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We're back in the Writers' Room for the first Breakdown Webcast of 2021! At some point we have heard a note that “your story feels flat" or "your second act is weak" or "this won’t sustain for 100 minutes." If that is the case, there is a good chance that you have an underdeveloped (or perhaps no) B-Stories or Subplots. That is why we will be breaking down story structure to find out exactly what B-Stories and a Subplots are, and how we can incorporate them into our writing. Using clips from INCEPTION, BACK TO THE FUTURE, and DIE HARD, we'll examine how the B-Stories and Subplots of these narratives help drive the second act and create a more impactful story. After the webcast, make sure to head on over to the Private Lounge to discuss your thoughts on the best B-Stories and Subplots. Full Bio »
We're back in the Writers' Room for the first Breakdown Webcast of 2021! At some point we have heard a note that “your story feels flat" or "your second act is weak" or "this won’t sustain for 100 minutes." If that is the case, there is a good chance that you have an underdeveloped (or perhaps no) B-Stories or Subplots.
That is why we will be breaking down story structure to find out exactly what B-Stories and a Subplots are, and how we can incorporate them into our writing. Using clips from INCEPTION, BACK TO THE FUTURE, and DIE HARD, we'll examine how the B-Stories and Subplots of these narratives help drive the second act and create a more impactful story.
After the webcast, make sure to head on over to the Private Lounge to discuss your thoughts on the best B-Stories and Subplots.
The Breakdown
We're back in the Writers' Room for the first Breakdown Webcast of 2021! At some point we have heard a note that “your story feels flat" or "your second act is weak" or "this won’t sustain for 100 minutes." If that is the case, there is a good chance that you have an underdeveloped (or perhaps no) B-Stories or Subplots.
That is why we will be breaking down story structure to find out exactly what B-Stories and a Subplots are, and how we can incorporate them into our writing. Using clips from INCEPTION, BACK TO THE FUTURE, and DIE HARD, we'll examine how the B-Stories and Subplots of these narratives help drive the second act and create a more impactful story.
After the webcast, make sure to head on over to the Private Lounge to discuss your thoughts on the best B-Stories and Subplots.
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"Great session, Jason! I can directly apply this the screenplays I'm working on! So helpful!" - Martha C.
"Thank you, Jason! This was wonderful!" - Monica M.
"Thank you! Interesting as always." - Brent B.
We’re back in the Writers’ Room for the Breakdown with LT Verrastro (Writer). We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as writer/producer LT Verrastro breaks down his Season 4 Episode 4 of BASKETS.
Toph Eggers is a screenwriter and author with 15 years of experience as a working writer. He's had scripts optioned by Montecito Picture Company for Paramount Pictures. He is also the screenwriter of the Fox Searchlight project, "THE THREE NIGHT STAND".
In this Break Down we are seeing what it takes to build a world during the Breakdown Webcast: World Building! This comes as a request from several of our members who want to discuss how to build worlds in your writing...and pre-writing. World Building is one of most important tasks in writing - it lays the foundation for everything that occurs in your story. So how can you do it within your screenplay without feeling expository or over the top? We're going to talk about how to avoid common mistakes in World Building, key ways to get better at World Building, and even look at some examples of World Building from...
Cursing in dialogue can have an impact on many things in your screenplay. We'll examine how swearing is used to reveal character, explore subtext, and drive a narrative forward.
We're back in the Writers Room for a special Breakdown Webcast: Breaking Down Career Goals for 2021! We're officially on the back-half of 2021 and this is a perfect time to assess what we have accomplished so far - and our goals for the remainder of the year. Are you on track? Are you ahead of where you thought you would be at this time? Do you need a bit more of a push and support from your fellow members? During this webcast our members discussed what they have accomplished so far this year, as well as their creative and professional goals for the rest of 2021.
Nick Waters is a Producer and Writer with the horror film, MARGAUX for Paramount Pictures, a comedy with Chloe Grace Moretz and the horror feature SHELTER IN PLACE. Nick will discuss the 8-Sequence Act Structure for Features!
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