Movie, Film Threat, Indiewire’sThe Playlist, We Got This Covered, Latino Review, Dallas Observer, Culture Map and Central Track, Hammer to Nail, and Denton Record-Chronicle. Whale is a member ofRotten Tomatoes, Criticwire the Dallas-Forth Worth Film Critics Association, OFCS, and GALECA. Whale is currently a film critic for TwitchFilm and is writing a book of stories called Ruthless People: Stories, out January 2017. Full Bio »
Going to the Sundance Film Festival for the first time can be overwhelming. How would you like to be fully prepared before stepping foot in Park City, Utah?
In this Stage 32 Next Level Webinar, film critic, festival connoisseur and festival screener Chase Whale will give you the low down on every angle of the Sundance film festival and how to prepare if you’re going for the first time.
Chase has been attending Sundance for nearly a decade. He was even on the Sundance film screening committee, giving him an insider’s look into one the industry’s most prestigious festivals. He’s attended long enough to know exactly how to navigate the festival.
When he’s there, he watches six films a day, knows the pros and cons in front of and behind the scenes. In this Stage 32 webinar, Chase will let you know how best to prepare for the festival, what to bring, and best practices when you arrive. You’ll be way ahead of the curve and ready to conquer this festival by the end of this webinar.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
This intensive 3-session master class will go over the nuts and bolts of documentary film production. Taught by producer/director Lisa Vangellow (currently working on a documentary film centered on actor James Franco) will share step by step instruction on how to produce a commercially viable documentary film from idea to post-production. Even if you have little to no experience or if you have narrative film experience and are looking to try documentaries, Lisa will guide you towards the goal of completing a documentary film. Lisa will offer her experience from the trenches to help filmmakers over the course of her 3-week class. First, she’ll focus on the selection of subject matter and how to gauge its commercial viability. Lisa will take you through pre-production for a documentary film hitting on areas such as how to create a budget, hire your crew, get financing and explaining why you may want a lawyer to handle the nitty gritty. From there you’ll get an overview of different documentary styles and insight on how to create your story through the use of specific examples. Finally, Lisa will explain how to survive the post-production of your film to bring the entire project together and discuss your options for distribution. Filmmakers will leave with an overall understanding of the documentary filmmaking process, an idea of what makes a good documentary, and how to execute these lessons in the real world. Lisa even shows you equipment you should consider and provides you with templates, Notice of Filming documents and a Film Funds resource sheet!
“I have some notes” is perhaps the most dreaded phrase writers hear. “Here it comes… they want to change everything; they want to destroy my masterpiece!” And yet, you the writer, asked for these notes. “They read and they didn’t pass! They want to work with me!” Or, “they read – and yeah, they’re right, I need to rethink this, it will be better if I change it.” Film and television are the ultimate collaborative medium. You write alone (or in a team), but to make the final product, the work of dozens to hundreds of people is required, and they all have some contribution to make. And the work is a product to be sold to buyers and an audience, and they get a say in what they want to purchase and consume. Screenwriting is also the ultimate iterative process. No script is ever perfect on the first draft, and scripts evolve and grow even during production itself. So you will be receiving notes – lots and lots and lots of them. Some you will ask for, perhaps pay for: notes from other writers, professional consultants, managers and agents. Some you will hope for: producers, executives, directors and stars. Some you will agree to: showrunners, studio and network executives. And some will remind you that necessity is the mother of invention: from line producers, casting directors, set dressers, and costume designers. But what should you do with those notes? How to take the sting and how to accept them as a gift? How to think about executing them when you agree, and what to do when you don’t? And most importantly, what do all those terms mean? Some of them sound like some sort of spy code: expo dump, let it breathe, contrived, mining, building, leaning, rules of the universe, on the nose and come in later – say what? In this webinar we will pull back the curtain on the notes process, discuss how to take notes, how to begin to address them, and what notegivers really mean by all those terms.
Learn directly from Nikki Hevesy and Anne Marie Gillen, Producers with over 20 years of experience each in developing and financing media projects. Nikki is a director, producer and media strategist with an expertise in integrating faith-based content into mainstream media, and Anne Marie is an expert on film finance, having successfully raised over $100M for projects worldwide. With the recent successes of films like Heaven Is For Real, Son Of God, God Is Not Dead, and all of the faith oriented films coming down the pike like Mark Burnett’s Ben Hur, Mary Mother Of Christ and The Shack, Faith and Family based projects have grown from a niche market to a box office phenomenon.TV has also jumped on the bandwagon with the recent Red Tent, Preachers of LA and Mark Burnett’s The Bible and A.D. However, alongside these successes are huge controversies in the faith community, such as those surrounding Paramount's Noah and Ridley Scott’s Exodus. Faith and Family based material is like a soufflé – if you get even the smallest ingredient wrong, the entire soufflé collapses. In this Stage 32 Next Level Webinar, hosts Nikki Hevesy and Anne Marie Gillen will walk you through the development and financing phases of creating a successful faith and/or family based project. Drawing from their 20 years of experience, Nikki and Anne Marie will teach you how faith and family based projects get funded and who the financiers, studios and distributors are that specialize in this genre so you know who to target. They will also teach you how to easily find and reach your desired audience and what type of marketing is successful for this genre. Whether you’re a producer, filmmaker or writer, knowing what goes into a faith and family project in the development stage, team building stage and financing and distribution stage is key to your project’s success in the marketplace!
Stage 32 Next Level Education is honored to bring in Keith Powell, well known for his role as “Twofer” on NBC’s 30 Rock, and his role as “Wyatt” on HBO’s The Newsroom as one of our acclaimed instructors. Most recently Keith has written, directed and produced his own semi-biographical webseries Keith Broke His Leg for only $500 per episode! Even better – he is bringing all of the knowledge he’s learned developing this series exclusively to the Stage 32 community! In this Stage 32 Next Level Webinar, you will learn the building blocks to create an artistically successful series without stretching your budget. This means that you will walk away with all the tools necessary to help you during pre-production, production, post-production and even distribution. You will even learn how - with the glut of webseries available on the market - you can make a product that stands out above the noise (and there definitely is noise!) Your instructor, Keith Powell, has taken everything he’s learned on high-budget episodic productions (such as 30 Rock and The Newsroom), modified it, and applied it to creating a successful micro-budget web-series without breaking the bank (all while keeping his sanity…well, kind of). Best of all, he’s going to share ALL of his knowledge with you!
We've brought in Zeke Thomas, a VR producer who recently did the 360 experience for HAPPY DEATH DAY for Universal & Blumhouse and who's clients include: Paramount Pictures, Legendary Pictures, Nerdist Industries, VidCon, Youtube, Outside TV and more. Zeke will be breaking down the business of VR/360 in this exclusive Stage 32 Next Level Webinar. Billions of dollars have been poured into Virtual Reality & 360 spherical capture, but is there really a business for this form of storytelling? If you're already filming in VR/360 or are interested in pursuing this medium, it's important to understand not just the craft, but the business of it.
This is the 1st installment of the Stage 32 + Bondit Media Capital Masterclass featuring Matthew Helderman (CEO of Bondit Media Capital) and Robert Ogden Barnum (Co-Founder of Fortitude International and e2b Capital).