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We're back in the Writers Room this afternoon for a special The Breakdown Webcast: Writing Adaptations with Special Guest, Writers' Room Member Stephen Potts! Stephen Potts is a screenwriter specializing in adaptations with one feature film produced (a Philip Pullman adaptation), four others optioned. Also author of children's adventure fiction (seven books published) and writer for stage and radio. Full Bio »
We're back in the Writers Room this afternoon for a special The Breakdown Webcast: Writing Adaptations with Special Guest, Writers' Room Member Stephen Potts!
Stephen Potts is a screenwriter specializing in adaptations with one feature film produced (a Philip Pullman adaptation), four others optioned. Also author of children's adventure fiction (seven books published) and writer for stage and radio.
The Breakdown
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"Thanks, Stephen! Excellent presentation!" - Martha C.
"Thank you, Stephen! This was awesome." - Monica M.
"Excellent presentation!!" -Christopher L.
Whether musical biopics like Rocketman, historical dramas like Extremely Wicked, Shockingly Evil and Vile or The Irishman from Netflix, or films loosely based on historic events like 1917 or Once Upon a Time in Hollywood... audiences are fascinated by true stories. During this super-sized 90-minute webcast, we explore films and series including Chernobyl, The Social Network, Munich, Molly's Game, Charlie Wilson's War, and more to find out what makes a good script based on true events or real people work.
We’re back in the Writers’ Room for the Breakdown with Julia Harter. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Julia breaks down their episode of GHOSTS.
We're back in the Writers' Room for the first Breakdown Webcast of 2021! At some point we have heard a note that “your story feels flat" or "your second act is weak" or "this won’t sustain for 100 minutes." If that is the case, there is a good chance that you have an underdeveloped (or perhaps no) B-Stories or Subplots. That is why we will be breaking down story structure to find out exactly what B-Stories and a Subplots are, and how we can incorporate them into our writing. Using clips from INCEPTION, BACK TO THE FUTURE, and DIE HARD, we'll examine how the B-Stories and Subplots of these narratives help drive the second act and create a more impactful story. After the webcast, make sure to head on over to the Private Lounge to discuss your thoughts on the best B-Stories and Subplots.
We’re back in the Writers’ Room for the Breakdown with Laurie Ashbourne. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Laurie Ashbourne breaks down an episode of True Detective: Night Country.
We're back in the Writers Room this afternoon for The Breakdown Webcast with Matt Ember! Matt Ember is a writer/producer who has worked on over 20 feature films and television shows including THE CONNERS on ABC, THE WAR WITH GRANDPA with Robert Deniro, GET SMART with Steve Carell and Anne Hathaway and FAILURE TO LAUNCH with Matthew McConaghey and Sarah Jessica Parker and many more.
Writers' Room Members! Much more than a Breakdown Webcast, our special guest, Story Analyst for AMAZON Studios, Michael Schulman, will be going to discuss how Spec Scripts get shopped by Agents & considered by studios using examples he worked on: GROUNDHOG DAY, THE SIXTH SENSE, REGARDING HENRY, and MUNICH. Our LIVE audience will get the experience of being in a producer’s meeting where the goal is to dissect the draft and get the project ready to submit to the studio. This is a deep, creative scrub that will provide a specific game plan for a rewrite that will help position your project in the sweet spot of what the studios and streamers are looking for. Michael began his career at the William Morris Agency as an agent trainee, then at ICM, as an agent in the motion picture literary department, Michael began representing emerging screenwriters, directors, and producers, brokering the deal for Danny Rubin’s screenplay GROUNDHOG DAY to director Harold Ramis. Michael also spent years on the buyer side of film as VP of Development for Alec Baldwin’s company at Orion Pictures and subsequently for Dennis Quaid’s company at TriStar, and worked at Barry Mendel Productions, where he was involved with the acquisition, development, and production of Oscar-nominated THE SIXTH SENSE and Spielberg's Oscar-nominated MUNICH. Michael spent two years as head of development for Michael Mann’s company, where he worked on Oscar-nominated ALI, 5-time Oscar-winning THE AVIATOR, and was a former story analyst/script consultant for Netflix in the Original Independent Film (OIF) division. Invaluable knowledge is being shared with our Writers' Room Members, right here on Stage 32!