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Nick Phillips is Stage 32's Executive Liasion, he has worked as a studio executive, an award-winning producer & filmmaker. His career in the entertainment industry spans nearly three decades, working on some of the most iconic films of our time across all genres and formats. Most recently, Nick was Head of Production for prolific producer Yale Entertainment. While there, he produced four films – BUCKY F*CKING DENT, written and directed by and starring David Duchovny; ALL YOU NEED IS BLOOD, with Mena Suvari; THE FOG OF WAR with John Cusack and Mira Sorvino; and BARRON'S COVE, starring Garrett Hedlund, Stephen Lang, Brittany Snow, and Hamish Linklater. Before that, Nick served as the Head of Production for the feature startup studio/streaming platform CreatorPlus. CreatorPlus produced, financed and released two features – JANE, starring Madelaine Petsch, Chloe Bailey, and Melissa Leo (distributed by Blue Fox Entertainment) and DIAMOND IN THE ROUGH. He also executive produced a slate of five short films as part of CreatorPlus’ Flip The Script Short Film Program. Nick co-founded and served as Executive Vice President of Revolver Picture Company, a fully financed independent production label in conjunction with Kelly Wagner Osborne. While at Revolver, Nick produced HAUNT with Jacki Weaver and Ione Skye; the award-winning BENEATH with Jeff Fahey (both released by IFC Midnight) and DEVIL'S BACKBONE TEXAS for Fox Digital Studios. Revolver’s last feature, PET, starred Dominic Monaghan, Ksenia Solo, and Jennette McCurdy and premiered at the SXSW Film Festival and was released through Samuel Goldwyn Films. Revolver also co-produced and co-financed the horror reality series Fight of the Living Dead for YouTube Red, which ran for three seasons. Full Bio »
Watch a special edition to THE BREAKDOWN webcast with producer and Stage 32 Executive Liaison, Nick Phillips, as he breaks down the script for the Best Picture Oscar Winner, OPENHEIMER. Find out why it took home so much gold at this year's Academy Awards AND get a FREE copy of the script! We are excited to breakdown OPPENHEIMER and focusing on a different aspect of writing every webcast.
The Breakdown
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We're back in the Writers Room for The Breakdown Webcast: Healthy Mindset Summer Series - Special Guest Professional Certified Coach & Therapist Sarah Brokaw on Being "Present" and Reframing This is the first in a Summer Series! You will learn from Sarah who, as a coach, works collaboratively with the client on expanding his/her awareness and clarifying his/her thoughts through the use of reframing language.
Writing action isn't easy! It takes nuance and skill. We’ll break down the action on the page for the heavy-hitting JOHN WICK, the action-comedy THE NICE GUYS, and the slow-building action of HELL OR HIGH WATER.
We're back in the Writers' Room for the The Breakdown Webcast: Breaking Down "The Queen's Gambit" Pilot Script. "The Queen's Gambit" was watched by a staggering 62 million households in the first 28 days of release and won 15 awards, including the Golden Globe for Best Television Limited Series. During the webcast we break down the first episode of the series using excerpts of the book and the teleplay, as well as clips from the episode. Download Episode One of "The Queen's Gambit" by clicking here. During the webcast we discuss: The introduction and setup of the main and secondary characters The structure of Episode 1 and why it works perfectly to establish the foundation for the series How tone and theme are captured in Episode 1 Why THE QUEEN'S GAMBIT may be based on a novel, but the structure can be applied to any fiction pilot How to apply these principles to your own writing
Cursing in dialogue can have an impact on many things in your screenplay. We'll examine how swearing is used to reveal character, explore subtext, and drive a narrative forward.
Dramedy is a compelling genre to write because many argue it best captures the realities of life. There are comedic moments in some of the most tragic of times and dramatic moments that give way to levity. During the webcast, we examine some of the most critically and commercially successful dramedies - including "FLEABAG", PARENTHOOD (1989), THE BIG SICK, and SILVER LININGS PLAYBOOK to understand why they work so well. We also discuss ways in which you can develop your characters and narratives so that your dramedy is as authentic as possible.
Love is in the air in the Writers' Room! We are kicking off a brand new month this week with the Breakdown Webcast: Writing Romantic Comedies! Jason was speaking with a Senior Vice President of Development at an A-List production company who said, "Every studio executive is asking me for Rom Coms!" If you look at recent trends, it is clear they are on a come back. We will break down the beats of a Romantic Comedy so that you as a writer approach writing without falling into the trap of tired cliches. We will also explore how to take the storytelling conventions and turn them on their head. We will examine films and series including When Harry Met Sally, 500 Days of Summer, The Apartment, Knocked Up, What Women Want and more to find out what makes these projects work and how we can apply those same principles to our writing!